AN NCS INTERVIEW: DEAD AND DRIPPING

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Nov 272025
 

(New Jersey-based Dead and Dripping has created macabre musical intersections of sounds that are ghastly, putrid, bludgeoning, and malicious, but also machine-precise, head-spinning, and dazzling – in a very demented way. Their new album will be released tomorrow by Transcending Obscurity Records, and that provided the impetus for Zoltar to reach out for the following interview with D&D’s mainman Evan Daniele.)

There are fucked up death metal bands. And there are REALLY fucked up death metal bands. Dead And Dripping defo deserves to be on the latter top list. Initially ‘just’ a solo project by Sentient Horror’s Evan Daniele who’s never hidden his love of death metal the brutal way, one could have easily expected the result to be on the same basic-and-brOOtal wave-length as, say, Putrid Pile or Insidious Decrepancy, just to cite two early 00s prime examples of one-man-brutality.

But as soon as his debut – first digitally, then on CD format through France’s Percussive Spectre – Profane Verses Of Murderous Rhetoric dropped, we realized that as in Matrix, instead of choosing between the blue or the red pill, Daniele went for both and thus, opened a doorway to some psychedelic, twisted, and, well, truly fucked up parallel universe. And if you thought his first three albums sounded like Demilich or Timeghoul heavily tripping on acid through a brutal death metal vortex, wait until you hear the new one, Nefarious Scintillations.

Turn on, tune in, drop out, and get blasted. Continue reading »

AN NCS INTERVIEW: SLAUGHTERDAY

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Nov 182025
 

(The German death metal band Slaughterday signed with a new label, Testimony Records, and their first release for Testimony (which will be out on November 21st) turns out to be something different from what you might expect. We’ll let Zoltar explain, just before he dives into a discussion with Slaughterday bassist/guitarist Jens Finger.)

When former Obscenity guitar player Jens Finger caught up with his old friend Bernd Reiners to go see Autopsy play at the Party San Festival on August 13th 2010, the pair quickly realized that the song title “Slaughterday“ off the classic Mental Funeral album performed that night would make a great band name.

Since then, besides setting a live line-up to play shows around their native Germany, the two have laid out four great albums of doomish old school death metal in between 2013 and 2022. After over a decade on FDA Records, Slaughterday have just signed a brand-new contract with Testimony Records (Deserted Fear, Carnal Tomb, Leper Colony). Yet, as suggested by its cover artwork (a spoof of the mighty Horrified album), the very first result of this new alliance ain’t exactly what you would have expected from those guys.

Instead of their usual downtuned catchy style, Terrified turns out to be a four-tracks, nine minutes, in-your-face grindcore EP, but the kind of grindcore only metalheads raised in the ’80s on a severe diet of thrash metal and hardcore/crust could really muster. We caught up with Jens, who handles guitar and bass in the studio, to see if this was just a spur of the moment thing or an indication of a sudden change of heart… Continue reading »

NEWS FEATURE: ROTPIT RELEASE A NEW EP, BECOME A FULL BAND

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Sep 112025
 

(Our contributor Zoltar wishes to draw your attention to developments in the grimy and gruesome Rotpit camp, including a new EP and an expanded full lineup now at work on a new album.)

Thanks to the internet, the scene has been flooded over the last decade or so by super-groups – or whatever you wanna call those sometimes intercontinental collaborations of musicians from all over the world, each of them delivering their parts in their respective home studios before getting somebody to piece them altogether et voilà. Too often, said collaborations prove to be a tad lackluster as, let’s face it, nothing beats getting the whole gang together in one sweaty rehearsal room to bang their instruments innit?

Thankfully, some of those more or less ‘bands’ beg to differ. And not only did ROTPIT released two splendid downtuned-as-fuck slimy full-lengths and two split EPs but they’ve gone the extra mile by actually turning this once studio-only thing into a fully functioning five-piece band. Both Ralf Hauber from REVEL IN FLESH and former MASSACRE and WOMBBATH vocalist Jonny Pettersson started collaborating together in HEADS FOR THE DEAD in 2017 but felt like churning out something even uglier, hence giving birth to ROTPIT. Continue reading »

AN NCS INTERVIEW: DEFACEMENT

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Sep 052025
 

(One year after their acclaimed Duality album, last month the international quartet Defacement released their fourth studio record, Doomed, through the Unorthodox Emanations division of Avantgarde Music. What we have for you today is Zoltar‘s interview of Defacement protagonist Khalil Azagoth.)

The jury may still be out on if they truly belong to the post-black metal genre or not (read Andy Synn‘s extended review to find out – or not) but the international act that is Defacement aren’t your so-called ‘typical’ dissonant death metal band, whatever this elusive tag may refer to.

Yet as undecipherable as they may come across at first, despite their overall concision, each of their four so far released albums, including Doomed unleashed by Avantgarde Music last month, has this rare ability to suck the listeners into the vacuum where one can experience subsequently dizziness, fear, and inner peace, sometimes simultaneously.

Mainman and guitarist Khalil Azagoth agreed to give us some keys to their abstruse but fascinating inner world. Continue reading »

A NCS INTERVIEW : DISEMBODIMENT

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Jul 252025
 

(Everlasting Spew Records released the gut-churning, pulse-pounding, head-moving debut album of Disembodiment on July 11th, and now we present Zoltar‘s interview of Disembodiment guitarist Chris Lacroix.)

Disembodiment are a death metal band from Canada. Now hold your horses right away, especially those immediately expecting some kind of shred-fest or deathcore march. This four-piece out of Sherbrooke, Québec may be downtuned and all about decay and slimy things but their music nevertheless remains deeply rooted in the early ’90s, back when the genre wasn’t all about speed and/or technical wankery but stomping grooves, grueling slow parts, and being metal-as-fuck.

If their demo-turned-into-an-EP Mutated Chaos in 2021 was a warning shot, their long-awaited full-length Spiral Crypts – with a couple of songs premiered on this very site a few weeks back – will truly take you to a even more gruesome place “where cadavers pile to rest” as they say themselves on the opening track, “Stygian Overture”.

Although not the most talkative person on the planet, guitar player Chris Lacroix spills some of the beans for us… Continue reading »

SÁTAN FESTIVAL, JUNE 5TH, 6TH, AND 7TH, STYKKISHHOLMÚR  (ICELAND)

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Jun 272025
 

(Our French contributor Zoltar made his way to Iceland again to attend the June 2025 edition of Sátan festival, and we received the following report, with a few of Zoltar‘s photos.)

Be warned, you’ll often read this same phrase over and over again in the following report: Only in Iceland…

Mind you, it’s far from being my first time here as after a first visit in the mid-00s as a regular tourist (no metal involved), I had the chance to attend a few times the now defunct Eistnaflug festival and also to be invited to be part of the Wacken Battle Iceland jury. Yet, this tiny country with a big heart never ceases to amaze me, on all levels.

And yes, only in Iceland could a festival be set up in the middle of freakin’ nowhere (that would be in this very case Stykkishholmúr for you, roughly one three-hour drive up from Reykjavik, population 1,300) in early June called Sátan Festival. And yes, there’s a twist here. The accent makes all the difference, since Sátan (look it up, google it if you don’t believe me) is first and foremost the name of a local mountain with an old legend attached to it.

Besides a hard-to-transcribe-on-paper pronunciation – try something like ‘sauthan’ – the name has actually something to do with a legend about a troll, a haystack, a horse, and a couple of extra things I’m not entirely sure of anymore… But that’s not what really matters here, as this new and up-and-coming festival (this is their second edition) encapsulates everything that makes the Icelandic scene such a special one. Continue reading »

AN NCS INTERVIEW: JONAS LINDBLOOD (PUTERAEON)

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May 282025
 

(Our French contributor Zoltar conducted the following excellent interview with Puteraeon founder and vocalist/guitarist Jonas Lindblood in advance of Emanzipation Production‘s release of this Swedish band’s newest album on May 30th — an album we will premiere-stream one hour from now.)

“Dead but dreaming.” Howard Philipps Lovecraft probably never thought while writing for the first time about what would become his most famous creation in the aptly titled The Call Of Cthulhu nearly a century ago back in 1926 that, somehow, this conception would also ring true about his never-ending influence on extreme metal.

A lot has been said about how pioneers like Black Sabbath (‘Beyond The Wall Of Sleep’) or Metallica (‘The Call Of Ktulu’) early on associated the name of the master of Providence to distorted riffing on selected tracks, but lately more than a few bands like French weirdos The Great Old Ones or German epic travelers Sulphur Aeon have gone the extra mile by entirely dedicating their lore to his writings and monstrous cosmology.

The cool thing about Puteraeon is that they never jumped on the bandwagon to start with yet made it clear from their third demo what the deal was, going as far as doing a whole set of songs (The Extraordinary Work Of Herbert West) solely dedicated to one of Lovecraft’s most-beloved novels – and the source of inspiration for what remains his best movie-adaptation, Stuart Gordon-directed 1985 cult horror flick Re-Animator. Continue reading »

AN NCS INTERVIEW: SIJJIN

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May 132025
 

(Here we present Zoltar‘s interview of Malte Gericke, bassist and vocalist of the pan-national death/thrashing band Sijjin, whose new album Helljjin Combat is out now on Sepulchral Voice Records.)

“I couldn’t be happier man.” Malte Gericke, aka Mors Dalos Ra, is relieved for probably the first time since the band’s split in 2021 not to be asked about Necros Christos, the cult and highly-mystical death/doom beast he led out and back to the abyss for over two decades. And he deserved the right to, as Sijjin, the to-the-point and proudly stuck in the ’80s thrash/death new band he had put together even before NC took their final bow, has proven not to be the expectative derivative but an entity on its own, far less entrenched in occult and cryptic atmospheres and doom-laden circumvolutions, way more straight-forward and unapologetically METAL, as in denim-and-leather-patches-furious-headbanging metal.

If their 2019 demo, later reissued on LP, and their debut album Sumerian Promises were treading on early Morbid Angel territories, as he once again puts it himself, their long-awaited sophomore and very riff-oriented album Helljinn Combat goes even more “back in time”. Old-school to the bone! Continue reading »

AN NCS INTERVIEW: CONSUMPTION

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Apr 102025
 

(Here we present Zoltar’s interview with the ever-busy Håkan Stuvemark, the focus being on his death metal band Consumption, whose latest album Catharsis was released in January by Dusktone.)

Hard to say when the disease started spreading but most extreme metal historians (if there’s such a thing) would probably agree that General Surgery, Dead Infection, and/or Pathologist were the first ‘official’ Carcass clones, as early as 1988. And it somehow never stopped since then: Haemorrhage, Necrony, Golem, early Exhumed, Butcher ABC, etc. The list goes on and on and never ceased to grow. Yet, from time to time and despite the heavy competition, somebody decides to pick up the gauntlet and run with it, reaching for the extra yard, today’s case pick being Consumption.

Just like the ‘fake’ band The County Medical Examiners vowed in the ’00s to record the sequel to Symphonies Of Sickness but never got the time nor the will to record, Håkan Stuvemark from Wombbath decided instead to raid that even better guarded citadel known as Necroticism. And it looks like he’s having a blast doing so, as although he’s got his fingers in so many pies at the same time, he still did find the time to record three albums of pure Necroticism-worship over the course of five albums, the latest being the just-released Catharsis on Dusktone.

Yet based on what he’s telling us, there is more here to be found than ‘just’ extremely well-made fanart. Continue reading »

AN NCS INTERVIEW: MORBIFIC

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Apr 092025
 

(On April 21st a group of labels will release a new album by the Finnish death metal band Morbific, and that induced our contributor Zoltar to reach out for an interview, which now follows.)

Samples of forgotten horror flicks, a crude-as-fuck production, distorted bass breaks one hasn’t heard since Impetigo‘s debut album back in 1990, dual vocals and lyrics about mutilating a corpse or draining into a tub various secretions of a putrefied body… You can’t really blame Finnish youngsters Morbific for beating around the (dead) bush can you?

Various splits and an EP plus three albums, including the soon-to-be-released Bloom Of The Abnormal Flesh, in, the trio stick to what they do best: old-school, primitive, and ghastly death metal, yet surprisingly catchy thanks to its underlining groove and straight-to-the-point attitude. Next to other rather ‘new’ European acts like Stockholm’s Repuked or Copenhagen’s Undergang, their undeniable faith in a certain deeply underground and untouched-by-modernism definition of what death metal stands for is undeniable.

And yes, based on their bass player and vocalist Jusa‘s not quite extensive answers, they don’t seem to give a fuck about anything, but it’s probably because at the end of the day, it’s just all about playing freakin’ death metal and celebrating gore, nothing less nothing more. Continue reading »

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