Jun 082011
 

I randomly watched three brand new videos this morning for three very different kinds of songs. If I were a baseball player, I’d say I went three for three at the plate — three chances, three hits. Three good songs, and as for the videos, I’d call them a triple, a double, and a single.

The triple comes from a UK underground band called Amebix, who haven’t released any new material in almost 24 years — until June 3, when they released a new single called “Knights of the Black Sun” on their own label, Amebix Records. The song includes much more clean singing than we usually tolerate around here, but I’ve fallen for it pretty hard. It soars like an anthem, with ringing guitars and passionate vocals and a memorable melody. The video is a dark, mesmerizing animation created by Andy Lefton and Fin McAteer. It’s beautiful to watch.

The double is the video for a new song by Taiwan’s Chthonic called “Takao”. It has been digitally released today (in Finland) as a single and will appear on the band’s next album, Takasago Army, to be released by Spinefarm Records. Stylistically, the song is very much in the vein of Finnish-brand melodic death metal, and naturally, I’m liking it a lot. Not surprisingly, there’s a “B-side” version of this same song on the single, with the choruses sung by members of Finland’s Ensiferum. To fully appreciate the beautifully made video, it helps to understand that the song is about a group of Taiwanese men recruited by the Japanese army from the Takao harbor to fight in the Pacific during World War II. According to Chthonic’s Doris Yeh, “they became the most revered and most feared combat unit in the Japanese Imperial Army.”

The single is a video for the title track to the new album from Florida’s Catalepsy — Bleed. The song is just a fucking crusher. The subject matter of the video isn’t nearly as interesting as the first two featured in this post, but it’s well made. As for the subject matter, let’s just say that you should remind me not to piss off Catalepsy, should I forget. Watch the videos after the jump. I think you’ll be glad you did. Continue reading »

Apr 292011
 

(I swear this was a coincidence. I wrote a post that went up earlier today on metal covers based on a single by Anachronaeon we received yesterday, and then our UK contributor Andy Synn delivered this special edition of THE SYNN REPORT about . . . covers. This is the kind of occurrence that sends me back to the dictionary once again to figure out the difference between synchronicity and serenditpity. Or maybe it’s both.)

Covers are a strange breed of song – they’re the equivalent of a parallel universe, an alternate history, a What If? Comic, an adaptation of your favourite book starring an unexpected actor, a Shakespeare play set in an average American high school…

Seriously though, they have a huge amount of potential, both to be intriguingly inventive and woefully horrendous. Their success (or lack thereof) depends on many factors, but mainly on the song-choice itself – is it a natural fit for the band? Do they have the intelligence to re-work it in a distinctive manner? Or is it simply enough to tear through it in their own inimitable style, making few changes, but relying on sheer power to see them through?

I have chosen 15 artists who have produced some of my own personal favourite covers, showcasing a variety of approaches, some fully traditional takes on the original, others totally reworked variations. If there’s one thing that these covers show however, it is the subtle threads that inter-link all different sub-genres of rock and metal, which allow bands to re-work them organically. (more after the jump . . .) Continue reading »