Sep 292021
 

 

Imagine yourself as a character in a waking dream, finding yourself transported centuries into the past and venturing into a French cabaret populated by aristocratic Satanists and those practicing medieval witchcraft, with vampires roaming in their midst, draining blood from crystal goblets instead of wine. Imagining such a scene, an unreal dreamscape of ancient elegance and palpable danger, is one way of preparing yourself for the music to be found on the new second album by the Brazilian “supergroup” Le Chant Noir.

That album, La Société Satanique Des Poètes Morts, is set for release by Personal Records on October 22nd. As the press materials faithfully describe it, the songs “thread together the darkest fibers of archaic black metal, doom metal, and even dark metal, arriving at a sort of avant-garde symphonic black metal that’s simultaneously an authentic throwback and refreshingly modern”.

The album is indeed an out-of-the-ordinary experience, a kind of macabre musical theater that proves to be genuinely transportive. Even the one song we’re premiering today has that effect. Its name is “Les Métamorphoses Du Vampire“. Continue reading »

Dec 182016
 

wiegedood-de-doden-hebben-het-goed-ii

 

Last Sunday was bereft of a Shades of Black feature, so today I plan to have two. Yes, I’ve obviously forgotten my oft-learned lesson about not announcing future plans when you’re a part-time, half-witted metal blogger who can’t predict the diversions of life. So the truth is, the second part of this post may or may not arrive today. But at least you’ll have two good advance tracks, two excellent full releases, and one wonderful tribute compilation to keep you company in case I go off the rails.

WIEGEDOOD

Here’s an excerpt from our man Andy Synn’s review of Wiegedood’s last album,

“The Belgian three-piece, whose name is also the Dutch term for ‘Sudden Infant Death Syndrome’ (way to keep it morbid, guys), possess an enviable knack for pumping out a ferocious torrent of rage and fury, whilst maintaining a keen melodic edge that’s neither weak nor overbearing. That may not sound like much, but it’s a hard balance to get just right, and these guys make it look like child’s play. Pun intended.”

Continue reading »