Jun 182025
 

(Andy Synn encourages you all to book a trip with Deadguy on their long-awaited new album)

Don’t call it a comeback!

Or… maybe do? Because if there’s one time you’re probably justified in using that word it’s when a band has a thirty year gap between albums (especially if it’s a thirty year gap between their debut and their follow-up).

The thing is, no matter how influential and iconic Fixation on a Coworker was (and still is, to be clear) there’s no getting around the fact that it has been a very long time since 1995, and during the intervening three decades between then and now the Hardcore scene has grown and expanded and evolved to such an extent that the big question actually seems to be… does the world need a new Deadguy album?

Well, here’s the thing, however you answer that question – mine would be a resounding “yes”, by the way – all that really matters is that this is the album that Deadguy themselves needed to make.

Continue reading »

Jun 172025
 

(written by Islander)

The Leipzig-based band Morbyda will have their debut album Under the Spell released on June 20th by Dying Victims Productions. If enough people find it, we predict it will bring throngs of people under its spell, people across a wide range of ages who relish the glories of devil-horned heavy metal. This quartet may be fairly new to the scene, but they sound like they’ve been at this for decades.

“Blackened speed metal” is the high-level descriptor of the music, and it’s not off-base, but it doesn’t fully capture all the traditions Morbyda pull from, or the absolutely electrifying and fist-pumping results they’ve achieved. With this album, they become a band worth watching very closely Continue reading »

Jun 172025
 

(written by Islander)

Following up on a two-song promo released last fall, the Swedish death metal trio Filth will have their debut album Time to Rot released on July 18th by Me Saco Un Ono and Rotted Life.

From the name of the band to the name of the album and the more ghastly aspects of the cover art, the signals are sent that this will be death metal with a decidedly foul and fetid aroma. Perhaps less immediately obvious, the new album is also stunningly ferocious and bludgeoning.

And you should take something else away from the unusual colorfulness and more surreal aspects of the cover art: There is more going on in Filth‘s music than grotesque putrescence and rampaging evisceration — as you’ll discover very quickly upon listening to “Emaciated,” the album track we’re premiering today. Continue reading »

Jun 172025
 

(According to our own Andy Synn, now is the perfect time to get to know Finnish quartet Sargassus)

One thing I mentioned in the intro to yesterday’s review (which you can, and should, read here) was that while we don’t always end up covering some of the bigger bands out there, sometimes we’ll do it just because we enjoy doing so.

But what I failed to mention is that there’s another benefit to occasionally covering some of the more notorious names… because if and when those articles start doing larger numbers and attracting new readers (as has been known to happen every now and again) there’s inevitably a knock-on effect that brings more eyes to the smaller and/or more underground names we usually write about.

Which is why I’ve chosen to follow up my Cryptopsy coverage with some words about the recently-released debut album from Progressive/Melodic Black/Death Metal quartet Sargassus.

Continue reading »

Jun 162025
 

(written by Islander)

Anyone who was even a semi-regular visitor to our site from 2011 through 2023 will recognize the name Oak Pantheon. Over that period we wrote 24 articles about this Minneapolis band’s music, dating back to their first single and continuing through our review of their last album, 2023’s The Absence.

And yes, it did turn out to be their last album, because this past February Oak Pantheon announced that they were amicably splitting up. They explained on social media: “Drifting motivations and musical interests have made it difficult to agree on a cohesive path forward. We will likely work together again, just in different forms.”

Throughout the entirety of their existence and their quite varied musical expressions Oak Pantheon was principally a collaboration between Sami Sati and Tanner Swenson. Since the dissolution of Oak Pantheon neither of them has abandoned music-making. In the case of Sami Sati, we are happily announcing today that he has a new project called Vanishing Earth that serves as a continuation of his efforts and ambitions in Oak Pantheon.

And today we are also very happily hosting the premiere of Vanishing Earth‘s musical debut, a two-song EP named The Boundless that will be released on June 17th. Continue reading »

Jun 162025
 

(written by Islander)

In February of this year Hypnotic Dirge Records released a new album named Antipole by the Canadian death/doom metal band Norilsk. Originally a duo consisting of Nic Miquelon and Nick Richer, the band had expanded by then to include guitarists Tom Hansen and Matt MacIvor, who joined in 2016 and 2017 respectively. But Antipole was the first album to be recorded by all four members, after extensive rehearsals and work among them on the arrangements.

The results of this collaboration, as captured on Antipole, really represent a significant step forward for the band (every band says that about each new release, but in this case it’s really true). The music isn’t conventional death/doom by any means, but encompasses intriguing and surprising stylistic interplays and contrasts.

Moreover, the music’s changing shades of light and dark, of beauty and tragedy, of granitic weight and ethereal evanescence, reflect its thematic interests (sometimes rooted in literature) in expressing duality. As an example of this, today we have a compelling lyric video for a very compelling song off Antipode called “La Fonte“. Continue reading »

Jun 162025
 

(Andy Synn is here to feed your insatiable hunger for more Cryptopsy whose new album is out Friday)

It’s generally understood, by our regular readers at least, that we tend to favour covering smaller, up-and-coming, or less well-exposed bands whenever and wherever we can, largely because – at our level, at least – those are the bands who will benefit the most from our coverage.

That doesn’t mean we won’t cover bigger bands or more notorious names when the opportunity presents itself to do so… it’s just that, after a band reaches a certain level of popularity (or notoriety) it’s easy for our voice to just get lost in the storm of acclaim (or criticism) that tends to follow most releases of a certain magnitude.

Case in point – do Cryptopsy really need us to review their new album? Well, they’re currently on the cover of Decibel which suggests that a) no, they really don’t, and b) the movers and shakers in the industry might finally be coming around to the fact that the band are (still) kind of a big deal.

But just because a band doesn’t need our help doesn’t mean we don’t want to write about them, and to be quite honest I’ve been itching to put my thoughts about An Insatiable Violence down on paper (or, at least, on the internet) for you all to read for quite some time.

Continue reading »

Jun 152025
 

(written by Islander)

Sad to say, this Sunday’s column is much shorter than usual. I got a late start on it, but the bigger explanation is that early tomorrow I’m flying to my former stomping grounds in Texas to be at a Tuesday memorial service for a close friend and vital mentor, with an even earlier flight back to Seattle the next day. That means I need to get a head-start today on premieres I had agreed to host over the next three days before my old friend’s passing following a long illness. Continue reading »

Jun 142025
 

(written by Islander)

Yesterday we premiered a video for a song called “Welcome to Hell“. That title sums up the events that have dominated domestic and international news over the last few days. What fresh hell will today bring? It may be hard to foresee all the details this morning, but it’s already easy to smell the sulphur on the wind.

I picked new music and videos from 8 international bands to get our day started and help get us through it. I feel pretty confident this will all be better than tomorrow’s headlines. If you’re in the U.S. and out on the streets today, stay strong and try to stay safe. Hell, I hope you can stay safe wherever you are. Continue reading »

Jun 132025
 

(written by Islander)

The Polish band MROME have been making music since the mid-’90s, first under the name Kingdom. As MROME, they’ve released four albums so far, most of which we’ve paid attention to (as you can see here), and now we’re very happy to report that a fifth one is on the way.

The newest one, Boneyard Twist, includes 9 tracks recorded live in the studio, and the band have described it to us as “a kind of return to our dark roots from the early ’90s, inspired deeply by the first wave black metal.” Lyrically, they tell us the songs deal “with grave residents, disabilities of body and mind, necromancy and …monks exploding!”

As a sign of what the new album brings, today we premiere a lyric video for a song named “Aristocrat” — or at least we have tried to premiere it! Continue reading »