Jul 232018
 

 

The second annual installment of Austin Terror Fest took place in the heart of Texas on June 15-17, 2018, proudly co-sponsored by NCS. It featured performances by 30 bands from around the U.S. (and outside it). It was a great event, and we’re already anxious for ATF 2019 (and yes, work is already under way to present the third edition of the festival next year). We were very fortunate that New Orleans-based photographer Teddie Taylor was there to document the fest through her lenses, and to share her photos with us so that we, in turn, can share them with you.

Last week we presented photos from the first day of the festival and the second, and today the focus is on the performances that took place on the third and final day, with sets by nine bands at Austin’s Lost Well. And without further ado, here’s our selection from the many great images that Teddie captured during these performances: Continue reading »

Jun 152018
 

 

Once again, my plan for this week-long series has failed. Rather than catching up on new music from the last two weeks, I’ve instead been diverted by late-breaking releases. Moreover, rather than two new songs by only two bands, this collection includes music from three groups, beginning with a complete EP.

PALE

I discovered this EP yesterday thanks to a recommendation from occasional NCS contributor Conchobar, about a half hour before seeing a Bandcamp alert for the EP from Pest Productions in our e-mail. Conchobar characterized it as “very ‘post-black’ but in a very non-cliched way”. Continue reading »

Aug 142016
 

Capitol Theater-Day Two

 

This is the second part of a three-part recap of the first Migration Fest in Olympia, Washington. For the first installment, covering the pre-fest show on August 11 and Day One on August 12, go here.

The first day of Migration Fest proved to be a very strong start to what I selfishly hope will become an annual tradition. If anything, Day Two topped it, in large part on the strength of a history-making performance by Saturday’s headliner — Panopticon — that was simply stunning.

At the end of this post I’ve embedded five videos from Panopticon’s 90-minute set, and I’ve got one video of Vastum in here, too. By tomorrow, I also plan to update this post (and yesterday’s recap of Day One) with videos of additional bands. For now, I’m including the best of my crappy cellphone photos, and some words of course. Continue reading »

Aug 032016
 

Gatecreeper-Sonoran Depravation

 

I’m finishing this post on the way to the airport, where I’ll board a flight for Las Vegas with my spouse to attend the wedding of one of her nieces. We’ll be there for three days. That may interfere with NCS activity for the rest of the week. If there’s not much up on the site between now and Sunday, that’s the explanation.

But it may not interfere. Everyone I know who will be at this thing, including my wife, plans to spend a lot of time in the casino. I’m not much for gambling; throwing away money in an undoubtedly losing cause tends to sap the pleasure after a while. And since I’m not keen on getting broiled outside, that leaves the hotel room… and metal.

In the meantime, here’s a quick round-up of new music. Because time is short, I have to largely dispense with reviews/descriptions today. The last time I did this, a reader jumped on me for not at least providing a genre description, so I’ll do that. Continue reading »

Nov 202015
 

Lycus-Chasms

 

I came across a ton of new music yesterday that lit me up, too much to cram into a single post. So I made some hard choices, and selected this grouping from six artists with an eye toward creating a diverse listening experience. The last item, of course, isn’t metal — except it kind of is. You’ll see. If I have time I might be able stitch together some more new songs for later today, and if not, tomorrow (because tomorrow is the glorious sixth anniversary of our site’s birth).

LYCUS

January 15 is the date set by Relapse Records for the release of the new album Chasm by Oakland’s Lycus. As you can see, it features cover art by Paolo Girardi. The band’s last album, 2013’s Tempest, was fantastic, and I’ve been curious to see what Lycus would do next.

The new record consists of four long songs, and one of them, “Solar Chamber”, debuted yesterday. Drummer Trevor DeSchryver described its concept this way: Continue reading »

Jul 072014
 

Boston’s Fórn hit our radar screen about a week ago when Invisible Oranges premiered “Dweller on the Threshold”, the first advance track from the band’s forthcoming new EP, The Departure of Consciousness. I’m still trying to recover from that obliterating experience; the recovery has taken longer than originally predicted because just when I feel about ready to get out of bed, I go back and listen to the song again. I’m going to be bed-ridden for a lot longer, because I’ve also been listening to a second song from the EP, which we have the good fortune of sharing with you today in this premiere.

The song you’re about to hear is “Suffering In the Eternal Void”. Chiming like bells, the slow, melancholy melody at the song’s beginning catches hold very quickly. Five or six minutes of that could prove to be thoroughly hypnotizing. But just as the music has succeeded in gently pulling you into its embrace, it then  tightens its grip and drags you bodily into a pit of deep, suffocating doom. That seductive melody becomes a crushingly heavy dirge, though no less seductive — this misery is mesmerizing. And the vocals, they sound like sulphuric acid eating through steel, or like some shrieking poltergeist that has become your companion for this slow fall into the void.

Yet another powerhouse song from a band whose name deserves to be spread like a plague. Continue reading »

Jun 292014
 

This is another weekend round-up of recommended new music. A particular kind of new music. The kind that will wreck your head on the shoals of savagery and cast your soul into outer darkness. This collection turned out to be so large that I divided it into two parts; the second part will appear soon. The bands are presented in alphabetical order, which is about the only kind of order you’ll find here.

DEATH VOMIT

NCS supporter Utmu pointed me to the first song presented here. It comes from Gutted By Horrors, the debut album of a Chilean band named Death Vomit that’s due for release on July 1, 2014, by the Spanish label Xtreem Music. The song is “Indestructible Abominations”. It’s a noxious cloud of utterly destructive black/death war metal, whose gargantuan grinding riffs spread a morbid melody like the plague while the vocalist renders inhuman echoing howls and soul-devouring roars. Attractively obliterating music.

I’m including a stream of the song in two different players. The album will be available for order on CD at the Xtreem Music site. Based on past experience, I’m guessing Xtreem will eventually put the album on their Bandcamp page (here) as well. Continue reading »