Sep 062018
 

 

Of all the intensely disturbing tracks on Drug Honkey‘s latest album, Cloak of Skies, “The Oblivion of an Opiate Nod“, is not only the longest but probably the most brutally obliterating. The album as a whole is a hopeless and often hellish soundscape, but this one is a weapon of destruction that becomes devastating on multiple levels. It’s a bone-crusher, but it also triggers nightmarish visions that don’t soon go away. No wonder the band chose the song as the subject of their new video, which we’re presenting today.

The hallucinatory effect of the music is likely to spawn different blood-freezing dreams for different people, because we all bring parts of ourselves to the experience of listening to music such as this. It becomes an interactive process, in ways that just don’t happen with a lot of music. In the case of this video, Drug Honkey‘s Paul Gillis (aka Honkey Head) brought his own tortured imaginings into play (beyond what’s expressed by his harrowing vocals and frightening synths), because he made the video himself. Continue reading »

Jan 212014
 

I’ve been in a state of Seahawks-inspired delirium since Sunday morning. Apart from my own ridiculous heights of excitement, the city I call home as been completely engulfed in a similar type of out-of-body experience. Everyone wants to talk about Sunday’s win and the impending Super Bowl trip, even the people who are still trying to figure out how many innings it takes to complete a football game. You can’t listen to radio or watch any kind of sports-related TV without being engulfed in Seahawks talk (although much of it has consisted of uninformed yammering about Richard Sherman). Some of you have probably found yourselves in a similar environment in past years, but it hasn’t happened here in Seattle in a long, long time.

One result of all this is that I’m way behind on my usual search for metal news and new metal. This morning I did tear myself away from Seahawks mania long enough to check out a few things and put this post together.

HANGING GARDEN

If you haven’t heard the 2013 EP by Finland’s Hanging Garden, stop wasting time and go find it. I don’t want to have to tell you twice. I Was A Soldier (Lifeforce records) is worth your 15 minutes, and all the other minutes you’ll spend with it after the first listen. To give you some evidence of why the EP is so worthwhile, allow me to show you a video that premiered today for its final track, “Will You Share This Ending With Me?” Continue reading »

Oct 302012
 

(photo by Burton Rast)

Surly, don’t-fuck-with-me poses are a dime a dozen when a metal band holds still for a promo shoot. I’m pretty sure that in Drug Honkey’s case, this is no pose. And if you think these dudes look like badasses, their expressions are downright friendly compared to the music on their latest album, Ghost In the Fire.

This album is the fourth for them and the first for me, so I won’t be comparing it to their previous work. That would be pointless anyway, since diehard fans of the band have undoubtedly worn out their earholes with the music by now (Ghost was released in May) and have drawn their own comparisons. Instead, this very tardy review is for people like me in my pre-Ghost state — people who haven’t yet exposed themselves to what Drug Honkey do.

And what they do is manufacture atmosphere — blasted, burned, and black. They suck all the air out of the room and fill the void with a psychoactive fog that’s the stuff of nightmares.

They make the sound of a gutted city whose lifeless buildings are crumbling, imploding, and burning like giant waste bins beneath the bridges of catastrophe. It’s the noise of giant earth movers digging mass graves. It’s the soundtrack to the sun burning out and the planet freezing in utter darkness. It’s a recording of demons convulsed in the throes of insanity. Continue reading »

Jun 042012
 

I don’t really intend to make a habit of these posts, even though this is the third one like this I’ve done in a week. Or maybe it’s already a habit, like smoking hair through a gasoline bong. I don’t know.

Anyway, I heard a new song from King of Asgard today. The last time I wrote about this Swedish band was all the way back in September 2010, via a MISCELLANY post in which I sampled their last album, Fi’mbulvintr. They now have a new album set for release by Metal Blade on various dates from July 27 to July 31, depending on where you live. The album title is …To North, and above is the extremely cool oil-on-panel cover art by Mattias Frisk.

The new song, which began streaming today, is “The Nine Worlds Burn”, and it’s also extremely cool. Basically, King of Asgard are doing it again — combining deeply charred Viking metal with enchanting, clean female vocals. It’s like Naglfar, but with a surprising and effective folk accent. Check it out:

[soundcloud url=”http://api.soundcloud.com/tracks/47946772″ iframe=”true” /]

Continue reading »