Jun 182024
 

(After a slight delay following the expiration of May, Dan Barkasi rejoins us with reviews and streams of eight selected albums released during that month.)

To begin, a brief recap of Maryland Deathfest. If you attended, we can only hope it was as close to cathartic for you as it was for yours truly.

Having attended a ton of MDF’s in the past – I’ve lost count – this was unequivocally one of my favorite editions. The variety and top-tier quality of the musical performances was profound. Sinmara, Spectral Wound, Fossilization, Altars, Spectral Voice, and Imperialist were all acts witnessed for the first time, and each left a permanent impression. Heavy hitters such as Dismember, Ahab, Agalloch, Sodom, and Primordial each brought an undeniable presence to each of their shows that were wholly different, yet left the same elated feeling.

The biggest highlight, however, is this festival representing a gathering of lifelong friends that haven’t been seen in much too long of a time period, as well as making new friends, all of which we hope to see again very soon. Continue reading »

Nov 242023
 

Here in the U.S., where I am, it’s been a holiday week. For the rest of the world, it was just another Thursday. The holiday continues today, but even elsewhere in the world it’s not just another Friday.

For decades here, the day after Thanksgiving has marked the beginning of shopping season for the upcoming Christmas holidays, but it seems to have spread its infection elsewhere, even in the world of metal, based on the volume of e-mails I’ve received offering discounts on records and merch from locations in Europe as well as North America.

Well, why fight against the tide? Today, for one day only, we’re offering a 50% discount on the price of subscriptions to NCS, which is normally zero. Get ’em while they last.

I resisted the obvious temptation to limit today’s collection of new music to black metal, but it’s all still pretty black. Continue reading »

Jan 042021
 

 

Well, here we go again: For the 12th straight year I present my list of the preceding year’s Most Infectious Extreme Metal Songs.

I’m going to dispense with repeating the operative definition of what I think makes a song “infectious”; if you’re encountering this series for the first time, go here to see that. But I will remind you what I do to compile the list, and why I currently have no idea how long it will be, or precisely when the rollout will end — which has been true in nearly every other year when I’ve done this. Continue reading »

Mar 222020
 

 

I’m still working my way through that list of 80 potentially interesting new songs and full releases that I mentioned in Part 1 of this big round-up. Of course, not all of those 80 are going to pass my smell test, and I couldn’t write about all of them even if they did. But there’s still a lot I want to recommend, and so with the exception of the first item below, I’ll just be offering brief impressions along with the streams.

If all goes as planned, there will be a Part 3 tomorrow. A SHADES OF BLACK column will follow this one today, whenever I finish writing it.

GÖDEN (U.S.)

From 1989 to 1994 Winter released only one demo tape (Hour of Doom), one album (Into Darkness), and one EP (Eternal Frost), and nothing since then. But those recordings were enough to cement their place in the history of extreme metal and to become the jumping-off point for countless other bands in the doom and sludge genres for the last 30 years. And thus when Svart Records announced weeks ago that it would be releasing an album by a band it characterized as “a long-awaited continuation of what Winter would have been”, I sat up and paid attention. Continue reading »

Oct 092017
 

 

I did just post a SHADES OF BLACK column on its usual day (Sunday), and I really do listen to other genres of metal. But as I began collecting music for a SEEN AND HEARD post today I found that half the candidates had some connection to black metal, and therefore decided to collect most of them separately from everything else. With luck, I’ll finish writing about the others in time to post that planned SEEN AND HEARD round-up tomorrow.

By the way, when I say that all of the following tracks have “some connection to black metal”, you’ll find that it’s definitely not the same kind of connection. In short, the music here is quite varied, which is one of the reasons I combined all of it here. And the second item (Funeral Hearse) is an exclusive announcement.

THAW

In a 2014 year-end list we posted here, one of our former contributors described this experimental Polish band’s last album Earth Ground this way:  “The use of dissonant guitar with face-cringing noise and vocal assaults layered throughout the space in this album gives a chaotic feel reminiscent of recent Deathspell Omega releases, but with more moments of space and resolution (for better or worse): contemplative and explorative.” Continue reading »

Jan 032017
 

 

As you can see, this is the second installment of our Most Infectious Song rollout, following hot on the heels of yesterday’s launch. As was true yesterday, each of today’s picks came from albums that were home to more than one song that could easily be on this list, and I won’t be surprised if some of you think I made the wrong pick. Hell, if I made the picks tomorrow, they might be different.

There are a few other connections between this particular threesome, one of which is that all three albums came out in the first quarter of last year, long enough ago that, for me, revisiting these songs was like a reunion with some old friends. Other connections will become obvious.

VREDEHAMMER

We didn’t give enough attention to Vredehammer’s 2016 album Violator. I wrote about its first advance track (“Spawn Tyrant”), and we published Karina Cifuentes’ interview of Per Valla, though even that focused more on his time as a session guitarist with Abbath and his personal Valla project than it did on Vredehammer. Continue reading »

Sep 212016
 

per-valla

 

(Karina Noctum returns to us with this interview of Norwegian musician Per Valla, founder of Vredehammer and Valla and former member of Abbath.)

Tell us about yourself, your musical career so far…

I was born and raised in a small town in the north of Norway called Mo i Rana. Here I lived a typical small-town life with typical small-town friends and typical small-town dreams. When I was around 15 years old I injured my knee, and my dream of becoming a professional football player instantly died.

That same day after leaving the hospital, I went to our typical small-town music store, and the first thing I saw when I entered was a VHS with the amazing John Petrucci on the cover — entitled Rock Discipline. I bought the fucker and from that day on I started practicing guitar and my focus on being a professional football player quickly turned into working towards becoming a professional metal guitarist, preferably lead guitarist. Continue reading »

Nov 202015
 

Lycus-Chasms

 

I came across a ton of new music yesterday that lit me up, too much to cram into a single post. So I made some hard choices, and selected this grouping from six artists with an eye toward creating a diverse listening experience. The last item, of course, isn’t metal — except it kind of is. You’ll see. If I have time I might be able stitch together some more new songs for later today, and if not, tomorrow (because tomorrow is the glorious sixth anniversary of our site’s birth).

LYCUS

January 15 is the date set by Relapse Records for the release of the new album Chasm by Oakland’s Lycus. As you can see, it features cover art by Paolo Girardi. The band’s last album, 2013’s Tempest, was fantastic, and I’ve been curious to see what Lycus would do next.

The new record consists of four long songs, and one of them, “Solar Chamber”, debuted yesterday. Drummer Trevor DeSchryver described its concept this way: Continue reading »