Nov 052020
 

 

(Here’s another installment in Andy Synn‘s long-running series of reviews devoted to releases by bands from the UK, where he’s based.)

Oh, what big plans I had for this week. I was going to write so much more for the site, about so many different bands/albums, some new, some old, that it was going to take most of you another whole week just to get through it all.

But, as it is wont to do, life got in the way, with work pressures and some last-minute setbacks in preparation for filming our next music video taking up more and more of my time (and adding more and more stress) with every passing day.

Still, things have slowly started to ease off now, meaning I’ve got just enough time to sneak in a brand new entry of “The Best of British” for you all to enjoy going into the weekend. Continue reading »

Jun 202020
 

 

In many weeks the title of this round-up hasn’t been entirely accurate, because although I post them on Saturdays, sometimes I’ve listened to the songs before Saturday has arrived. Not this time.

This time I let the entire week go by without listening to much new music other than what I had agreed to premiere. My day job has been unusually annoying this week, and I continue to be distracted by the unnerving daily news of what’s happening in the world around us. This time, after gulping a couple of cups of coffee, I started the day by trying to catch up, and these selections survived that Saturday morning sifting process.

Needless to say, I didn’t make much headway in my giant list of things I wanted to check out from the past week (and the weeks before), but I had really good luck with what I did decide to check out.

PRIMITIVE MAN

I contend that there’s no better “intro” to a Primitive Man song than the gashing of ears with feedback, because what usually happens next is an ugly and unnerving experience. Why sugarcoat it? Continue reading »

Feb 212020
 

 

One month ago we came across the debut release of a one-person project from London named Cult Burial. It was a single song named “Consumed“, and its amalgamation of black, death, and doom metal did indeed prove to be an all-consuming experience that enveloped listeners in the bleak and desperate sensations channeled by the music’s creator. Given the striking impression made by that first release, we jumped at the chance to present Cult Burial’s second single today, a track called “Sorrow“.

The lyrics of the new song are no more hopeful than those in “Consumed”, and the music is no less intense. Harrowing roars and mind-scraping shrieks reverberate above moody bass moans, head-hooking drum patterns, feverish riffing, and wailing ethereal tones which add a disturbing aura of eeriness to the music’s sense of inner tension and angst. Continue reading »

Jan 192020
 

 

Five individual tracks. That’s what I’ve combined into this first installment of our usual Sunday expedition into the black realms. The second Part includes a few complete records, recently released, that I’d like to recommend. I haven’t written it yet, and may not finish it in time to post it today. Astonishingly, I have some other activities planned, and they may push Part 2 into Monday.

DARK FORTRESS

Last week brought another advance track from Spectres Of The Old World, the eighth album by Germany’s Dark Fortress. I’ve already provided some background details about the album when writing about a previous single, “Pulling At Threads” (here), and won’t repeat it. That previous song, although quite welcome, was a very short one for Dark Fortress, ending abruptly and without offering much in the way of unorthodox, progressive, or challenging permutations, which is what we’ve come to expect from the band as they’ve evolved. So, what of the new one, “Isa“? Continue reading »