Dec 042020
 

 

(The time has come for us to again launch the rollout of year-end lists by NCS writers and guests, and as always we begin with Andy Synn‘s lists. As has usually been the case, Andy begins with his personal list of the year’s best EPs. We’ll continue with his other year-end lists every day next week.)

Well, here we are again.

Next week I’ll once again be rolling our my yearly round-ups of the “Great”, Good”, and “Disappointing” albums which I’ve heard this year, culminating, as always, in my attempt to narrow down these literal hundreds of entries into ten “Critical” selections and ten “Personal” favourites.

But, first of all, I want to give a shout-out to the many, many, fantastic, fascinating, sometimes frustrating, EPs which I’ve heard over the course of the last twelve-ish months.

This isn’t, obviously, intended to be in any way comprehensive (I never got round to listening to the new Carcass, for example, and I’m still digesting both the new Nexul and Descend to Acheron EPs),  nor is it a definitive statement about which EPs are the year’s “best” (though some of them definitely are) but my hope is you’ll all discover something new in what you’re about to read.

So, with all that out of the way, let’s get started, shall we? Continue reading »

Nov 182020
 


Alustrium

 

(Andy Synn prepared the following reviews of three recent and very impressive EPs.)

It’s pretty common knowledge that, for the most part at least, I’m more of an “album guy” than an “EP guy”. There’s just something about the extra effort, the extra level of commitment, involved in creating an album that makes it feel more real and more substantial in my mind (although I’m sure that’s not always true).

That being said, I can’t deny that there are certain times when an EP is exactly what I’m looking for from a band, something explicitly designed to deliver a short, sharp shock of (ideally) all their best ideas and elements in one concise, captivating package.

Which is exactly what I have here for you today, three EPs – from three tonally and stylistically very different artists – all of which are pretty much brand new (one of them, in fact, is so new that it isn’t actually released until Friday) that find each band putting out some of their best material yet while also dropping a few hints as to where they might take things next. Continue reading »

Dec 122019
 


 

(Before the year wraps up, Andy Synn is continuing to help spread the word about 2019 albums to which we haven’t devoted sufficient attention — with three more given the spotlight in this post.)

Depending on what time, or what day, you’re reading this, there’s a chance I’ll either be onstage, setting up, or in transit, as this week we’re playing a short run of shows supporting Hour of Penance and Dāmim.

That’s not an attempt to brag, by the way, even though it is very cool, just an explanation as to why this will probably be the last thing you read from me this week, and why I’ll probably be even slower than usual at responding to any comments or questions.

What I’m going to leave you with is another triptych of meaty metallic morsels for you to sink your teeth into, including the psychedelic Cosmic Doom of , the gloomy glamour of Hela, and the blackened brilliance of Pénitence Onirique. Continue reading »

Aug 072019
 

 

This makes the fourth round-up in the last 7 days, and the sixth one if you count the two-part SHADES OF BLACK I compiled for last Sunday and Monday. I know this isn’t going to continue. Eventually my fucking day job or some distraction in my personal life is going to put the squeeze on my NCS time again, and the new-music round-ups will dwindle. But I’m doing my best to make hay while the sun shines before things get overcast again.

As for what I chose today, the main themes are cranial trauma and reflexive movement. Lots of cool album art in here too.

GATECREEPER

Man it’s good to get a new Gatecreeper album. Their first one, Sonoran Depravation, was killer, and all the short releases they’ve made since then have been too. The new one, Deserted, will be released by Relapse Records on October 4th. The first single, “Boiled Over“, is accurately described by the band as an effort to mix “the melodic side of Bolt Thrower with the crushing heaviness and groove of bands like Obituary or Crowbar“. Continue reading »