Apr 132020
 

 

(In this feature our new contributor Mike Johnson spoke with a member of the Dutch duo Fluisteraars (Bob Mollema and Mink Koops), whose new album Bloem is out now via Eisenwald.)

 

You guys clearly try to recreate a certain type of landscape in your sound. Each album evolving little by little. Translated to English (as I am an inept American) the newest release entitled Bloem means “Flower”. I am curious, as this album seems to be a symbol for this project in general. I feel the album starts furiously in a whir of black metal only to bloom into a more true atmospheric and melodic sound similar to that of a flower. Was this possibly a thought behind the album?

It was not a thought from which we made the album. More an unconscious competent choice that felt logical during the making process. Because if our opening track were in the middle it would not be right for us. The placement of the songs on an album apparently contributes a lot to the concept and that is good proof that music can be very narrative. Thank you for the observation. Continue reading »

Apr 102020
 

 

(The following is Mike Johnson‘s review of the new album by the Indonesian black metal band Pure Wrath, which was released on March 6th by Debemur Morti Productions.)

It is strange to think how innovation of technology has allowed us to reach anyone around the world. However it also seems to have been accompanied by a major decrease in the educational focus on the history of other countries around the globe. Being educated in America, classroom sessions regarding history only focus on major events within American history. The rest of the world’s history is glazed over for almost the entirety of the year.

Pure Wrath, however, does their part to change this with their newest release entitled The Forlorn Soldier. Hailing from Indonesia, Ryo, the sole member, offers a unique blend of Atmospheric Black Metal that has strong Winterfylleth, Saor, Panopticon, and Sojourner influences. But it is interesting for other reasons as well. Continue reading »

Feb 272020
 

 

(This is Mike Johnson‘s review of the new album by the Dutch black metal band Turia, which was released by Eisenwald on February 14th.)

Feel the chill gnaw at the marrow of your bones, as you trudge through the frozen snow. Shards of ice feel sharper than obsidian as they tear away beneath your cloak. Each step a masochistic delight as the lure of the great grey summit beckons you forth.

It stands amongst its peers with a crown of haze masking its highest peaks. As time disappears the ascension up an unforgiving pass becomes a torrent of lunacy as the shadow of a giant looming over you blocks the sky. A sliver of hope emerges as the pass opens to reveal the sun, its soothing warmth brings a spark of euphoria before disappearing in the shadow of the natural obelisk towering above piercing the sky.

An atmosphere such as this, sonically, should be dissonant, unforgiving, and a relentless fury of pure despair. Turia, a Dutch black metal trio, portray a scene of majestic desolation weaving lush landscapes soaked in reverb into a serrated hail composed of vicious tremolo riffs. Continue reading »