Oct 252023
 

“It’s hard to be optimistic in such a fucked up world. Because we witness violence and ugliness on a daily basis, we can’t help but make music that is aggressive and filthy.”

With those words, the French doom-sludge trio Peine Kapital have announced their self-titled debut album, which will be released on October 27th by the respected Sludgelord Records. And those aren’t empty words. As you’ll learn for yourselves today through our complete streaming premiere of the album, Peine Kapital is a truly harsh, harrowing, and immensely heavy experience. Continue reading »

Oct 252023
 

(Today we launch the first of what we hope will be many playlists from our Italian friend Tito Vespasiani, who introduces himself below. This first one is 20 tracks long, with specific commentary in this post about a select few and an embedded stream of everything at the end.)

Hello everyone!

I’m Tito Vespasiani, your friendly neighbourhood death metal aficionado. I do A&R for Everlasting Spew Records, manage a few bands (it all started with Hideous Divinity back in 2012), book shows internationally and in Rome through my agency Death Over Rome, and most of all I love making playlists for people and sharing music with everyone all over the world.

Here’s the first edition of my weekly recommendation playlists. It will be on Spotify (here) as it’s the platform I find most comfortable but I’ll also include other links for those not using it. I’m providing a quick introduction to some of the tracks, but not all, ’cause I don’t wanna bore you to death.

But if you’re down to chat about metal, hit me up on Facebook or on instagram: @tito.vsp Continue reading »

Oct 252023
 


photo by Afra Gethöfer Grütz

(Comrade Aleks has brought us an unusually good interview with the thoughtful founder and guitarist of the unusual German black metal band Nebelkrähe, whose first album in 10 years will be released on October 27th by Crawling Chaos.)

NCS readers have already had an in-depth look at Nebelkrähe’s new album ephemer. This German band returns with their third album after a ten-year hiatus, and their sophisticated blackened metal.

There was much said about them in the previous video premiere post and there will be a lot said in this current interview. We spent enough time with Nebelkrähe’s guitarist Morg, and I hope that this interview will not only answer your questions about the band but also will stimulate you to search for more. Continue reading »

Oct 242023
 

We read the lyrics for Glacier Eater‘s new album Tempest before listening to any of the music. They are well worth reading, both because they were crafted with literary flair and also because they tell a story that builds anticipation for the music.

That gripping narrative unfolds across the songs, each of which is like a chapter in a tragic saga. Through two contentious narrators, they relate the attempt of a warrior captain to lead his forces away from the life of killing they knew and to sail toward a foreign shore “at the edge of the world” where they might find peace, “a chance to make it right”.

Some in the company don’t share the captain’s optimism, and sure enough, it turns out they have sailed “into a hole of death”. Against the backdrop of a volcanic eruption they are assaulted by other warriors on the shore, whom they slaughter until forced to retreat and set sail again, only to be assaulted in a different way by the tempest for which the album is named, as if the gods themselves are exacting “a righteous vengeance” for all the killing they have done.

But even then, after the storm and the drowning of many, the protagonists’ turmoil hasn’t ended, because another ship, a hostile one, is rapidly gaining on them and cannons blaze, “another fight on our hands”. Continue reading »

Oct 242023
 

(The debut album of Chicago-based Stomach was released last Friday by Hibernation Release, and today we’re helping spread the word through the following review by Christopher Luedtke.)

As the world grows uglier so does perspective. Whatever we have gleamed or counted as a civilized society is long slipping through frail fingers. One, if so inclined, could likely trace the cracks in the collective consciousness through music alone. Things keep getting uglier, like a brain fever that never subsides. Maybe for our times things have just gotten more honest, raw, and ugly from an art perspective. It’s something to consider when listening to Stomach’s debut full-length Parasite.

The Chicago, IL duo consists of drummer/vocalist John Hoffman (Weekend Nachos, Ledge) and guitarist Adam Tomlinson (Sea of Shit, Sick/Tired), two players who are no strangers to composing raw-nerve music. Stomach, originally started by Hoffman, began as a loose version of Earth or Grief worship. Since its inception in 2020, the project has released two killer demos. However, now the project is ready to reign down holy hell with their debut full-length Parasite. Continue reading »

Oct 242023
 

(Our writer DGR tends to wait until after records have been released before reviewing them, even when he’s had them in his clutches long in advance of the release date. Today, however, he’s gotten the jump on Insomnium‘s new EP, which won’t be out (on Century Media) until November 3rd.)

Earlier this year, Insomnium unleashed a great full-length album in the form of Anno 1696. We dove very deep into the album around the time of its release, exploring its concept, guest musicians, and overall execution. We had a pretty good time with it and found that the band do well when they have a concept to dedicate themselves to, after initially seeming a little adrift musically, content to do a standard Insomnium act that didn’t push the band.

Regular, straight-shooting Insomnium is still pretty good but there’s always the worry of diminishing returns. In some ways it seems like the band themselves are aware of the times when they do settle into a groove for too long. They’ve gotten pretty good at evolving in one form or another, and Anno 1696 did well lifting the band back up and recharging them.

If there was one feeling that hung in the air a bit with Anno, it was that the album was surprisingly concise – from a group that just prior had multiple songs stretching into the seven-minute range – and wrapped up rather neatly. If, however, you were able to wrap your grubby mitts around one of the limited editions of Anno 1696 then you had access to the three songs being presented here in an addendum EP, Songs Of The Dusk. Continue reading »

Oct 232023
 

(This is DGR‘s review of the newest album by Baltimore-based Wormhole, which came out late last month on Season of Mist.)

With a new home on a new label, a new genre-approach, and a sizeable shift in the lineup, the Wormhole that is present on their late-September release Almost Human is an entirely different beast than the Wormhole that existed three years prior.

The guitar and drum positions haven’t changed, remaining solid since the days of 2020’s The Weakest Among Us, but the band are now joined by journeyman death growler Julian Kersey (Aegeaon, a few stints live for The Faceless) and bassist Basil Chiasson for a surprisingly different take on the group’s previous head-spinning hybrid of brutal death and slam. Continue reading »

Oct 232023
 

(Andy Synn hopes to ignite your interest in the new album from Philadelphia’s Witching, set for release this Friday)

It was just over three years ago that we hosted the premiere of Witching‘s first album, Vernal, describing it as:

“…a subtly proggy, occasionally doomy, but above all emotionally intense, form of Sludge reminiscent of both latter-day Ludicra and early Mastodon.”

And while that description still holds true for their debut, there’s no question that album #2 is an altogether more aggressive and incendiary piece of work.

Continue reading »

Oct 232023
 

After six long years of lycanthropic reclusion, ONE MASTER are ready to unveil a new full-length recording: The Names of Power. Taking its title from the ancient occult idea that if one learns the true name of a deity, access to its power can be obtained, the theme of the album is on the power of language, with each song being focused on its use in a different context: religion, heresy, a cult, solitude, the universe, and modernity.

That’s how the promotional materials for The Names of Power begin introducing the new double-LP from this cult East Coast black metal band. They include more details that we’ll share with you, but for now we want to move right into the music, which is maybe even more fantastic than even die-hard fans of One Master might be expecting. Continue reading »

Oct 232023
 

photo by Ester Segarra

(Last week we reviewed the new album by Iran-born, UK-based Trivax (recently released by Cult Never Dies), and today we follow that with a wide-ranging interview by Comrade Aleks of the band’s founder Shayan S.)

Trivax was started in April 2009 in Iran by Shayan S. (guitars, vocals) who moved to Birmingham in 2011 and reformed the band with a new lineup there. The first one who joined Shayan back then was the drummer Matthew Croton, as the current bass-player Sully get involved in Trivax in 2018.

While the first album SIN (2016) didn’t have a big impact, it seems that the new full-length blackened death metal manifest Eloah Burns Out will have it. Trivax came fully armed. Their new video “Azrael” is striking and kind of shocking; their performance at the Cosmic Void festival in London got its praise too; and Eloah Burns Out itself, released by Cult Never Dies on September 29th, promises to be one of most authentic extreme albums of 2023.

Let’s take a look at the modern world’s lunacy and satanic magic through the Trivax prism together with Shayan. Continue reading »