Sadhak is a Norwegian band (from Trondheim) about whom I’ve found very little information. I learned of the band through a message from Shadow Kingdom Records, which released Sadhak’s self-titled demo on cassette tape last month (Sadhak originally released the demo on tape and digitally last fall). According to the message, the band is a side project of Andreas Hagen, who is a member of High Priest of Saturn. I’m not familiar with them, but Shadow Kingdom’s message compared Sadhak to Warning and 40 Watt Sun, and that was enough to lure me in.
The demo consists of two long songs, “On the Arrival of Man” and “The Perfection of Wisdom”, and I found them both immensely appealing. They very effectively draw you away from the world around you and into a place where the light is failing and the void beckons.
In both songs, Sadhak employs slow, distorted guitars, gut-rumbling bass notes, and the powerful whump of drums and vibration of cymbals — everything drenched in reverb. Of the two, “On the Arrival of Man” is the more desolate and fatalistic, though the bleak melody proves to be thoroughly entrancing as it loops through the song. With two minutes left, the otherworldly quality of the music is underscored by a mesmerizing guitar solo — ethereal, psychoactive, and rapidly shimmering — and then leviathan-sized riffs will hammer you back to the edge of oblivion.