May 232014
 

(Below, Andy Synn reviews the new album by the revamped — and revitalized — Arch Enemy.)

Ok, I’m sure a fair few of you have already skipped past this review, simply because of the words “Arch Enemy” there at the top. After all, AE are a pretty big band, and an easy target, so it’s not at all “cool” to like them. That’s fine.

But for those of you still reading, I’m sure you’re more than a little interested in just what this new incarnation of the band is all about. After all, the band’s line-up has undergone some pretty big changes recently. Chris Amott has taken what appears to be his final retirement from the group, to be replaced by the superfluously talented Nick Cordle, who comes to the band from the decidedly Arch Enemy-influenced Arsis… it’s not quite Ripper Owens joining Judas Priest, but it’s not entirely dissimilar, is it?

Overshadowing this of course is the departure of Angela Gossow and her replacement by ex-The Agonist frontwoman Alissa White-Gluz, inspiring a firestorm of internet nerd-rage of apoplectic proportions, so-called “fans” of the band clamouring desperately for attention as part of “Team Angela” or “Team Alissa” like angsty pre-pubescent girls.

But let’s make one thing clear right now, before we go any further – having listened to the album in full I can confidently say that Ms White-Gluz is a more than worthy successor to Angela Gossow’s vacated throne. Close enough in terms of power and delivery to maintain a sense of continuity within the band’s discography, but with a style and substance of her own, she brings a welcome breath of fresh air and a renewed, combative edge to the vocals that helps her stand out as more than a simple carbon-copy of her predecessor. Continue reading »

Aug 122013
 

(Andy Synn reviews the forthcoming, self-titled album by Norway’s Satyricon, and we also include a brand new song at the end of the review)

I can already tell that this is going to be a divisive record. Some will love it. Some will hate it. I don’t doubt that a few will simply have no interest in what it’s trying to say. And I doubt very much the band will care either way.

You see, their part is effectively done. Satyr and Frost have spent their time away from the limelight experimenting, exploring, and re-evaluating what they do. Branching out into other areas (both musical and non-musical) has clearly given them a chance to clear their minds and sharpen their thoughts. It’s no surprise then that they’ve chosen to inaugurate their return – and indeed, a new chapter in the tale of Satyricon – with a self-titled album.

And what an album it is. Challenging. Difficult. Resolutely uncommercial, yet subtly, insidiously compelling. Continue reading »

Feb 162013
 

I have more than three friends. I think the exact number is four or five, depending on the day. So the fact that I’m only writing about three shouldn’t be misunderstood as implying that there are only three.

With that out of the way, here’s a shout-out to Phro, Andy Synn, and Valley of Steel. And if you have a problem with me using space on this blog to crow about my friends, please send the words “Fuck You” scribbled in crayon on a piece of paper and mail it in a stamped, self-addressed envelope.

PHRO

As many of you know . . . as all of you should know . . . occasional NCS contributor and long-time supporter Phro has his own blog (Phro Metal) on which he publishes all manner of speculative, mainly Phro-written, fiction. Okay, “all manner” is an exaggeration. To be more accurate, it’s the manner of speculative fiction that’s hyperviolent, sexual, and psychotic. In other words, it’s fun for the whole family!

Yesterday, Phro became a published author in a compilation that’s actually available for sale on Amazon as a Kindle download. It’s called FULL METAL ORGASM #69003, and at this writing it’s ranked #27,271 in paid sales on Kindle. I would like to make a big push to get that ranking up to #27,270. I’ve done my part by downloading it to my own Kindle, which is now making a low moaning noise and beginning to smoke. The screen is also beginning to look like an Etch-A-Sketch that’s just been given a good shake. Continue reading »

Sep 172012
 

(In this latest edition of the Synn Report, Andy Synn reviews the discography of German black metal band Agrypnie.)

Recommended for fans of: Agalloch, Dark Tranquillity, Enslaved

Germany is currently producing some of my favourite, black metal based music. From the cosmic-infused technicality of Dark Fortress, to the shadowy arcana of Secrets Of The Moon, not to mention the snarling, infernal fire of less well-known acts like Infestus and Odem Arcarum.

To that list we can add Agrypnie, a band I only discovered when they were announced for Summer Breeze, but who I instantly fell head over heels in love with. With 3 albums and one EP to their name, and a fourth album prepped for release soon, the group have helped fill the void left in my life by the (forthcoming) dissolution of Abigail Williams. I needed something with that introverted rage and extroverted passion, a band who wrote long songs because they wanted to explore the limits of their sound and vision, and that’s exactly what Agrypnie offer.

Currently a five-piece (at least live, as their Facebook page lists a litany of contributing members) after their initial inception as a one-man project, the band occupy a unique place, balanced on the pinnacle of ferocious, yet melancholic black metal, machine-like death metal force, and majestic post-metal dynamics. Grand touches of Alcest-ian melody and Agalloch-ian majesty vie with hints of Insomnium’s focussed power and Dark Tranquillity’s harnessed aggression, all melded together to produce a sound that blurs the boundaries between melodic black metal and melodic death metal, with a progressive verve that manages to recall both Enslaved and even Anathema at their most expressive. Continue reading »

Jun 082011
 

Recommended for fans of: Pro-Pain, Downset, Sick of It All

The last edition of THE SYNN REPORT was a real mental workout for me; listening to that much horrific, hellish noise, over and over again for such an extended period left me completely and utterly drained. So, for this edition I sought out something more positive and uplifting that, without sacrificing aggression or integrity, would provide me with the perfect antidote to the toxic poisons I had ingested, which is why this iteration of THE SYNN REPORT is going to cover fiery Metallic Hardcore quintet The Warriors.

This Californian 5-piece have to date produced 4 albums (the latest See How You Are having only recently been released this year) of hardcore bite and vicious metallic chuggery, blended with funky, elastic grooves and delivered with a rolling, rock n’ roll swagger.

The harsh, intense vocals of Marshall Lichtenwaldt are perhaps the thing which most people will pay attention to, his distinctive, throat-rending snarls and rapid-fire delivery providing an obvious talking point to any lovers of the genre. Yet the musical abilities of the rest of the band are just as important, the guitars heavy yet far from primitive, the drums taut and punchy, and the bass agile and flowing. Continue reading »