Those of you who’ve been visiting us regularly know that we tend to write more about little known bands than about the household names. By doing that, we hope to turn you on to music you might not otherwise find, which would be one of the few genuinely useful things we could do for you (other than make you smile every now and then).
Some of our recommendations have been more off the beaten path than others. The more we listen to extreme metal, the more we want a taste of something different and innovative. We haven’t let go of the more conventional shit (and in extreme metal, “conventional” is necessarily a relative term). But as time passes, we’re just moving further out into the gnarly frontier where weird beasts roam a surreal landscape, and sometimes our recommendations reflect that.
A few random cases in point: Carnal Rapture, Bloodshedd, and Psychofagist. These are technically proficient bands we’ve discovered in the last few months who’ve pushed the extreme metal envelope by incorporating some unusual elements into their music. You might not have heard of them before, but we think they’re worth your consideration. We’ll focus on one band per day for the next three days, and as usual, we’ll stream some cuts so you don’t have to just take our word for it.
This unsigned band from Rome has been around under different names and with different personnel since 1992. The latest output from the latest line-up is an astonishing five-track EP called promo 2008.
Vince Neilstein at Metal Sucks has been carrying the flag for this band in the U.S., writing in December that the 2008 promo EP “still stands as the best demo I’ve heard all year from any independent metal band, anywhere in the world.” In the same month, Chris Catharsis at Spinelanguage also published a truly fascinating interview with the only original member, vocalist/guitarist Emilio Trilló.
Despite this attention, the band is still unsigned, and we still fucking love the music. So it’s only fair that we add our small voice to the chorus. (much more, after the jump . . .)