Dec 042025
 

(Our contributor Daniel Barkasi was lucky enough to catch the Tampa stop of Cattle Decapitation’s still-ongoing No Fear For Tomorrow North American Tour, with support from Aborted, Frozen Soul, and Tribal Gaze, and he sent us the following enthusiastic report, accompanied by terrific photos made by Brittany Barkasi @Turn off the Thunder.)

To say that we’re supporters of Cattle Decapitation could be the understatement of the day. Having followed this band ever since hearing Homovore 25 years ago – how is it that long – it’s been a constant evolution for the death/grinders with the ironic name. For these ears, The Harvest Floor displayed a bit that was really on to something special, which was fully realized with Monolith of Inhumanity, at this point not being solely a grindcore act, but a homogenization of the best elements of that style smashed together with roaring, energetic death metal.

From there, the band has been on a steady trajectory of phenomenal records, whose subject matter has also gotten bleaker in their vision of the human condition. Each album since the aforementioned Monolith has given added flavor to their already signature sound, with 2019’s Death Atlas being a personal standout – a well-assembled record that digests best as a whole, whilst being more poignant than the band could have imagined, considering what was about to happen with the dreaded COVID times.

With this tour, the band are playing Death Atlas in full, so if we couldn’t have already been more excited for another romp through the slaughterhouse, anticipation was at a fever pitch. Bringing along a notably weighty trio of Aborted, Frozen Soul, and Tribal Gaze along for the ride, an unabashedly crushing of an evening was set. Continue reading »

Nov 262024
 

(Andy Synn covers four excellent bands as part of today’s article)

So today I present you a split review for a pair of splits featuring two pairs of bands… but don’t worry if that sentence is already making your brains start to hurt, all you really need to know is that you’re about to hear some seriously heavy music.

And, in the end, isn’t that what we’re all here for?

Continue reading »

Jan 022023
 

 

We seem to pick up new readers every year, even as some older readers finally give up and bid us an adios, with or without middle fingers raised. So I guess it’s still worth telling people what they’re getting themselves into with this series, though it’s not worth writing a brand new preface, hence my copying of the one from last year.

This is traditionally the last part of our annual LISTMANIA extravaganza, which is why I’m beginning it today, since the other main part of the series ended today with this post. This particular series isn’t about best albums or best shorter releases, and it isn’t even about best songs. As the title says, it’s about “most infectious” songs. Some of those might be among the year’s best songs, but in every year there are stand-out songs that aren’t immediately infectious, and actually might never be. Conversely, there are some highly infectious songs every year that most people wouldn’t critically acclaim as great works of art.

The process of compiling this list is a bit bizarre, or at least very poorly planned. Let me explain: Continue reading »

Sep 132022
 

(Andy Synn presents his thoughts on three titanic slabs of Death Metal, all due for release this Friday)

If last week was a big one for fans of the more “techy” side of the Death Metal spectrum, then this one is at least as big a deal for those whose tastes run towards the grittier, riffier side of things that one might, if one were so inclined, refer to as “Old School”.

And yet I’d rather not put too much emphasis on that particular term, as while each of these three bands/albums is obviously following a path laid down by the genre’s “Old School” originators, they’re also taking steps – some small, some large – to push things forward in their own way (something which, let’s be honest, can’t always be said about a lot of the OSDM “revival” scene).

But even if you don’t agree with the above statement I think you’ll still find a lot to love within this article, because every one of these bands kicks a significant amount of ass.

Continue reading »

Sep 272021
 

(Andy Synn takes some time out of his busy schedule to celebrate some short but sweet releases by a variety of big names and new faces)

One unfortunate result of the endless scramble to stay on top of the relentless torrent of new album releases is that the humble EP often gets a little overlooked.

Which, obviously, is a real shame, because a good EP can often be just as fulfilling as an album in its own way, especially when a band uses it as an opportunity to explore a different side of themselves or to create something that works within the constraints of the format to tell a complete and fully realised story.

So while I’m working on a number of different full-length reviews (as well as the next edition of The Synn Report) I thought I might as well take a few moments to jot down a few quick reviews for some of the EPs I’ve enjoyed the most over the course of the year so far.

Continue reading »