Mar 032023
 

The Ancient Greek word katabasis referred to a journey into the underworld — the Hades of myth — but in time it has come to refer to travels into the realm of the dead in tales beyond the stories of Odysseus and Orpheus.

“Katabasis” is also the name of the song we’re premiering today from the debut album of the Italian/German band Nekus, and as song titles go, this one was a perfect choice — because the music is horrifying and hopeless, supernatural and suffocating.

It does seem to rudely usher us into an ugly, abominable place where only the dead may dwell, and suffering is endless. But as you’ll discover, the song is also a sonic cataclysm of immense destructive power. Continue reading »

Mar 032023
 

 

(We present today Comrade Aleks‘ extensive interview with Tom Noir, founder of the U.S. gothic doom band October Noir.)

It’s a sort of tricky question, but there are always “new” bands which are inspired by “old” ones. For good or for bad you can’t escape this, it’s a natural order. Can you imagine 165,195 unique bands in Metal-Archives? It’s just impossible. So I’m ok when I hear a band imitating the sound of a band I like. And don’t forget that there are really individual bands that are nearly impossible to follow or imitate.

I was shocked when I heard October Noir for the first time, as their incredible resemblance to the almighty (but dead) Type 0 Negative is something beyond my comprehension. Yet the band’s founder Tom Noir was able to do that, and first of all it’s in his vocals, though I must admit that I appreciate October Noir not only for the familiar vibes of colossal doom-riffs and gothic atmosphere but also for a refreshing feeling which is difficult to describe.

The band’s third album Fate, Wine, & Wisteria was released in 2021 but a new one is on its way, and anyway I had questions I wanted to ask Tom. Continue reading »

Mar 022023
 

(Andy Synn casts his all-seeing eye over Enslaved‘s new album, out tomorrow via Nuclear Blast)

I almost didn’t write this review. After all, it’s not strictly necessary, is it?

Let’s face it, Enslaved have long-since reached the stage in their career where, no matter what they put out (and, let’s be honest, they do have a few duds in their back-catalogue, at least by their own high standards) the fans are going to buy it and the critics are going to fawn over it in a patently un-critical manner.

But, as has been pointed out to me, I haven’t failed to write about a new Enslaved release for years, so I might as well keep that streak alive with Heimdal, right?

But where to begin…

Continue reading »

Mar 022023
 

What is it about music which inflicts humongous levels of near-physical sonic punishment, coupled with moods of abject hopelessness or unchained rage, that generates an urgent kind of magnetism for metal listeners? Doom-drenched earth-shakers aren’t comforting, and at pitch-black levels of intensity they aren’t the kind of thing that leaves you humming a tune. So what is it?

We’re pondering these questions after repeatedly listening to the harrowing song we’re premiering today off a new album entitled Monoceros by the unforgettably named Norwegian band Forcefed Horsehead. Even for metalhead whose ears and minds have been roughed up by years of sonic abuse and thus become de-sensitized to crushers, “The Black Sun” is a special kind of ruination capable of leaving people slack-jawed. Continue reading »

Mar 012023
 

The stylistic banner of Seattle’s Plague Bearer brands the band as Unholy Black Satanic War Metal. The striking cover art of their debut album is itself a devotional to demons, and the song titles also scream blasphemy at the top of their lungs. The band’s cloaked, hooded, and masked countenances on stage double-down on the ethos of Hell come to Earth. And of course the album’s title, Summoning Apocalyptic Devastation, is perhaps the most brazen foreshadowing of the ruin within.

Given all that, some people might already be expecting nothing more than the kind of malformed and potentially monotonous sonic abuse that’s the stock in trade of many units who sadistically attack listeners’ ears under the genre sign of Blackened Death Metal. But there you would be leaping to the wrong conclusion.

To be sure, Summoning Apocalyptic Devastation is an explosive and devastating experience, frequently poisonous, almost relentlessly bone-smashing, and as intrinsically evil as all the surface hallmarks would lead you to expect. But the songs also pack riveting riffs, mood-changing melodies more nuanced than you would guess, and the performance skill of veteran executioners.

And thus in those ways (and others) the album may surprise listeners (less of a surprise if you’ve heard any of the track premieres that have preceded the full stream we bring you today). Indeed, we think it’s likely that this is a record which will still be vividly remembered come list-making time at the end of this year. Continue reading »

Feb 282023
 

Recommended for fans of: Primitive Man, Planks, Phantom Winter

Selecting what band to feature for each monthly edition of The Synn Report is more of an art than a science.

Sometimes I like to provide a primer on a seminal band for those looking for a good place to get started with their discography, other times I prefer to highlight the work of an underrated or relatively unknown act who I think deserves more respect.

Sometimes it’s good to focus on a band who are currently active (and this is the case more often than not), at others it’s fun to provide a retrospective on an artist who may no longer be with us but whose work has stood the test of time (and which, unbeknownst to a lot of us, have influenced many of the bands we know and love).

Really, it all just comes down to what I’m feeling at the time, and I’ll often change my mind at the last minute. But today’s entry – covering all three albums, including their recently released new record, by London-based Sludge/Doom/Noise-mongers Remote Viewing – has been set in stone for weeks.

And you’re about to learn why.

Continue reading »

Feb 282023
 

The name of our site has never been a literal commandment, but it’s also fair to say that we tend to observe its mandate more often than we bend or break it. We need a good reason to do the bending and breaking — but we’ve got a very good reason today, thanks to the return of the Finnish duo Desolate Realm and their forthcoming second album Legions.

Formed by members of Decaying, Chalice, and Altar of Betelgeuze, this Helsinki band worship at the altar of traditional epic doom metal, but with a penchant for highly infectious riffs and the kind of potent grooves that kick-start hearts.

Not for naught does the advance press for the album proclaim that it combines “the epic grandeur of doom-metal acts like Candlemass and Solitude Aeturnus with classic heavy-metal of Savatage and Metal Church and the mighty groove of Black Sabbath“. And we’ve got the proof in our premiere of Legion‘s second single, “Through the Depths“. Continue reading »

Feb 282023
 

(On March 3rd Dead Sage Records will release No More Torture, the debut album from Seattle-based Vanishment, and today we’re delighted to premiere the album in its entirety, preceded by the following review written by Todd Manning.)

Retro-thrash can be a dicey affair. Too many bands opt to play an oversimplified version of the genre and forget the nuance and complexity exhibited by many groups as they developed. However, this isn’t the case on No More Torture, the debut full-length from Seattle’s Vanishment.

While No More Torture is the group’s debut, these guys are no rookies. Containing current members of Trial, Himsa, Heiress, and Lair of the Minotaur, their collective experience shines through in both instrumental chops and songwriting acumen. Continue reading »

Feb 282023
 

 

(Today we have a big and well-earned exception to the rule in our site’s title, as we present Comrade Aleks‘ new interview of Kat Gillham from the epic UK doom band Nine Altars. Their debut album The Eternal Penance will be released on CD tomorrow by Good Mourning Records, with vinyl coming later via Journey’s End Records.)

This traditional epic doom metal band was founded in Durkham not so long ago by Kat Gillham who performed this kind of music back in the mid-’90s with Blessed Realm. It seems that some of the other bands and projects where she’s involved, like Uncoffined (death-doom), Lucifer’s Chalice (heavy metal), and Winds of Genocide (crust / death metal), have been on temoprary hiatus — though Thronehammer (doom metal) remains very active — so this band has a new line-up:

Kat Gillham performs drums and vocals, Charlie Wesley and Nicolete Burbach play guitars, and Jamie Thomas is responsible for the bass’ low vibration.

Good Mourning Records seems to ready to release Nine Altars’ debut The Eternal Penance, and regarding the three tracks I’ve heard, that should be a truly notable exemplar of UK doom metal. Continue reading »

Feb 272023
 

(Andy Synn presents three bite-sized morsels of brutality that you may have missed this month)

After my spectacular failure at keeping up with the various short-form releases which came out last year (ultimately having to relegate my coverage to most of the EPs, splits, etc, from 2022 to the end of year round-up instead) I made a vow to myself to stay more on top of things this year.

Obviously this hasn’t happened but… here’s three you may have missed from February that I didn’t want to wait until December to write about!

Continue reading »