At least from a distance the vision I have of Sicily is a sun-drenched land, hilly and pastoral, surrounded by the brilliance of Mediterranean waters, culturally rich and filled with the evidence of ancient civilizations. To be sure, there are contrasts with those visions — aspects of human darkness and brutal violence (as there are wherever human beings congregate), and the looming menace of Mount Etna, whose active vulcanism still periodically casts black ash over this vast island.
It is the darkness that fuels the creations of the Sicilian band Fordomth, along with the inspirations of ancient esoteric mystery. The warmth of the sun does not touch their music, even though it often blazes. Instead, through a striking combination of black, death, and doom metal, Fordomth deliver explosive power, and create sensations of dread, despair, and revelation, with unnerving intensity.
Their new second album, Is, Qui Mortem Audit, is certain to leave deep and unsettling impressions that will linger long after its June 26 release by Auric Records — just as memorable as the gripping cover art created by Khaos Diktator Design. There, a Capuchin monk gazes into the abyss. The abyss is revealed through the music as well.