(Austin Weber brings us another round-up of music and metal news, featuring The Conjuration, D’Arkestra, Divine Realm, Winter of Sin, and Posthumous Blasphemer.)
After a long wait, The Conjuration’s new album, Surreal, has finally emerged—and it’s a gloriously twisted avante-garde beast that lashes out in progressive and schizophrenic fits. This is death metal turned upside down. Corey Jason has proved once again that he doesn’t need a band, only himself. He composed all of it, played all the instruments, did the vocals, and handled the production himself, too.
On Surreal, Corey skillfully pushes the limits of what a one-man death metal act is capable of creating. Most acts of this nature that play death metal are lacking compositionally and all too often create music that is too samey in the songwriting, and too often lacking a vital creative spark. By contrast, Surreal really does sound like the work of multiple people whose different ideas and approaches led to a diverse group of songs.