Feb 132024
 

(We present DGR‘s review of a new EP by the Andorran band Persefone, which was released not long ago by Napalm Records.)

A guarantee with Andorra’s Persefone is that you are going to get a lot of music. Persefone have made a career out of albums hybridizing progressive metal, melodeath, and as wide a smattering of other genres as they could into a form of tightly controlled chaos with multiple vocal approaches serving as the icings on the cake.

They’re a full-album band and very rarely, throughout a surprisingly long career, have done any sort of single or EP as part of their discography. Persefone have always dealt in releasing densely packed albums, and as of 2022’s Metanoia were up to a grand total of six.

With all of those elements making up Persefone‘s career it is surprising that the band have seen relatively little change on the lineup front – especially since they really found their groove with 2013’s Spiritual Migration. Since then, other than a re-recording of their first album Truth Inside The Shades in 2020, the band have refined upon the eastern sprituality subject matter and massive keyboard-wall approach to their writing style.

Which is why it is both fitting and very interesting that the group’s newest release is just an EP but also has a ‘Part I’ tacked onto its name. Continue reading »

Feb 092024
 

(Here’s DGR‘s review of a new EP by Creepsylvanian splatterthrashers Ghoul, out now on the Tankcrimes label.)

If you’ve been trawling around the underground long enough, you’ve likely crossed paths with the crazed crossover thrash and death metal hybrid that is Ghoul; they’re a name that probably needs little introduction at this point – having battled out a career for years that is combination tongue-in-cheek shock horror, community theater, public-access TV, pirate radio, and puppet show.

The band, in all their murderous muppety glory, seem to appear out of the ether at shows and crank out crazed sets before vanishing into the night. You’d never know that they’ve been subsisting on a series of splits and singles since 2016’s Dungeon Bastards and prior to that had been on a slightly more sollid rotating albums/eps collection every three or four years.

The upshot of this is that Ghoul have five full-lengths to their name already, but their most recent EP Noxious Concoctions is the most substantial collection of material – four originals songs, one cover, for a grand total of eighteen and a half minutes of music – that the masked madmen have cranked out in almost eight years. Continue reading »

Jan 222024
 

(DGR reviews the new album from Cognizance, out 26 January on Willowtip Records)

It wasn’t too long ago we were joking about how Cognizance were one of the better bands when it comes to the “riff-avalanche” style of album – the type of disc that generally picks one particular tempo and sticks to it, leaving the band room to just rattle off part-after-part-after-part atop the listener until, by the end of it, they’ve basically been buried underneath a pile of stuff.

It’s a difficult balance to strike because you can easily get lost in your own creativity and create big, overwhelming works that, by their very nature, are hard to maintain any interest in since everything is so ephemeral and fleeting.

And while Cognizance have remained a sleek and ultra-precise machine for over a decade since the release of their first full length – after having subsisted on a series of singles and EPs – they’ve also slowly hammered and forged their sound into something as fiercely creative and memorably groove-ridden as it is terrifyingly technically-proficient.

Their previous album, Upheaval, picked up where Malignant Dominion left off, and I’ll give you three guesses as to where Phantazein picks up as a starting point a little under two and a half years later.

Continue reading »

Jan 182024
 

(DGR sets out to discover what Vitriol have become on their second album, out next week)

It’s been four years and change since the release of Vitriol‘s stunning full length To Bathe From The Throat Of Cowardice and, save for an EP of re-done/re-approached earlier material from an embryonic form of the band released during the plague years, we haven’t really heard much from them since.

And while there have been other groups in the meantime that have attempted (and sometimes succeeded) to play at the same relentless firestorm level, what makes Vitriol in particular work is the perceived integrity and passion in their music.

You get a sense listening to them that they mean every word that they say and will only stop when whichever vocalist is on the mic runs out of a) space for words or b) breath to utter said words.

But constantly maintaining that level of intensity will, inevitably, burn anybody out… which brings us firmly back around to Vitriol‘s second full length release, because it’s not humanly feasible for a group to exist at that level of intensity all over again… is it?

Continue reading »

Jan 162024
 

(DGR takes on the upcoming new album from Exocrine, out 26 January)

The idea that Exocrine are on their sixth full length release with Legend is one that is mildly eye-popping.

The French Tech Death group have done extremely well for themselves with a very specific formula – one whose sheer violence and velocity is akin to lighting a pallet of Piccolo Pete fireworks all at once and just letting it screech until the neighbors call the cops – that they’ve re-forged and refined time and time again, album after album, but which is still recognizably “them”.

Credit must be given as well to the band for the fact that even as the Tech Death arms race has gone nuclear (and beyond) they’ve always tried to be something more than just a bunch of relentless speed-merchants from the massive slab of headbanging groove which underpinned Molten Giant to their willingness to be completely insane on discs like Maelstrom and The Hybrid Suns, as and when the need arises.

Well, apparently those last two albums weren’t quite big enough to contain all of the band’s insane intensity, and so we have Legend.

Continue reading »

Jan 122024
 

(It’s the final countdown… of DGR‘s top ten records of 2023)

I feel like I’ve lit a fuse leading to a powder keg with this one because as of this writing I’ve finally sent in the other four chunks of this year end list, meaning I can no longer hide behind lethargy and malaise and actually have something of a deadline to answer to.

I am a fucking idiot.

The final block of albums is going to have a lot of familiar names from years past. As much as I picked on groups for playing it a little too close ot home earlier on in this tome, there were just as many familiar names that did manage to either add something new or excel in a style that they’d been honing for some time.

I don’t think there will be too many shocking choices here or ones out of left field. There’s a solid Grind block, a small chunk of Black Metal – both venom dripping, melodic, and hybridized into something meaner – a wall of Death Metal that you’re likely used to by now and one oddball that I think is basically right in line with my personal aesthetic.

So let’s kick this last bit downhill and see what sort of rubble it picks up along the way.

Continue reading »

Jan 112024
 

(Here we are with DGR‘s penultimate post of the week)

Every year these take a lot out of me. I’ve always said that it gets easier as you get closer to the end but this year that hasn’t been the case.

I’ve been terrified to repeat myself and so I comb over this stuff again and again to make sure that you’re not seeing the same turn of phrase to often. I know I’m slowly turning into a sentient jar of mustard as I get older but at the very least I don’t want it super obvious that I don’t language no good more these days.

This block is where a lot of the heavy hitters lay, not in terms of critic-bait or the ones that are shared on a lot of people’s lists – though I’d hazard about half of the bunch here are popping up elsewhere since I am a simpleton – but because the music may be some of the punchier stuff I’ve included thus far.

We’ve also got the much vaunted “watch DGR describe a bunch of music that he lacks the vocabulary to do so!” bit, which is always fun as those have often felt like I’m attempting to ride downhill with a plastic trash can lid as a sled and the amount of control suggested therein.

The party – and the cheap shots at my fellow writers [someone’s forgotten that I have editorial control – Andy] – continues tomorrow and I’ll finally send this damned thing off with coins over its eyes to pay the ferryman.

I’ll see you then. Hopefully.

Continue reading »

Jan 102024
 

(We’re half-way through the week and half-way through DGR‘s round-up of his favourites from 2023)

Part three is where this list starts to journey up its own ass a little bit [Starts? – Andy].

In between my penchant for Death and Grind truly starting to show itself here, you’ll notice a lot of the critical favorites that’ve been going around maybe poking their heads up.

I don’t consider myself truly in touch with “the scene” as a whole – I’ve happily ensconced myself in a comfortably corner here – yet occasionally one or two do land on these far shores and get noticed.

This one has a couple of odd blocks to it – you’ll see them right about the time I call them out – there’s multiple forms of insanely dumb on here as well as insanely smart, and if you like some high peaks and some low, guttural valleys, I think I’ve got a pretty even spread on this part of the list.

Thirty or so is where things start to harden a little more when it comes to exact number placement so now you can start your arguing as if what’s written here is written in stone. Just remember that stone can be blown up too.

Continue reading »

Jan 092024
 

(DGR continues his run-down of his favourite releases of 2023)

This segment is an intriguing one for me because you start to see a few of the EPs I enjoyed throughout the year popping up.

I’ll go deeper into why I didn’t split them out as I come across them but alongside all of that noise there’s a bunch of the weirder and more challenging works of my year.

There’s hooks and power-choruses to be found for sure but some these groups are going to make you work to get there.

This is also where a lot of my old favorites find themselves – its like how I have a fondness for Mountain Dew, I know what one tastes like and I know that I still whole heartedly enjoy a particularly good one – since they’re known factors and did very good versions of their sound.

They deserve to be highlighted and rewarded for that even as I explored elsewhere for much of 2023 as I think I did hit a bit of a breaking point when it came to having simply good additions to a group’s overall discography.

The next edition should be equally exciting if I ever get up to fighting my way through it as I think there’ll be a lot of interesting names there – though I assure you its none of your favorites, so stop asking.

Continue reading »

Jan 082024
 

(DGR is doing his own mini-takeover of the site this week, counting down his top 50 albums of 2023)

To put things exceptionally bluntly I didn’t know if I was going to do a year end roundup this time.

Things have been exceptionally tough at home in regards to personal family matters and it’s been difficult to try to build up the will to do much of anything.

It’s an ongoing process that will likely be that way for a long fucking time.

However, I think that my reason for doing these remains the same because it does allow me to send the year off in a funeral pyre – though it’s not the only one I’m lighting this time.

Continue reading »