Jul 192014
 


 

Part 2 of this report is here; Part 3 is here.

The three-day Gilead Fest organized by Gilead Media began yesterday in Oshkosh, Wisconsin, at one of the three locations pictured above.

The first night was indeed loaded with power, and by the end of the evening there was certainly plenty of work available for a coroner, but if you guessed the Oshkosh Masonic Center, give yourself a pat on the back. Continue reading »

Apr 062014
 

I’ve collected here some things that made a big impression on me when I discovered them over the last 24 hours. Perhaps they will make an impression on you, too.

IMPALED NAZARENE

2014 will see the release of the TWELFTH (!!) album by Finland’s Impaled Nazarene. Although I haven’t listened to even half of those dozen, I’ve listened enough to know that although their sound might not be entirely predictable from album to album (not a bad thing), it’s always likely to be a skull-hammering good time. From what I’ve heard of the new album, that will hold true yet again.

The new one’s name is Vigorous and Liberating Death, and the album cover was painted by Taneli Jarva. It’s scheduled for release by Osmose Productions on April 14. It includes 13 songs, almost all in sub-three-minute territory. You can get a sense of what’s coming via a track named “Kuoleman Varjot” that recently appeared on SoundCloud. Plus, the band have released a lyric video for the album’s title track. You can check out both below. Continue reading »

Sep 172013
 

Continuing a round-up that I began yesterday, here are new songs, new videos, and an enticing piece of news that caught my eyes and ears since the last weekend began. They share a certain . . . darkness . . . at their core.

DIABOLICAL

I’ve been waiting with bated breath for Diabolical’s new album Neogenesis since hearing a collection of pre-production excerpts released during the summer of 2012 (featured here). I say that without knowing precisely what bated breath means, but I presume it smells better than baited breath. In any event, Neogenesis is finally on the verge of release (the official date is September 27), and to build anticipation Diabolical have released a music video for a track named “Metamorphosis”.

The song is a wave front of blasting, blackened, death metal. In its most powerfully storming moments, it reminds me of those Polish masters Behemoth and Hate. It has an infernally imperial aura, and the production underscores its crushing might. The video is also very well done, though be aware that it includes nudity (not presented salaciously, I might add). I’m really looking forward to hearing all of Neogenesis. Continue reading »

May 012013
 

Life is so chaotic that I have a tendency to seek order in such small ways as finding themes for the collections of music I compile for this site. For this post, the unifying theme is chaos. Go figure.

There’s a lot of music to be streamed in this post, and none of it will leave you any peace.

PTAHIL

In celebration of Walpurgisnacht, which was last night, Indiana’s Ptahil released another in their recent series of singles (the last one featured here). In the case of “Puzuzu”, they announced that it was “the completion of a Destruction Ritual dedicated to school & city officials of Steubenville, Ohio for their willing participation and condoning of child molestation/rape & child pornography.” Ptahil didn’t go into details, but it’s not hard to guess what they’re talking about.

Rage flows through “Pazuzu”. It hits like a thousand flails falling on naked flesh in the eye of a vortex. It’s a storm wind of howling guitars and thundering drums with a chorus of the damned and demented roaring and muttering in its midst. Buried within the layers of noise, riveting guitar leads can be heard and rhythms manage to take hold, but in the main, this is pitch-black, take-no-prisoners destructiveness. More killing music from one of my favorite bands. Continue reading »

Apr 122013
 

You can’t say The Body fail to give warning about what’s coming on their new three-song EP, Master, We Perish. The broken, contorted, skeletal form on Manifester’s album cover provides the first clue. Further hints lie in the first two song titles — “The Ebb and Flow of Tides In a Sea of Ash” and “The Blessed Lay Down and Writhe In Agony”. And the first track does begin with the wailing sound of an air raid siren, in case you weren’t paying attention: It’s time to duck and cover.

Chapter 1:  “The Ebb and Flow of Tides In a Sea of Ash” drags doomed guitar chords across a scarred wasteland of distortion, with horrific howling and screaming as accompaniment and the screech of feedback as the climax. It’s relatively brief. For the sake of sanity, this may be a good thing.

Chapter 2:  Clanging notes reverberate at the outset of “The Blessed Lay Down and Writhe In Agony”, muttering is heard in the background, and a soprano’s voice soars skyward. Fuzzy electronic pulses beat a rhythm. Someone pumps a shotgun, and the drum blasts and cymbal crashes come down like meteor strikes. The song begins to rumble and roll with sludged-out riffs, the drumbeats lurching ahead, caustic cries coming from the deep distance. Distortion fills your head, black matter drowning your mind. Continue reading »