Jun 102023
 

Tough choices to make today, but that’s every Saturday morning, even when I manage to round up some recent selections the day before (which I did this week). Knowing that I’ve got a third chance to make recommendations tomorrow (via Shades of Black) makes it slightly easier, though I didn’t shove off all the black metal into tomorrow.

There’s no real theme to today’s choices, other than the tennis-ball-in-the-tumble-dryer theme that I also used yesterday. Prepare to get bounced around again. (I did decide to book-end the collection with horrors.)

UNDERGANG (Denmark) / SPECTRAL VOICE (U.S.)

I’m drawn to new Undergang releases like a fly to honey, though in their case the better analogy may be flies drawn to a steaming pile of fresh viscera. Even sweeter, the latest Undergang release is a split with Colorado’s Spectral Voice. Continue reading »

Mar 052022
 


Septicflesh – photo by Stella Mouzi

I wasn’t able to pull together any roundups of new songs and videos this past week, which means that today I’m only scratching the surface of what surfaced. It’s more like scratching just the top molecular layer of a solid block of steel. I’ll be back tomorrow to do some more scratching. Maybe some of your musical itches will be scratched too.

SEPTICFLESH (Greece)

Yesterday Nuclear Blast released news about a forthcoming album by SepticFlesh and a video for its first singe, “Hierophant“. It’s a conceptual song that begins a story which continues in the track “Self-Eater”.

This first part of the story (to quote band member Sotiris Anunnaki V) “depicts the experience of a high priest, acting as a human conduit between Heaven and Earth. Having never heard a single word from the mouth of God, he grows tired of preaching the preordained words of the clergy. He turns to performing primitive and powerful rituals that have been long forbidden, as he seeks the guidance of a chaotic elemental consciousness”. Continue reading »

Aug 192021
 

 

I thought I could get this round-up finished in time to post it yesterday when most of these songs and videos were hot off the presses, but I got diverted by my day job. But day-old bread is still pretty good bread. (We don’t have any rule against mixing metaphors here.)

AEON (Sweden)

To begin, we worship in the “Church of Horror“, the first song from the first album by Aeon in nine years. It’s a fast one, with a blazing blizzard of jittery riffing and skull-assaulting drums providing the accompaniment to guttural fury directed against pedophile priests and the church that’s sheltered them. Bits of dismal melody and jolting slamtastic groove play a role in this outraged musical tirade, along with a queasy and maniacally quivering solo. If your ass is dragging, this will fix that for you. Continue reading »

Jan 272021
 

 

Well, look at what happened. No sooner than I said in the last installment of this list that I wouldn’t have time to double-up on these posts in an effort to catch up from six missing days of the rollout, now I’ve gone and done it. (But don’t expect that I’ll be able to continue doing it.)

Unlike most of these installments, I have no particular rhyme or reason why I grouped these three songs together. I’ve searched my subconscious to figure out why, and have come up empty. Maybe it’s simply because I couldn’t find other groupings in which they would comfortably fit. Maybe it’s because I imagined (with a grin) the whiplash effect they would have on you when listening to them back-to-back-to-back.

ANAAL NATHRAKH

No surprise here, it was guaranteed that something from Anaal Nathrakh’s Endarkenment album would be on this list. If there was any anticipation or intrigue, that might have come only from wondering which song I would pick, because there were so many worthy options. Indeed, after compiling the lists generated by our readers, by myself, and by my comrade DGR, there were almost a half-dozen candidates. Continue reading »

Oct 052020
 

 

For the second weekend in a row I made no NCS posts, and this time I didn’t even explain why. The reason was that I took a short vacation with my spouse and friends and spent the weekend in the beautiful wine country around Walla Walla, Washington. There was copious drinking, eating, and sleeping. The covid-related opportunity to average 80 mph (129 kph) driving the 260 miles there and back again was kind of thrilling all by itself. Everything we did was socially distanced (and with only one exception our eating and drinking was done outside), everyone there was masked up, and it felt safe. It was all great, but the weekend left no time for listening to music or writing.

I got back home in one piece late Sunday afternoon, and to extend the holiday my wife and I went out to dinner at a restaurant near where we live that had just re-opened for in-door service. We were the only customers in the entire restaurant, so that felt safe too, though I was sad for them.

With all that behind me, I felt compelled to start this new week at NCS with a selection of new music. Having spent no time this weekend digging deep into what has surfaced over the last week, I made some truly random choices based on some very scattered listening early this morning. But of course I really like what I found, especially because all the songs serendipitously fit together so well. Continue reading »

Jul 302019
 

 

My usual mission, and it’s usually an obvious one, is to compile these round-ups of new music in a way that presents diversity. When I make my own playlists of music, I prefer to have one track vary (stylistically) from the next to the next to the next. And that’s in the back of my head when I make these SEEN AND HEARD collections; I think of them as playlists of what I would like to listen to, with the added benefit that because the sounds vary, even listeners who have very pronounced preferences might find at least one thing that grabs them, even if they don’t like everything else.

Having said that, what I’ve collected today is particularly all over the place. It starts within the red zone of insanity, and winds up there again, and there are some other zones of insanity in between, zones of very different colors. I don’t expect all of you to like all of this. If you did… well… you would be me, and wouldn’t that be weird? (Obviously, I’ve divided the collection into two Parts, with the second to arrive later today.)

SAMMATH

On this day (July 30) the Dutch black metal band Sammath celebrate their 25th birthday, and they have done that by releasing a stream of the first song from their new album, Across The Rhine Is Only Death, via a DECIBEL premiere. As the name suggests, and as the band explain, the album is “a true tale of death and destruction”, conceptually focused on the final months of World War II when Germany desperately tried to hold the Rhine as its western border. Far from a celebration of war, it represents an effort to summon the horrific annihilation that humanity is capable of inflicting on itself — and this new song is utterly annihilating in its own right. Continue reading »

Oct 252018
 

 

“It’s death metal” doesn’t really tell you very much, which is why fans of extreme music long ago began inventing an ever-expanding, increasingly-hyphenated roster of sub-genres. I suppose one of those is “ritualistic death metal”, a kind of phrase that’s difficult to define but you sort of know it when you hear it… sort of. However, my use of the label “Death Rituals” for occasional posts like this one isn’t really intended to describe the style of music, it’s just a short-hand preview of the fact that I’ve decided to devote a round-up of new music to different styles of death metal, and that’s what you’ll find below.

SULPHUR AEON

I’ll go out on a limb and assert that Sulphur Aeon’s Swallowed By the Ocean’s Tide was one of the most explosive death metal debuts of the last 10 years. It didn’t hurt that the cover art by Ola Larsson was equally attention-grabbing. Together, the art and the music vaulted this German band onto the radar screens of fans and critics across the metal-listening parts of the globe in strikingly impressive fashion, and they cemented their reputation with 2015’s Gateway to the Antisphere. Now Sulphur Aeon and Ola Larsson have joined forces again for the band’s third album, The Scythe of Cosmic Chaos. Continue reading »

Jan 272018
 

 

It’s a shitty situation. Here I am, posting more of this list on a Saturday, the weakest day of the week, measured by how may eyes alight on our site. But I’m doing my best to finish this list by February.

Still, the three songs here deserve a fireworks display more grand than what our Saturday traffic usually provides. Life isn’t fair, and it’s too damned short and miserable, too.

MAZE OF TERROR

I read through my list of candidates for this series every day, because I’m still trying to figure out what to include. When I come to this one, I see 10 asterisk marks next to it. I have a vague memory that I was trying to tell myself many months ago, “Your mind is a sieve, it loses important things every day, but don’t forget this one, you fractured motherfucker, this one you FUCKING HAVE TO REMEMBER.” And so I have. Continue reading »

Jun 202017
 

 

Undergang have become masters of a particular kind of lean and mean audio horror, one that is simultaneously brutish and primitive, atmospherically morbid and grotesque, mercilessly destructive, physically jolting, and virally infectious. They write compact songs that are nevertheless dynamic in their pacing and rhythmically varied. And they execute their strategies just as masterfully as they have conceived them.

All of these talents are powerfully on display in this Danish band’s new album Misantropologi, which will be released by Dark Descent Records on June 23, and today we have the privilege of bringing you the streaming premiere of all 10 tracks. Continue reading »

Mar 102017
 

 

I meant to finish this post and launch it yesterday, but as you may have noticed, we had a flood of premieres (all of them worth checking out if you haven’t), and time ran out. So I’m not quite as fast in turning you onto these things as I’d like, and with the delay I’ve accumulated even more good things that I’ll need to throw at you this weekend.

OF WOLVES

To begin, I have a piece of news that perked me right up, from a fondly remembered band whom I haven’t had an excuse to write about in a few years. They are Of Wolves, and they are of wolves. Continue reading »