The new album by the Romanian black metal band Akral Necrosis, their third overall and their first full-length in four years, is a narrative of more than an hour in length. Entitled The Greater Absence, it follows an ambitious, ignorant protagonist in his pathetic yet hazardous quest “to reveal the mysteries of the unseen and the afterlife”. Certain parts of the exposition were inspired by Ingmar Bergman’s 1968 legendary film Vargtimmen (“Hour of the Wolf”), and it further includes a guest appearance by the young Romanian poet David Topala, with an unpublished poem that is reproduced in fragments on three of the album’s tracks.
The album’s epilogue presents a terrible vision of the final destination of the human soul, and in this the band’s perspective “breaks with the concepts of heaven and hell, as well as with the belief that any form of consciousness is suppressed by death”. We’re further told that the narrative is also “an allegory of contemporary practices adopted more and more often in the mainstream music circuit that transforms black metal into a consumer product….”