(During my recent stay in Wisconsin for Gilead Fest I had the pleasure of meeting both Tanner Anderson (Obsequiae, Celestial) and his friend Ben Smasher. I later discovered that Ben had written for his own blog about Tanner’s band Obsequiae (formerly Autumnal Winds), and I asked for and received permission to reprint it here (slightly edited), since we have inexcusably failed to review Obsequiae’s music before.)
written by Ben Smasher
Today I am feeling relieved. My trouble began when I met Tanner Anderson in the winter of 2007, and soon after was the first time I’d heard Autumnal Winds. Upon loving it immensely (see my review), there was always this distracting itch that I couldn’t scratch. I really wanted to be able to say the typical phrase, “Oh, this is just like ______ crossed with ______.” There was such a tangible familiarity, which I am usually able to quantify easily by describing it as “A thrashier ______” or something to that effect.
This trouble is even further fueled by Tanner’s and my mutual and unforgivably rampant obsession with melodic black and death metal bands of the 1990’s. Knowing that Tanner’s and my CD collections are largely interchangeable makes it all the more frustrating that I couldn’t easily reverse-engineer Tanner’s music — be it Autumnal Winds or Obsequiae — into a palatable formula that could be stated in a short sentence.
The satisfaction and relief that I have found to this conundrum can be reduced to this article, by giving the music of Obsequiae the reverence it humbly commands. With the recent release of Obsequiae’s debut album on the vinyl format, I have been seeing an increasing number of comparisons, ranging from Agalloch to Hammers of Misfortune to Pentangle to Bathory. Each time I see this I inadvertently stomp my foot down because these associations are lazy, and do all parties a disservice.