Jul 072012
 

In this post are two new tracks I came across at different times this week that I thought were worth sharing, and now is as good a time as any.

MORBUS CHRON

I never got around to reviewing this Swedish band’s 2011 debut album, Sleepers In the Rift, but I sure as hell did enjoy it. It was a real throw-back, as in throwing all the way back to Autopsy’s first couple of albums. It had a genuine air of authenticity, and the songs were really varied and just a whole helluva lot of fun to hear.

In March of this year, Century Media announced they had signed Morbus Chron, with plans to release a second full-length in 2013. To tide fans over until then, Morbus Chron recorded a three-song EP — A Saunter Through the Shroud — that Century Media will be releasing in limited numbers on July 23 as a 10″ vinyl. The cover art is above. For now, it appears the EP can only be obtained by pre-order from the European site for CM Distro here.

Earlier this week, the German Rockhard magazine web site (here) premiered a song from the EP called “Channeling the Numinous”. It begins with an attention-grabbing drum roll and a blast of chainsaw grinding and then it falls off a cliff into a pit of slowly boiling gore, spiced with death-prog guitar leads, ghastly mid-range vocals, and a head-whipping solo. Awesome song. Give it a spin after the jump.

Continue reading »

Jan 192011
 


Yesterday’s installment in our week-long attempt to catch up on album reviews by being atypically brief was a blast of bleak brutality from Contaigeon. Today, we’re swinging the pendulum back over to the more melodic end of the metal spectrum with an unsigned band from Montreal called Erimha, whose music we heard after getting a MySpace friend request from them.

Every band has to start someplace, but some bands (few of them) start fast. With their debut album, Irkalla, Erimha bolts from the starting blocks like they’ve been shot from a gun. Irkalla is an epic blend of melodic black-death metal — dramatic, haunting, memorable, and remarkably assured both in the songwriting and in the execution.

If references help you, the music reminded me at different times of Insomnium, Keep of Kelessin, and even Behemoth. There’s a grim grandeur to the musical style. It achieves dramatic power through its dark melodies without ever veering into cheese, and it manages to retain an icy edge despite its often panoramic sweep. I could be justly accused of excessive enthusiasm over many things, so you may have to take this with a grain of salt, but I’m completely taken over by this music.  (more after the jump . . .) Continue reading »