My usual mission, and it’s usually an obvious one, is to compile these round-ups of new music in a way that presents diversity. When I make my own playlists of music, I prefer to have one track vary (stylistically) from the next to the next to the next. And that’s in the back of my head when I make these SEEN AND HEARD collections; I think of them as playlists of what I would like to listen to, with the added benefit that because the sounds vary, even listeners who have very pronounced preferences might find at least one thing that grabs them, even if they don’t like everything else.
Having said that, what I’ve collected today is particularly all over the place. It starts within the red zone of insanity, and winds up there again, and there are some other zones of insanity in between, zones of very different colors. I don’t expect all of you to like all of this. If you did… well… you would be me, and wouldn’t that be weird? (Obviously, I’ve divided the collection into two Parts, with the second to arrive later today.)
On this day (July 30) the Dutch black metal band Sammath celebrate their 25th birthday, and they have done that by releasing a stream of the first song from their new album, Across The Rhine Is Only Death, via a DECIBEL premiere. As the name suggests, and as the band explain, the album is “a true tale of death and destruction”, conceptually focused on the final months of World War II when Germany desperately tried to hold the Rhine as its western border. Far from a celebration of war, it represents an effort to summon the horrific annihilation that humanity is capable of inflicting on itself — and this new song is utterly annihilating in its own right. Continue reading »