LISTMANIA 2025: DANIEL BARKASI’S 25 CUTS OF 25!

 LISTMANIA 2025  3 Responses »
Jan 132026
 

(For our final LISTMANIA installment of for 2025 [other than the still-evolving infectious song list], we present Daniel Barkasi’s Top 25 list.)

Arriving at the tail-end of Listmania is the one you haven’t been waiting for. Yup, it’s my year-end list of stuff that kept me going for another spin ‘round the record that is life. I chronicle my recent happenings in my monthly Obscurities column, so yes, we’re going to subject you to a quick synopsis.

This is being written post-move to the mountains and frigid cold of West Virginia. Unpacking will take a while, and most of my end-of-year downtime has been spent packing, moving, and unpacking. Not exactly relaxing as we’d like to unwind before going back to the day job, but it had to be done, and we’re settling in nicely. The pups and cats are doing great, and the sheep/pigs have a lot more space (and warm enclosures to shield them from this). I’m sure the new neighbors have enjoyed my cursing the high winds and temperatures in the teens we’ve endured the last few days. Being a Florida resident for a decade certainly changes one’s perspective on temperature, and I’ll be spending as much indoor time as possible until March or April. Whenever it becomes suitable for a human to exit the house. Continue reading »

DARVAZA: “WE ARE HIM”

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Dec 102025
 

(We present Daniel Barkasi’s review of. new album by the international black metal band Darvaza, released last week by Terratur Possessions. Band photography by Necroshorns.)

When attempting to think of an active band who embodies the essence of what black metal is, can, and should be, the name Darvaza should be at the forefront of thought.

Harnessing the tried-and-true of the genre’s originators, while imposing their own devilish defiance and musical ideals, the two-piece has blazed their own path since their 2015 EP The Downward Descent, and since have steadily cemented their place in the pantheon of darkness. Ascending into Perdition in 2022 set a high marker for the band, especially impressive with that being their first full-length – a release that even the most skeptical approve of without hesitation.

At long last, the wait for the eagerly anticipated album number two is at an end, with We are Him ready to be unleashed. With the weight of expectation hanging overhead, the question is if Darvaza can continue delivering as they have. No pressure.

Continue reading »

OBSCURITIES – VOLUME XXII: NOVEMBER TRANSFORMATIONS

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Dec 052025
 

(Daniel Barkasi has delivered another monthly collection of reviews, and in this installment he recommends six records released in November 2025.)

An occurrence that comes along with this time of year – other than a lot of holidays – is an uptick in touring and shows. For the last month, we could have gone to at least 3-4 shows per week if able – a fine way to bow out of the Sunshine state. One of the last of which was Cattle Decapitation’s headline run (you can read the review and see my photographer wife’s photos here at NCS). She’s damn good, and it’s a blast to cover shows with her. We make a great tandem, both in this scenario and every other. With the US Thanksgiving holiday in the rearview, this serves as a reminder that I’ve got a ton to be thankful for. Don’t take anything for granted, folks! Continue reading »

CATTLE DECAPITATION, ABORTED, FROZEN SOUL, TRIBAL GAZE — NOV. 25, 2025 — THE ORPHEUM, TAMPA, FL

 Concert Reviews  8 Responses »
Dec 042025
 

(Our contributor Daniel Barkasi was lucky enough to catch the Tampa stop of Cattle Decapitation’s still-ongoing No Fear For Tomorrow North American Tour, with support from Aborted, Frozen Soul, and Tribal Gaze, and he sent us the following enthusiastic report, accompanied by terrific photos made by Brittany Barkasi @Turn off the Thunder.)

To say that we’re supporters of Cattle Decapitation could be the understatement of the day. Having followed this band ever since hearing Homovore 25 years ago – how is it that long – it’s been a constant evolution for the death/grinders with the ironic name. For these ears, The Harvest Floor displayed a bit that was really on to something special, which was fully realized with Monolith of Inhumanity, at this point not being solely a grindcore act, but a homogenization of the best elements of that style smashed together with roaring, energetic death metal.

From there, the band has been on a steady trajectory of phenomenal records, whose subject matter has also gotten bleaker in their vision of the human condition. Each album since the aforementioned Monolith has given added flavor to their already signature sound, with 2019’s Death Atlas being a personal standout – a well-assembled record that digests best as a whole, whilst being more poignant than the band could have imagined, considering what was about to happen with the dreaded COVID times.

With this tour, the band are playing Death Atlas in full, so if we couldn’t have already been more excited for another romp through the slaughterhouse, anticipation was at a fever pitch. Bringing along a notably weighty trio of Aborted, Frozen Soul, and Tribal Gaze along for the ride, an unabashedly crushing of an evening was set. Continue reading »

OFERMOD: “DRAKOSOPHIA”

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Nov 242025
 

(We present Daniel Barkasi’s review of a new album from the Swedish black metal band Ofermod, which was released on October 3rd by Shadow Records.)

Good old-fashioned, second wave, ritualistic, riff-centric black metal is a distinct sort of flavor profile that admittedly has been done many times; a particular sound that represents a sort of comfort zone to these ears. Those who purvey that sound were my gateway into a much larger and diverse universe of black metal, and when that feeling is captured and executed precisely, we’re all in. Enter Ofermod, the vehicle of the enigmatic Belfagor, who has cycled through a fair number of members throughout the years – especially vocalists. Through it all, however, the style has stayed remarkably consistent; a testament to Belfagor’s focused vision.

Albums such as Sol Nox and Mysterium Iniquitatis serve as the best examples of what Ofermod have to offer up to now, both being albums that are recalled when seeking this archetype of black metal. Now we have Drakosophia, with a new vocalist in tow in Adeptus (who is now a former member – more on that later), and the resultant is familiar and wholly satisfying. Continue reading »

OBSCURITIES – VOLUME XXII: A BUSY WINTER IS COMING

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Nov 142025
 

(Daniel Barkasi is back with us today, presenting a collection of reviews for a variety of recommended albums released in October 2025.)

As winter approaches – it was 35 F this morning in Florida – and living amongst a sea of boxes and plastic tubs (move prep and all that), the madness for myself and our very large family of animals intensifies. A move with a farm filled with creatures is a challenge that I for one cannot wait to be done, and while we’re chipping away at it, it’s going to take a bit more time. Not in a massive rush, however, so we move forward without panic. With that, the current cooler weather in Florida has been a joy – typically chilly enough for a light hoodie in the evening, and never breaking a sweat by simply opening the house door.

The fall touring season is in full swing, with the next couple of weeks filled with so many shows that there’s no way we’ll be able to do all the ones we’d like. We did, however, just take in Ulcerate and Spirit Possession, which was a flawless evening by two exceptional acts. It certainly brought me back to June and Fortress Festival, where both performed phenomenal sets in what was an incredible experience. It was cool to see Ulcerate headline and add a few additional tracks; this being the first time we’ve seen them here in the US in 9 years, which was last at the legendary Brass Mug with Zhrine and Phobocosm. Continue reading »

SELFGOD: “LEFT HAND PAGAN”

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Nov 042025
 

(We present Daniel Barkasi’s review of a new album by Pittsburgh-based Selfgod that was released by Veles Records on October 31st.)

Selfgod’s Serge Streltsov (ex-Necrophagia, ex-Automb) has been busy since the release of debut album Born of Death back in February of 2022, with multiple tours under their belt (one that included a stop at our current location of Tampa at the famous Brass Mug), and timing-wise, the band’s next step felt imminent. There were some rumblings, but nothing concrete, until now. Sure enough, the second full-length Left Hand Pagan was announced in mid-October for a quickly approaching Halloween release, this time by way of his own newly formed label, Veles Records. 

To the uninitiated, Selfgod conjures a technical, riff-driven sort of death metal that dabbles in the occasional black metal aesthetic. Think Hate, God Dethroned, Azarath – that sort of approach, coupled with a Pagan thematic presence, which is emphasized further by the new record’s title. As an aside, we explored Streltsov’s personal beliefs and close connection with his home country of Ukraine in an interview we did here at NCS a few years ago, and they’re front and center with this release, which sadly was marked by a personal tragedy for Streltsov during the lead-up (more on that later). Continue reading »

OBSCURITIES – VOLUME XXI: HALLOWEEN & CHILLING RIFFS

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Oct 212025
 

(Daniel Barkasi is back with another monthly collection of carefully chosen obscurities, providing vivid and enthusiastic reviews of six fine albums released in September of this year.)

As I begin to write this in an airport, heading to Pittsburgh on a shockingly delayed flight – helping out the folks with a few things, seeing a great friend who has struggled with some awful health issues (love you, Darren), and the Under Appalachian Skies festival (which has concluded by the time you read this, and it was an incredible time) — it’s dawned on me how wild of a year it’s been, yet it’s gone by so damn fast. Hope everyone is hanging in there best you can!

I wanted to also give my deepest appreciation to those who gave their condolences for our dog Kaiya last month. Those kind words went a long way, and it meant a lot.

Halloween is rapidly approaching, and it’s the season of Reese’s peanut butter pumpkins and good horror flicks. If anyone has any good suggestions, I’m all ears! There’s a ton of Korean films and series that I want to check out, as some of the best productions are coming from there, and have for some time. We also went to Halloween Horror Nights at Universal Orlando recently and had a blast! If anyone ever finds themselves in the swamp at this time of year, it’s definitely worth your time. Continue reading »

OBSCURITIES – VOLUME XX: CHANGES, TEMPERATURES, AND RIFFS

 Album Reviews  4 Responses »
Sep 152025
 

(Daniel Barkasi returns with his monthly collection of album reviews, this time recommending six albums released in August 2025.)

As summer nears its conclusion, the heat has finally (sort of) calmed down a little in the Floridian swamp. It’s about damn time. The dogs can finally be taken outside and we’re not a dripping puddle of sweat in 1.2 seconds. More like 10 minutes, which is an improvement that’s most welcome!

On a sad personal note, my wife and I lost our precious dog Kaiya last week. It wasn’t completely unexpected – she had just turned 17 and had some worsening health issues – and her body just couldn’t keep going. We had a hell of a 17th birthday bash only a few days prior, but she sadly plummeted quickly not long after.

My wife had her for literally half of my wife’s life, and I had the distinct pleasure of having her in my life for over a decade. She was the best girl – sweet as can be, loving, gentle, and quirky in the best ways. It’s still hard for me to write this, as I miss her terribly and it’ll be fresh for a while. One of our other dogs, Hiroki, has taken it especially hard, as they were incredibly close. He seems to be on the mend, thankfully, as he sits next to me. Continue reading »

OBSCURITIES – VOLUME XVII: SORE FEET AND MORE METAL

 Metal News  No Responses »
Jul 032025
 

(Still recovering from recent festival experiences but still carrying on, Daniel Barkasi brings us reviews of six strongly recommended albums released in May 2025.)

Yeah, I know, this column is late – very late. My review(s) and photos (Day 1 and Day 2) of Fortress Festival took my full attention since returning, and coupled with a lot of day job and farm stuff, because we basically have a farm at this point, have gone hand-in-hand with catching up on May releases. I need to actually absorb an album and fully grasp the nitty gritty details to come to a fair conclusion, so this also wasn’t going to be rushed. I go full bore into everything, or else I’m not going to do it. Most who routinely immerse themselves into this sort of music aren’t the casual types, and I don’t think I’ve been casual about a whole lot in my existence.

Therefore, here we are, and my feet are screaming; thanks, plantar fasciitis and metal festivals. We’d do it all again, of course. Continue reading »

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