Jun 212023
 

Like other bands around the globe, Formless Oedon from the Philippines came to life in time to release their first recording (the Deathless Luminosity EP) just as the world began to be consumed by the ravages of covid in March 2020. Fortunately, the EP still made an impression among fans of death metal, and particularly those with a hungering for the old-school filth of the Finnish tradition.

Even more fortunately, the pandemic and its lockdowns didn’t snuff out the creative fires of this band, and they managed to record a debut album named Streams of Rot that’s now set for release on July 24th by the Memento Mori label. As a sign of what’s coming, today we premiere the album’s second advance track, “Calcine Purification“. Continue reading »

Jun 212023
 

In July of 2020 the Danish band Ascendency released a debut EP named Birth of an Eternal Empire. It chronicled the rise to power of a despotic tyrant and was announced as “the first of a trilogy of short releases, with a continuous conceptual narrative, about the thirst for power and hegemony and the ultimate betrayal of ego and arrogance”.

That EP made a striking impression as a hybrid of death and black metal that featured skull-busting grooves, white-hot riffing, crazed leads, demonic vocals, and yet the capacity to create eerie and unsettling atmospherics from the other side of the veil rent by the music’s violence.

Now Ascendency are returning with another EP in the promised sequence. This one, A Manifest of Imperious Destiny, will be co-released on July 14th by none other than Me Saco Un Ojo Records and Dark Descent Records, on 12″ vinyl and CD formats, respectively, and today we have the privilege of revealing one of the four new tracks: “Victory – in all its Ephemeral Glory“. Continue reading »

Jun 212023
 

I started working on this roundup of new music on Juneteenth, the U.S. holiday that was observed two days ago. Couldn’t finish it in time, due to a little celebration of the day that I was involved in. (Even my white-as-chalk family in central Texas celebrated it when I was growing up there eons ago, mainly for the excuse to feast on soul food, not so much to commemorate the final surrender of the Confederate army, and it has stayed with me even here in Washington State where it became an official holiday only last year). I couldn’t finish the roundup yesterday either, but finally, success.

Still buried in new music and with my brain knotted trying to figure out what to do, I decided to cut this Gordian knot by focusing on just a few recent releases from bands in the Pacific Northwest near where I live now. Although they’re all from the same region, however, you’re in for a real musical roller-coaster ride.

UNDULATION

First up is An Unhealthy Interest in Suffering, a head-spinning debut EP released by the Seattle band Undulation about 10 days ago. Here’s how the band themselves describe their music:

“Behind an oozing velvet curtain stand Undulation, Le Gran Guignol of Cascadia. Through the dappled sunlight of broken rose windows, their ritual begins like a writhing, pulsating wyrm thirsty for innocent blood. Painting a horrid beauty like gallows in a field of flowers, their cacophony blooms into a blurred, surreal vision of melodic blackened death metal. Undulation cometh.”

Continue reading »

Jun 202023
 

From the name chosen by Andrea Tocchetto (of Inverted Matter) for his solo project Sludge Keeper you might be expecting, well, sludge metal. From the name chosen for the song “Weed Incubator” that we’re about to premiere you might expect, well, something weedian and woozy.

But take a close look at Mark Erskine‘s cover art for Sludge Keeper‘s forthcoming debut album Slough Of Despair and you’ll begin to understand the error of any such assumptions. Pay particular attention to the fiery maw that has opened up from the bowels of the earth, the ruined arches, and in particular the enormous toothsome horror that looms above it all.

These features point the way to music that’s supernaturally monstrous, frightening, and fueled by hellfire — and all those signs are a lot closer to the mark of the music, which is anything but weedian and woozy.

What you’re about to encounter instead is death metal of terrific ferocity — dire and devastating in its moods and exhilarating in its execution. Continue reading »

Jun 202023
 

At the end of April this year the Indian black metal band Démonos released their astounding debut album Anno Daemonium. Over the space of two consecutive Shades of Black columns we attempted to review it, in stages that aligned with the unfolding of the album’s tracks. Experiencing it that way created increasing surprises that were difficult to sum up. The path through the album is not a straight and narrow one. As we wrote in the second phase of the review:

“That trip sometimes feels like being caged with a feral beast and no way out. At other times it feels like someone slipped acid under your tongue without your knowing until it kicked in. At still other times, you might feel teleported into a burial ground as a piano plays a hopeless lament, with the wails of mourners in the background, or into a sonic aurora borealis that glitters and drifts in wondrous colors while the bass throbs.”

And all that happens in just the second song, “Vesper Evocation“, which further includes the solemn tones of a church organ at the end.

We spent several substantial paragraphs here attempting to describe the experience of the three-part opening track “Magma Stigmata“, and there are still five more to come after those two. With each one, Démonos manages to bring in something you haven’t heard in the preceding tracks, both vocally and instrumentally, and in their moods. In other words, there are surprises galore, some of them like sorcery, some of them frightening, some of them spellbinding, some of them ugly, none of them dull.

Today we have the chance to further highlight the album’s third song, “Your Ascension is a Mere Illusion“, thanks to a fascinating video for it that we’re now premiering. The song itself is fascinating, in both its inspiration and its effects on the listener. Here is what Démonos says about its subject: Continue reading »

Jun 202023
 

(Andy Synn would like to call your attention to the fiery new album from Rană)

A while back – way back when I actually had time to write articles and opinion pieces as well as reviews (weren’t those heady days?) – I wrote a piece interrogating what it was which made Metal my genre of choice.

At the time I chose to focus on the feeling of “power” inherent in the music, that sense of energy and electricity which – even at its darkest and doomiest – Metal possesses that I just can’t seem to find in other genres (which isn’t to say I’m not a fan of other styles of music, it’s just that I have different reasons for loving them).

But there’s more to it than that. Indeed, these days at least, it’s as much, if not even more so, about the passion behind the performance… something which no “AI” generated facsimile or written-by-committee cash-grab can ever capture or replicate… and, in that regard, I’ve yet to encounter (m)any other releases so far this year that are as passionate as Richtfeuer.

Continue reading »

Jun 192023
 

When you gaze upon Mark Riddick‘s cover art for the new album by Eternal Rot, you know what’s coming. You know that little cross will provide no defense against the rotting horrors that have crawled from their graves to extract a ghastly vengeance. You also know, even if you haven’t previously encountered this band’s music, that their brand of death metal is murder most foul — diseased, disgusting, and depraved — but it’s also the kind of “ignorant, knuckle-dragging stomp” that’s calculated to crush skulls and wreck necks.

Those quoted words aren’t ours — they’re part of the PR previews offered on behalf of the two labels who will jointly release this band’s third album, Moribound, on July 24thMemento Mori and Godz Ov War Productions. But don’t mistake those words as some kind of criticism. It’s just a way of highlighting the fact that Eternal Rot disdain pretension and favor the primitive — but we must quickly add that their rotten and ruinous brand of organ-rupturing and bone-smashing extremity is as catchy as it is bludgeoning.

As you can see from the title of the song we’re premiering today, Eternal Rot also have a way with words, the kind that brings devilish smiles to fiendish faces. Continue reading »

Jun 192023
 

The creative output of the Spanish funeral doom band Ornamentos del Miedo (“ornaments of fear”) has rolled forward like a powerful tide, seemingly unstoppable in its momentum. After a first single in 2018, this solo project of Ángel Chicote (Graveyard of Souls, Mass Burial, Logical End…) has produced three albums and a pair of shorter releases, most recently the EP Frío, which was released by The Way of the Hermit in January of this year. And now a fourth full-length is about to crash against the rocks of our shores.

The title of the new album is El Cosmos me Observa en Silencio. Presenting six songs and more than 70 minutes of music in total, it’s set for release on July 6th by the same label, which is an imprint of the Spanish label Darkwoods that’s solely devoted to gloomy and mournful musical atmospheres.

To help pave the way toward the release of this immense new descent into an underworld of dark emotions, today we premiere a lyric video for the 5th track in the album’s running order, a song called “El Camino Desaparece a cada Paso” (“The Path Disappears at Every Step”). Continue reading »

Jun 182023
 

In yesterday’s round-up of new music I mentioned a risk that might imperil today’s column, and the risk became a reality. It’s a minor miracle that it’s here at all, though it’s shorter than I planned and comes much later in the day. In fact, it’s limited to thoughts about a single new album, which I hope you will find worthwhile.

And by the way, Happy Father’s Day to any fathers who happen to drop in here (it’s a U.S. holiday, but the good wishes extend to good fathers everywhere).

SAMMATH (Netherlands)

Sammath are a true rarity — rare in part merely because they have survived for nearly 30 years as a band. As we all know, life expectancy is low for bands in the metal underground, where no one can make a decent living doing it and even minor obstacles thrown up by life can rapidly derail promising futures. But Sammath are an even greater rarity: They haven’t just survived and persisted for such a long stretch of time, but somehow they’ve just released an album that I dare to say is the finest one of their 30-year career. Continue reading »

Jun 172023
 

The plan as of yesterday was three round-ups in a row, and now I’m two-thirds of the way to success. The way things are looking now, I feel good about the odds of finishing a third one in tomorrow’s Shades of Black collection. Don’t place any bets, however, because there’s a party in my future tonight and possibly a hangover in my future tomorrow morning, but at least there’s no sign of my fucking day job bringing out the whip.

ALKALOID (Germany)

As a rule, news doesn’t get published here unless there’s music to go along with it. But like the rule in our site’s title, we do make occasional exceptions. This is one of those times.

Yes, I’m sorry we don’t yet have any new music from Alkaloid to share, just that album art you’ve been staring at up there — but hell, that’s worth an exception isn’t it? Continue reading »