AN NCS PREMIERE: ETERNAL ROT — “SWOLLEN CORPSE ADORATION”

 Premieres  1 Response »
Jun 192023
 

When you gaze upon Mark Riddick‘s cover art for the new album by Eternal Rot, you know what’s coming. You know that little cross will provide no defense against the rotting horrors that have crawled from their graves to extract a ghastly vengeance. You also know, even if you haven’t previously encountered this band’s music, that their brand of death metal is murder most foul — diseased, disgusting, and depraved — but it’s also the kind of “ignorant, knuckle-dragging stomp” that’s calculated to crush skulls and wreck necks.

Those quoted words aren’t ours — they’re part of the PR previews offered on behalf of the two labels who will jointly release this band’s third album, Moribound, on July 24th — Memento Mori and Godz Ov War Productions. But don’t mistake those words as some kind of criticism. It’s just a way of highlighting the fact that Eternal Rot disdain pretension and favor the primitive — but we must quickly add that their rotten and ruinous brand of organ-rupturing and bone-smashing extremity is as catchy as it is bludgeoning.

As you can see from the title of the song we’re premiering today, Eternal Rot also have a way with words, the kind that brings devilish smiles to fiendish faces. Continue reading »

AN NCS VIDEO PREMIERE: ORNAMENTOS DEL MIEDO — “EL CAMINO DESAPARECE A CADA PASO”

 Premieres  No Responses »
Jun 192023
 

The creative output of the Spanish funeral doom band Ornamentos del Miedo (“ornaments of fear”) has rolled forward like a powerful tide, seemingly unstoppable in its momentum. After a first single in 2018, this solo project of Ángel Chicote (Graveyard of Souls, Mass Burial, Logical End…) has produced three albums and a pair of shorter releases, most recently the EP Frío, which was released by The Way of the Hermit in January of this year. And now a fourth full-length is about to crash against the rocks of our shores.

The title of the new album is El Cosmos me Observa en Silencio. Presenting six songs and more than 70 minutes of music in total, it’s set for release on July 6th by the same label, which is an imprint of the Spanish label Darkwoods that’s solely devoted to gloomy and mournful musical atmospheres.

To help pave the way toward the release of this immense new descent into an underworld of dark emotions, today we premiere a lyric video for the 5th track in the album’s running order, a song called “El Camino Desaparece a cada Paso” (“The Path Disappears at Every Step”). Continue reading »

SHADES OF BLACK: SAMMATH — “GREBBEBERG”

 Album Reviews, SHADES OF BLACK  No Responses »
Jun 182023
 

In yesterday’s round-up of new music I mentioned a risk that might imperil today’s column, and the risk became a reality. It’s a minor miracle that it’s here at all, though it’s shorter than I planned and comes much later in the day. In fact, it’s limited to thoughts about a single new album, which I hope you will find worthwhile.

And by the way, Happy Father’s Day to any fathers who happen to drop in here (it’s a U.S. holiday, but the good wishes extend to good fathers everywhere).

SAMMATH (Netherlands)

Sammath are a true rarity — rare in part merely because they have survived for nearly 30 years as a band. As we all know, life expectancy is low for bands in the metal underground, where no one can make a decent living doing it and even minor obstacles thrown up by life can rapidly derail promising futures. But Sammath are an even greater rarity: They haven’t just survived and persisted for such a long stretch of time, but somehow they’ve just released an album that I dare to say is the finest one of their 30-year career. Continue reading »

SEEN AND HEARD ON A SATURDAY: ALKALOID, CYSTIC, EUDAEMON, DYMNA LOTVA, TONGUES

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  5 Responses »
Jun 172023
 

The plan as of yesterday was three round-ups in a row, and now I’m two-thirds of the way to success. The way things are looking now, I feel good about the odds of finishing a third one in tomorrow’s Shades of Black collection. Don’t place any bets, however, because there’s a party in my future tonight and possibly a hangover in my future tomorrow morning, but at least there’s no sign of my fucking day job bringing out the whip.

ALKALOID (Germany)

As a rule, news doesn’t get published here unless there’s music to go along with it. But like the rule in our site’s title, we do make occasional exceptions. This is one of those times.

Yes, I’m sorry we don’t yet have any new music from Alkaloid to share, just that album art you’ve been staring at up there — but hell, that’s worth an exception isn’t it? Continue reading »

SEEN AND HEARD: SPIRIT ADRIFT, SEEK, THE CIRCLE, SVRM

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  3 Responses »
Jun 162023
 

 

As usual, I have far more new music I want to recommend from this week that’s now ending than I have time to write about today. If I play my cards right, and the creeks don’t rise, I can spread them out over three posts, including another roundup on Saturday and Shades of Black on Sunday. That will help, though I’ll still fall short of being comprehensive. Here’s what I picked to start off:

SPIRIT ADRIFT (U.S.)

When you see a song named “Barn Burner” you expect… well… a barn burner. Or in this case, based on the lyrics and the video, it’s more likely a church burner, or a flaming pyre of people who bought and sold deified lies. And yes indeed, the song is a muscle-moving born burner. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): SNORLAX — “THE NECROTROPHIC ABYSS”

 Album Reviews, Premieres  3 Responses »
Jun 162023
 

It’s not as if we didn’t already know that the Australian project Snorlax (the solo work of Brendan Auld) was capable of making music that causes listeners stop suddenly in their racing tracks, and leaves them feeling kind of gob-smacked. Especially on the band’s debut album II, that became vividly evident. But still, the band’s new album The Necrotrophic Abyss is astonishing, and we’re lucky to get to premiere it today.

Here, the band’s evolving unification of black and death metal has reached full fruition, flowering into compositions that are bludgeoning, violent, and bewildering, elaborate in their constant permutations but both viscerally frightening and soul-crushing in their renditions of desperation and downfall — and all of it executed with jaw-dropping technical skill and captured with remarkable production quality.

On this album, to put it more succinctly, the unexpected becomes expected, and the result is a compact record that stands well out from the pack as we near the halfway point of 2023. It’s not the kind of thing you hear once and move on from. It’s the kind of thing that’s like your own personal Pandora’s box, waiting to be opened again and again, to witness with stark fascination its manifold evils fly into the world over and over. Continue reading »

SHORT BUT SWEET: ALTARAGE / DĀMIM / INNUMERABLE FORMS / MORNU / TRIPHEAD / WOODS WITCH

 SHORT BUT SWEET  1 Response »
Jun 162023
 

(Andy Synn collects a series of six short-form releases you may not have heard)

Time, as they say, is a cruel mistress.

No matter what we do, she never seems to give us enough of herself, and always demands that we try to do more, write more, say more, with what little she allows us to have.

It means that we frequently have to make some harsh decisions when it comes to what we do, or do not, cover here at NCS, and so it’s inevitable that stuff we might otherwise have liked to write about – for example, the delicious new Depeche Mode covers record by SOM – sometimes doesn’t make the cut.

Which, ultimately, makes it extra important that you all check out the following EPs… because so much already gets missed out that you really can’t afford to let these pass you by too!

Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): PLAGUEWIELDER — “BURNING DEATH”

 Premieres  2 Responses »
Jun 152023
 

We’ve closely followed the releases of Ohio’s Plaguewielder almost from the band’s inception, not only for the obvious reason that we’ve found the music consistently compelling but also because the progression from one release to the next has never been entirely predictable.

To be sure, dark shadows have consistently swathed the music, and it has been continuously fueled by harrowing emotional intensity. As we observed in reviewing their most recent album, the remarkable Covenant Death, “feelings of hopelessness, frustration, and fury have always seem to be fighting to get out into the songs”.

But, especially as revealed on that latest album, the band’s stylistic ingredients have become increasingly multi-faceted. That album was still music as catharsis, as Plaguewielder‘s music always has been, but the range of musical influences expanded outward in captivating ways.

We’ve learned that Plaguewielder are at work on their next album, which will have the evocative title In Dust and Ash, and we will again be eager (and intrigued) to hear it. But in the meantime Plaguewielder are bridging the gap between full-lengths with a new EP named Burning Death (set for release tomorrow via Jeff Wilson‘s disorder-recordings), and once again it holds surprises. Continue reading »

AN NCS PREMIERE: SERPENS LVX — “I AM THE ADVERSARY (IMPII IRRELIGIOSI CARNIVORIBUS IMMORTALIBUS”

 Premieres  No Responses »
Jun 152023
 

Spirituality is a staple of black metal, more than in any other genre of extreme metal. Although some death metal bands seem to have made a religion out of gore, and there’s no shortage of pentagrams and blood sacrifices in the classics of doom, not to mention the worship of Lovecraft just about everywhere, it is in the realms of the pitch black where supernatural belief dominates.

The exaltation of Nature is its own form of worship among many black metal bands, but there is only one figure at the very top of the pantheon. In different guises and explored through a multitude of different esoteric manifests and practices, it is Lucifer (though his names are legion) who provides the principal inspiration, or at least that is what many bands proclaim, though one suspects it is faux faith in many instances.

Serpens Lvx brandish Satanism lavishly on their debut album, extensively entitled HENDECAGRAMICON: Adversarial Ethos Exoterically Unlocking Shrines Of Dissolution, though their thematic subject matter extends to mythic demonic figures of greater variety: The song titles, for example, include references to Tiamat, Typhon, Quetzalcoatl, and Aztec vampyrism. It is a variant metaphysics — the album also includes a song called “Anticosmic Eroticism (Sexual Black Light Magick)” — but the through-lines are apparent.

The important question, of course, is how this part-Mexican, part-Russian duo have elucidated their themes in sound. We have examples for you, including a song we’re premiering today: “I Am The Adversary (Impii Irreligiosi Carnivoribus Immortalibus)“. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): HOLY DEATH — “NECK WOUND SESSION”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Jun 142023
 

We’ve been fans of the underground California death/doom band Holy Death ever since coming across their second EP, Supreme Metaphysical Violence, soon after its release in February 2020. We’ve followed them closely ever since, like a pack of hounds chasing after a car, witness the fact that we’ve written about them on seven separate occasions over these three years.

And so my heart sank last September when I read a statement by the band’s vocalist/guitarist Torie John that jut a few days after the band released their 2022 Moral Terror EPs he was diagnosed with metastatic papillary thyroid cancer, and that it had spread from his thyroid to his lymph nodes.

Torie also explained that the cancer could be treated with surgery, and that it was curable. At the time of that first announcement, he was still searching for a surgeon and hospital to perform a complete thyroidectomy and removal of lymph nodes. Ultimately, the search was successful, and the extensive surgery on his neck was scheduled to take place last November.

What did he do to prepare for the surgery? Of course, he and his bandmates spent November 5, 2022, recording a new release with Raul “Riff” Cuellar at his Riff Audio studio in Burbank. Naturally, they named the record Neck Wound Session. Continue reading »

 Older Entries  Newer Entries