(Andy Synn returns to his occasional series focusing on new releases by UK bands, with a trio of reviews and music streams.)
Just squeaking in under the wire before next week’s massive round-up, The Best of British is back once again with three killer cuts of prime metallic meat for your delectation.
Now you might be surprised to know that I still sometimes get accused of “not supporting the scene” enough, mostly in cases when Joe Douchebag is angry that I either haven’t covered his favourite band, or when I’ve had the temerity to suggest that his favourite band really isn’t all that good.
I suppose it doesn’t help that, despite playing in two bands myself, and writing for a couple of different publications, I still don’t really think of myself as part of “the scene”, which often tends to be too cliquey and insular for my tastes, with an unfortunate predisposition towards applauding bands just because they happen to be from the UK, and/or because they know the right people.
But I do feel that since I have my ear a bit closer to the ground than our other contributors (for obvious reasons) when it comes to up-and-coming acts from the UK, it’s important to use this knowledge to single out the bands who I feel really are deserving of praise and of wider exposure.
I’ve always felt that if you really want to “support the scene” then you should be asking, and expecting, more from it. You should be more, and not less, discriminating. If you want your scene to grow – rather than simply stagnate, producing the same interchangeable crop of bands year in and year out – you need to throw your support behind bands who can truly hold their own on the world stage.
And that’s the purpose of these columns. To bring these bands to a wider audience as best I can.