Photo by Katie Metcalfe
(written by Islander)
This is the shortest SEEN AND HEARD roundup I’ve ever published, so short that it doesn’t make any meaningful dent in the volume of new songs and videos I’ll be wading through in preparation for the usual Saturday NCS column. I suppose pinning up just one critter doesn’t even qualify as a “roundup”.
But I have what I think is a very good reason for shining our faint spotlight on just one song and video today as the week ends. Continue reading »
(written by Islander)
One good turn deserves another.
Near the end of last month we hosted the video premiere of a song suitably named “Catharsis Through Torture” from a new album by the Finnish death metal band Ashen Tomb that’s headed our way via Everlasting Spew Records. And now, near the end of this month, we’re bringing you another Ashen Tomb song premiere, this one named “Cave of Staring Eyes“.
Maybe we should say “one utterly ruinous turn deserves another”. Continue reading »
(written by Islander)
On November 1st the Danish metal band Helge will release their sophomore album Gidinawendimin. They explain that the album’s title “is an ancient word from the Ojibwe people that means ‘we are all related.'” If it seems strange that a modern-day Danish band would be drawing upon the culture of an ancient North American indigenous people for inspiration, you’ll learn today that it’s not the only non-European touchstone for the band.
And while it’s fair to say that most bands who perform amalgams of black and death metal (as Helge do) tend to focus on dark and even nihilistic themes, this group has a different bent: it seems they might actually be promoting positive spiritual uplift.
For example, the song from the new album that we’re premiering today, along with an exhilarating music video, is called “Keep the Fire Burning“. It’s the song that ends the album, and lyrically it exhorts listeners to “stand aside from ego”, to forsake anger and poison, to “return to the core of the spirit,” and thus to become reborn, and to rise. Continue reading »
(Andy Synn looks to the future with the new album from Germany’s Giver)
Don’t you love it when you stumble across an album that just hits you, out of nowhere, like a bolt of lightning?
It’s a fantastic feeling, and one I hope I never lose… especially when it leads me to discover the electrifying Metallic/Melodic/Post- Hardcore of a band like Giver, whose latest release – the powerfully prophetic The Future Holds Nothing But Confrontation – absolutely blew me away the first time I heard it.
Beginning in late June of this year we began our own gradual march toward the release of Torrefy‘s new album Necronomisongs. At that point we premiered a startling song from the album named “Enslaved New World” (inspired by the Death Gate Cycle fantasy series), and also reprised a previously released single (equally startling) called “Of Wind and Worm” (inspired by Frank Herbert’s Dune). And then in August we brought you the premiere stream of “Street Reaper” (inspired by Stephen King’s Christine).
And now we’re at the end of our march. Necronomisongs will be released tomorrow (September 27th) on the Germany-based Witches Brew label, and today we’re happily sharing a full stream of all the songs. Continue reading »
(written by Islander)
The three seasoned Greek musicians who joined together to form the black metal band Ignominous — just in time to confront the Covid assault — have introduced themselves and their debut album Dawn With No Light through these striking words:
“Ignominous is the pain in our veins, the scream in our hearts, and the shadowed path in our souls — a journey we embarked on many years ago, even before we met each other. The dawn with no light symbolizes our endless struggle, the bleeding of our symbols, and the long journey we have taken together. We have entered the eternal night, and in embracing the shadows, we find true life as the dawn with no light approaches.”
No doubt, the turmoil expressed in that statement has deep and distant origins, but it was exacerbated by more recent events. As noted above, these three joined together in 2020 but the pandemic slowed their work, and by March 2021 all their rehearsals ceased due to severe Covid-related health issues that afflicted bassist Anestis Nekhromancer.
However, the band rose again at the dawn of 2022 and completed the writing of the songs that are now encompassed by their full-length debut, which will be released in early October. As a vivid sign of what they’ve accomplished, we now premiere a song from the album named “The Coming Fall“, presented with a lyric video. Continue reading »
Wurm Flesh
(As we’ve nearly broken into the final quarter of the year, DGR decided it was a good time to do some more catching up on reviews that have been percolating in his head, and so here are five of them that might collectively scramble your own head.)
While sifting through the pile of music that I’ve been gathering up over the years for these shorter, less officious and stuffy – my preferred writing style – review collectives I’ve found that I often have a small blockage of grind releases building up against the wall. There hasn’t necessarily been a particular overarching guide as to what gets written about and when with these, as it’s more of a panicked attempt to spread the word about a few of them before year-end season hits, and I lock myself in a closet with the laptop and a caffeine-fueled fit of pique and do so much writing that I end up having zero thoughts for a month afterward.
However, this bout is my attempt to help get a few of those out there, as well as to aim for something a little shorter and then round off with two releases from way opposite ends of the spectrum that I’ve been enjoying in between checking out the shiny latest and greatest that have come tumbling down the pipeline over the last few months.
Combining this with an absolutely fucked-up concert slate for my corner of Northern California and you can see exactly where the compulsion for coverage is starting to take over, with the sense that these things need to happen now. Continue reading »
(written by Islander)
“You forget what you want to remember, and you remember what you want to forget. That is how memory works. Pain and suffering etch themselves onto your soul, while joy seems to be a fleeting whisper you can barely hold onto. It is this paradox of memory that haunts us all, leaving us to wonder what we are, what we were, and what we might become.”
— The Road by Cormac McCarthy“I stand beneath the open sky, at the setting of the sun. The still waters stretch before me to the distant horizon and the clouds drift slowly across the vast canvas of the sky – a brilliant blending of deepest blues, rich purples, vivid red and warm orange. Yet for all the open vista, the space and freedom, I am trapped; suffocating in a labyrinth of black desperation. The cold walls of insurmountable sorrows and confusion contain me and I am imprisoned by past scars that have become infected, poisoned by the cruel, slow venoms of grief, loss and guilt. I built this maze, but I have long since forgotten the way to freedom…”
— Marche Funèbre
I probably could have left those two quotations and moved right along, without further embellishment, to the premiere stream of Marche Funèbre‘s new album After the Storm (set for release by Ardua Music on September 27th) that we’re hosting today. I had the second one already. Purely by coincidence, I saw the first one shared on social media just as I was finalizing this premiere article. It’s from a devastating and unforgettable work by the late Mr. McCarthy, and seemed entirely suitable to the experience of the album, which is itself often devastating — and I suspect will be very hard to forget as time passes.
On the other hand, those quotations could also be a bit misleading, because it turns out that After the Storm is as vibrant and as heart-pounding as it is heart-aching. Continue reading »
(Andy Synn presents three fresh flavours of heaviness for you to – hopefully – enjoy)
In light of how long and wordy my write-up of the newIngurgitating Oblivion was yesterday I decided that today I’d focus instead of a handful of shorter, and simpler, releases from recent weeks – both as a way of giving my brain a little bit of a rest and because I’ve been pretty lax about covering EPs this year.
So, let’s not waste any time and get right to it, shall we?
(French NCS contributor Zoltar returns today with an interview he recently conducted with Justin Stubbs, the focus being on Father Befouled and their newest release via Everlasting Spew, but also touching on the status of Stubbs‘ other projects.)
While their early years were plagued by various, and a tad reductive, accusations of simply trying to be more Incantation than Incantation themselves, from their 2012 album Morbid Destitution Of Covenant onwards, Father Befouled have been carefully crafting their own brand of dark death metal, one release at a time, with 2022’s Crowned In Veneficium proving to be another highlight.
By the time you’ll be reading this, the band will be in the middle of a two-week European tour with label mates Fossilization. As they have a new EP out named Immaculate Pain, whose video for the title-track was premiered on NCS on July 30th, we took that opportunity to talk with their main man Justin Stubbs about this new slab of brutality, their latest line-up shift. and why he will always have something blasphemous to say. Continue reading »