To be clear, we are not experts in Italian culture. Having said that, we must still express our surprise in discovering a trio of Italian death/grind punks whose lyrical themes are connected to pro wrestling, who hide their faces with masks connected to the Mexican lucha libre tradition, and who use stage names for themselves connected to the same tradition: El Terrible (drum/vocals), El Canibal (guitars), and Aidu Ientus (bass).
The connections of Crisis Benoit to the world of wrestling don’t stop there. They wrote the entrance theme for the Maltese pro wrestler Gianni Valletta (All Japan Pro Wrestling), for the Italian hardcore tag-team Urban Guerrilla, and for the Mexican extreme wrestling federation Zona23, and they collaborated with “Rise Underground Pro Wrestling” for a music/deathmatch show in Leeds (UK).
Is your curiosity piqued? Would you like to discover how these musical luchadors translate their inspirations into sound? Well, you should be, because their debut album El Culto De La Muerte is a hellish, harrowing, and often haunting experience, and one that turns out to be so musically multi-faceted that it keeps you on the edge of your seat from start to finish.