(We welcome back guest contributor Gorger, who reviews a new split release by three Greek bands — Awe, Vacantfield, and End. For those with Scandinavian linguistic skills, check out Gorger’s Metal.
Me writing this post was triggered by the fact that this release was leaked more than a week prior to the release date. What kind of a person with actual love for metal would even consider doing such a thing? I can, to an extent, understand why some people download (that is a different discussion altogether). However, I can not understand those who supply others with pirated metal. Is it the need for admiration? To be respected like some generous Santa? At least bloody wait ’til the album’s released, you fucking retard!
But I’m not going to do a lecture on the subject of pirating. Rather, I’m going to promote this split and give three good bands some well-earned attention. What you see above is a marvelous rendition of the Moerae. Don’t worry, you’ll find out soon enough. It was painted by Vamon VII, who also created the rest of the gatefold paintings.
Three Greek black metal bands with varied years of experience each contribute to present one (approximately) 17-minute-long song. All of them offer rawness, intensity, and suggestion (hypnotic, that is), and the tracks suit each other surprisingly well, despite differences in production, which is something that is also fitting, as they are bonded together by a concept. It feels natural to do this short review, song by song, band by band.