I didn’t discover Panopticon until Kentucky, but that’s all it took to turn me into a big fan. I distinctly remember my mouth falling open in wonder more than once as I made my way through it the first time, hearing the movement of the songs between the metal and the bluegrass, recognizing the samples from Harlan County U.S.A., understanding what the album was about. It connected with me on many levels, some of them opening up distant memories of the music my grandparents used to play when I was growing up in central Texas.
I didn’t really need any more reasons to start following Panopticon’s doings, but I got more when I heard the three tracks that Panopticon contributed to a split with Vestiges earlier this year. At least I wrote about that split, even though I fell down on the job with Kentucky; that split is one of the best releases I’ve heard this year.
All of that is by way of background, to explain why I’m writing now about an announcement that appeared on Panopticon’s Facebook page last night. It provides a lot of information about the next Panopticon album, to which I’ll add a few other tidbits of information I’ve picked up. Here’s the announcement: Continue reading »

