Oct 012018
 

 

(Comrade Aleks brings us this interview of Kostas Panagiotou of Pantheist, whose latest album was released on September 14th by Melancholic Realm Productions, and Towards Atlantis Lights, whose first album was released earlier this year by Transcending Obscurity.)

I bet every doom metal fan knows Pantheist. Started as funeral doom studio project in 2000 by Kostas Panagiotou, it has grown to the size of a full band and went through a series of stylistically metamorphoses. After seven years of secret workings since their last album, Pantheist have returned with an updated lineup and a new full-length album, Seeking Infinity. Besides that, Kostas managed to take part in the international doom project Towards Atlantis Lights, whose first album Dust Of Aeons saw the light of day in March 2018 through Transcending Obscurity Records.

In light of these events, it seemed there were several questions that we should ask Kostas, and so we did. Continue reading »

Feb 262018
 

 

The debut album by Towards Atlantis Lights, Dust of Aeons, consists of four tracks thematically tied together in a narrative that plumbs the subconscious to reveal a magical remembrance of civilizations long dead and wisdom long forgotten, a discovery shrouded in the pain of loss and pointing toward the embrace of death. The music itself is as magical, as dramatic, and as heartbreaking as these tales brought forward from history’s depths in a dream.

The skill with which the album captures and conveys such powerful moods comes as no surprise, given the array of talents who have joined forces in this new group. The multinational quartet consists of vocalist/keyboardist Kostas Panagiotou (Pantheist, Landskap), bassist Riccardo Veronese (Aphonic Threnody, Dea Marica, Arrant Saudade), guitarist Ivan Zara (Void of Silence), and drummer Ivan Olivieri. Employing the tools of funeral doom and death metal, they’ve crafted music that’s beautiful, bereft, and wholly immersive.

The four songs on the album are significantly different in their durations. The opening song, “The Bunker of Life“, for example, exceeds 30 minutes, while the closer — which is the song you’re about to hear — is less than five minutes long. Yet although “Greeting Mausolus’ Tomb” is the shortest of the four tracks, it’s nonetheless spell-binding. Continue reading »