OVERFLOWING STREAMS: ARCHITECT OF SETH, CLØUDY SKIES, DUMAL, DUNGEON SERPENT, IMMORTAL DISSOLVER, MESSE DE MINUIT, OUTER HEAVEN, TEMPLE OF VOID, VELNIAS, WITCH RIPPER

 Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  1 Response »
Sep 192026
 

(written by Islander)

It has been quite a while since I’ve done this, 92 days to be precise — “this” being to use the OVERFLOWING STREAMS banner for one of these Saturday roundups instead of the usual SEEN AND HEARD. I don’t have a precise dividing line between them, it’s more of a gut feel, but my gut tells me that 10 selections is an overflow.

Beyond using the different banner name for collections of this size, I also dispense with the time required to download, upload, and re-size album art, and I put the release info in lists instead of sentences. I also had delusions of trying to be a bit more concise in my comments about the songs and videos, too, but for the most part I didn’t succeed.

I also didn’t spend time trying to figure out a flow for the music, a sequencing that would generate either companionability or stark contrasts among the songs (or both), but instead put everything in alphabetical order by band name.

The objective of all this was to be more efficient with the time I’ve got this morning so I can include more instead of less. In some settings less can be more, but not today. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): DUNGEON SERPENT — “WORLD OF SORROWS”

 Album Reviews, Premieres  1 Response »
Jul 132021
 

 

Who doesn’t love a breathtaking surprise? The sight of meteor showers blazing at night, a sudden murmuration of starlings overhead, the penetration of sun rays through heavy clouds… such things create a sense of wonder. Other surprises are more frightening and destructive — earthquakes, flash floods, gunfire going off in crowded gatherings, bombs raining on villages.

Such thoughts have come to mind in listening to World of Sorrows, the debut album of the death metal band Dungeon Serpent from Vancouver, British Columbia. It comes out of left field, preceded only by a two-track 2020 demo (though the demo itself was a very promising surprise). And like those other contrasting surprises mentioned above, it both inspires a sense of wonder and also inflicts breathtaking levels of sonic obliteration. The music is morbid, mauling, and merciless, but also home to both emotionally evocative melodies and the kind of pyrotechnic guitar mastery that drops jaws.

And there’s an especially big surprise at the end.

Little wonder that we leaped at the chance to present a full stream of the album today in advance of its July 16 release by Nameless Grave Records. Continue reading »