May 052012
 

I’m way late to the Be’lakor party.  The first music I heard from this Australian band was “Remnants”, which was the first song they aired from their new third album Of Breath and Bone (coming in June from Kolony Records). It gob-smacked me right in my gob. And then I caught a video of a live performance of another song (“Fraught”) and got smacked again.  Wrote about both those songs in this post, where you can hear the songs if you haven’t (just be careful of your gob). To steal a phrase from Phro, they sound like “Amon Amarth making antichrist babies with Insomnium”, with Amorphis as the midwife.

This morning we got yet another song from the album.  This one is called “Absit Omen”, which is Latin for “will fuck your shit up”. I still can’t do better than comparing the music to a fusion of Amon Amarth-style crushing riffs, dark Insomnium-esque melodies, and death-metal vocals that give Johan Hegg and Niilo Sevänen a run for their money.

The song is majestic, powerful, memorable. This really is melodic death metal done right. Can’t wait for the album to drop! Listen to “Absit Omen” right after the jump. Continue reading »

Apr 162012
 

I’m going to say this up-front, so it gets maximum attention: “For fans of Amon Amarth and Insomnium!” Those are names to conjure with, and they are the names that first popped into my head when I listened to a brand new song called “Remnants” by a Melbourne, Australia band named Be’lakor.

The song comes from this band’s third album, Of Breath and Bone, which will be released in June. It was the first song by Be’lakor that I had ever heard, but it was the kind of song that got me as excited as a hypoglycemic kid in a candy store. I hoped that the rest of the album would live up to this first taste.

The introductory instrumental has an almost folk-metal air, with the lead guitar tuned so that it sounds like bagpipes, but then the big Amon Amarth-like riffs come down like thunder and you get your first taste of George Kosmas’ truly cavernous roars — they’re right in the middle of Johan Hegg/Niilo Sevänen territory, and that’s a territory laced with gold.

And onward from there, the song delivers a succession of riveting riffs, goth/doom melodies, and beautifully constructed guitar leads and solo’s. It gallops, it chugs, it vibrates with arcane power, it rumbles like avalanche, it pulses with urgency, and it soars with virulently infectious melodies. It’s a dynamic song, continually shifting in tone and speed, and it has well and truly hooked me. Continue reading »