Apr 162022
 

I hope your weekend is off to a good start. I got my good start at a baseball home opener last night, arrived home late, and spent a chunk of the morning texting with fellow Mariners fans, still reveling in the ass-whipping they administered to the much-loathed Astros. Which is to say that this roundup will be a relatively short one.

A regrettably short one, because this past week was huge for new metal. I did a fairly good job making lists of new stuff I spotted, and it sure seemed like the torrent was greater than average. I basically just took random shots at some bands who have already proven themselves, and a few that seemed intriguing. To make the quick search a bit easier, I left all the black metal options to explore for tomorrow’s usual column. Be forewarned that this includes a couple exceptions to our rule about singing.

EXOCRINE (France)

To lead off we’ll go with a new Exocrine song, which two of my NCS comrades enthusiastically pushed my way. It’s the title track from the band’s fifth album, The Hybrid Suns, which Unique Leader plans to release on June 17th. Continue reading »

Aug 142020
 

 

(Today is the day set by Relapse Records for the release of Primitive Man‘s new album Immersion, and it is thus a fine time to share with you this new interview by Comrade Aleks of the band’s vocalist/guitarist Ethan Lee McCarthy.)

Bad times for good guys and bad times for bad guys. It does not matter who you are when the world doesn’t stop crumbling down right beneath your feet. Extreme situations demand primitive reactions, just this basic set which kept our antediluvian ancestors alive, even as it seems we head on towards extinction with each step we’re forced to take by powers behind our backs. You can pray, you can speak your final manifest of disobedience… who knows if it counts?

In this environment the Denver-based crew of Neanderthal sludge-bringers Primitive Man come our way with their third full-length album, Immersion. We’ve searched for the source of its bitterness, ugliness, and anger together with Ethan Lee McCarthy (vocals, guitars) and here’s what we found. Continue reading »

Jun 202020
 

 

In many weeks the title of this round-up hasn’t been entirely accurate, because although I post them on Saturdays, sometimes I’ve listened to the songs before Saturday has arrived. Not this time.

This time I let the entire week go by without listening to much new music other than what I had agreed to premiere. My day job has been unusually annoying this week, and I continue to be distracted by the unnerving daily news of what’s happening in the world around us. This time, after gulping a couple of cups of coffee, I started the day by trying to catch up, and these selections survived that Saturday morning sifting process.

Needless to say, I didn’t make much headway in my giant list of things I wanted to check out from the past week (and the weeks before), but I had really good luck with what I did decide to check out.

PRIMITIVE MAN

I contend that there’s no better “intro” to a Primitive Man song than the gashing of ears with feedback, because what usually happens next is an ugly and unnerving experience. Why sugarcoat it? Continue reading »

Jul 232018
 

 

The second annual installment of Austin Terror Fest took place in the heart of Texas on June 15-17, 2018, proudly co-sponsored by NCS. It featured performances by 30 bands from around the U.S. (and outside it). It was a great event, and we’re already anxious for ATF 2019 (and yes, work is already under way to present the third edition of the festival next year). We were very fortunate that New Orleans-based photographer Teddie Taylor was there to document the fest through her lenses, and to share her photos with us so that we, in turn, can share them with you.

Last week we presented photos from the first day of the festival and the second, and today the focus is on the performances that took place on the third and final day, with sets by nine bands at Austin’s Lost Well. And without further ado, here’s our selection from the many great images that Teddie captured during these performances: Continue reading »

Jul 122018
 

 

For the second year in a row, NCS was proud to co-present Northwest Terror Fest, which took place this year on May 31 – June 2 in Seattle, Washington. Several of us in the NCS family helped organize and present the fest, and I guess that makes us a bit biased, but we’re not the only ones who thought it was a fantastic event. The feedback from bands, fans, and the venues has been uniformly very, very positive — so much so that we and our co-conspirators are already at work planning the third installment of NWTF for 2019.

We will of course be bringing you news about next year’s fest when the time is right, but we now want to take one more look back at NWTF 2018. And to do that, we’re fortunate to be able to present some of the amazing photos that New Orleans-based photographer Teddie Taylor took while the festival was in progress. Continue reading »

Feb 142015
 


Photo by Tim Flach

 

About the title of this post: I’m using the term “we” very loosely. A lot of people who visit this site, maybe a majority of you, probably don’t like disgusting music. Heavy and harsh, even angry and savage — yes. But disgusting? Not likely. I’m just as sure that many of you do. I do. But why?

I’ve had that question in my head for a long time, but like most hard questions, I put off focusing on it. What got me thinking about it last night was Durf Talitopia’s review of Primitive Man’s new EP, Home Is Where the Hatred Is, at Brutalitopia. He wrote:

These are four songs that make you feel the need to shower after listening, and then maybe consider just drowning yourself in the bathtub…. Home is Where the Hatred Is will definitely not be for everyone.  It’s uncompromising in its ugliness, relentlessly spewing spite and bitterness from every second of every song…. This is music that has little to no commercial appeal, music that most people would probably turn off halfway through the first track.  In short, it’s music made by a band that believes in it…. I love that Home is Where the Hatred Is exists, and I think it’s one of the most distinct, incredible albums I’ve heard in a long, long time… even if I might not listen to it again for a long, long time.

Durf found the EP’s final song particularly disturbing: “‘A Marriage With Nothingness’ is one of the most uncomfortable songs I’ve ever encountered, to the point where I genuinely don’t know if I ever want to listen to it again.”

I hadn’t heard that song, or anything else on the EP, until reading the review. I listened to “A Marriage With Nothingness” first, and then I started writing this post. Continue reading »

Jan 232015
 

Well, the last time I did what I’m about to do, I had breaking news and new music concerning 18 bands that all became public in a single day. That was two days ago. And now I’ve got a collection of song streams and videos from 19 bands that I spotted since I wrote that last post, all of which I think are worth recommending.

Most of what’s in here is brand new; a few of songs are simply new to me. Once again, because this collection is so overstuffed, I’m presenting what I found with a minimum of commentary… in alphabetical order by band name. Continue reading »