AN NCS INTERVIEW: INVICTUS

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Feb 262026
 

(In late January Me Saco Un Ojo and Memento Mori co-released a new album by the Japanese death metal band Invictus, and that led our contributor Zoltar to reach out for the following good interview with guitarist and vocalist Takehitopsy Seki.)

While the Japanese grind and death scene has granted us some of the wackiest, most disturbing bands over the last twenty-five years or so (we dare you to try to listen to GORE BEYOND NECROPSY or CATASEXUAL URGE MOTIVATION for 24 hours straight and not want to murder everyone), they also know a thing or two about recreating note-perfect tributes to their American elders. Unsurprisingly, the sound of the early ’90s Floridian mob left an obvious mark on many, including Nagano’s own INVICTUS, whose second album was released on vinyl by Me Saco Un Ojo and CD by Memento Mori.

This trio may be obvious MONSTROSITY fans but their extremely tight musicianship, powerful drive, and thrash leanings truly set them apart from the clone pack, and guitarist and vocalist Takehitopsy Seki does obviously know what the fuck he’s talking about, based on the following answers… Continue reading »

AN NCS INTERVIEW: IN AETERNUM

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Feb 062026
 


Photos by Magnus Eklund Izarra

(Today Soulseller Records is releasing the first new In Aeternum album in more than 20 years, and to help commemorate the event we’re now presenting Zoltar’s interview with founding member David “Impious” Larsson.)

No matter what some would say, the late ’90s and early ’00s were when both the black and death metal scenes collided, with various results. In Sweden, despite Jon Nödtveidt landing in jail from 1997 onwards, you could still feel the aftermath of Dissection’s gigantic Storm Of The Light’s Bane and how it redefined a whole scene. If on the old continent No Fashion Records picked up the baton and ran with it, so did Necropolis Records on the other side of the Atlantic. By the time the next millennium was just around the corner, the Californian imprint seemed to mostly put out one future Swedish black/death metal classic after the other: Dawn’s Slaughtersun, Arckanum’s first three albums, Ophthalamia, Nifelheim, etc.

Originally called Behemoth, In Aeternum showcased on Forvever Blasphemy, their debut for the label back in 1999, everything fans of that particular genre could hope for with a massive Fredman production, some ripping Necrolord cover artwork, and songs about the end of the world and the reaper. Even if things went a bit south in between the two parties after the release of their equally great second album The Pestilent Plague, those Swedes nevertheless did carry the torch all the way ‘til the end of the ’00s when they seemingly vanished off the face of the Earth.

After a first attempted yet short-lived reunion in 2016, the band are finally back with a vengeance thanks to …Of Death And Fire, their fifth full-length and first proper material in over a decade. We caught up with founding member David “Impious” Larsson to see if his inner flame still burns bright or not. Continue reading »

AN NCS INTERVIEW: LONE WANDERER

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Feb 042026
 

(Just a handful of days ago High Roller Records released a new album by the German funeral doom band Lone Wanderer, and that provided the occasion for Zoltar to conduct the following interview with the band. Doom on….)

Silent hooded sinister figures in line disappearing into the mist next to a cenotaph as cover artwork, a nearly 25-minute opening track titled “To Rest Eternally”… Even before pressing play, you more or less know that you’re treading here on funeral doom territories, and that’s somehow exactly what Lone Wanderer proudly deliver with Exequiae, their third album.

But what’s interesting with those Germans is that besides their unusual background – three out of four members also played pure classic ’80s heavy-metal with Kerrigan – and the fact this is being released on High Roller Records, a well-established label and mail-order whose well-deserved reputation was built on high-quality classic metal vinyl reissues — they’ve managed to somehow tweak their genre’s otherwise firmly established assets into something quite personal, albeit still pretty much in debt to Mournful Congregation, whose mastermind Damon Good actually mixed their first two records. The band collectively agreed to lift the veil on their funeral obsessions… Continue reading »

AN NCS INTERVIEW: DEAD SUN

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Dec 292025
 


L-R: Thomas Ohlsson, Rogga Johansson

(On December 19th Emanzipation Productions released This Life Is A Grave, the latest album by Rogga Johansson’s long-running melodic death metal band Dead Sun. And that event led Zoltar to contact Rogga for the interview you’ll find below. We’ve stitched in some of Dead Sun’s new music too, which is well worth your time.)

Oh yeah. Rogga Johansson. Like again. I know what you’re thinking: with no less than 48 (!) bands/projects listed as ‘active’ on his metal archives page, and don’t get me started on those considered ‘inactive’ as there are as many, it may be hard sometimes from an outsider point of view to take the man seriously. I mean, who does have 48 bloody different aliases, especially since in most cases it more or less is to do the same kind of chuggin, old-school and full of ‘ugh!’ style of death metal whose foundations were laid out by his main band PAGANIZER back in 1998? Isn’t it all the same all over again?

Well, as one of the few psychos who own, if not all, say, most of his works (give or take, over 120 + albums dude), I (slighty) beg to differ. Yep, you need first of all to be a sucker like me for this brand of Swedish mid-tempo rudeness but believe me when I tell you you’ll find different flavors here and there, that is if you know where to look.

Case in point being DEAD SUN: next to his solo albums or EYE OF PURGATORY, this is probably as close as ‘melodic death metal’ goes, Rogga Johansson-style. Meaning: catchy as fuck, because let’s face it, the man knows a thing or two about coming up with instantly memorable in-your-face crusty riffs. Yes, This Life Is A Grave is their (his?) official ninth full-length, but next to the criminally overlooked 2019 Night Terrors one of their best under that moniker. Plus it’s DEAD SUN’s first under the banner of Emanzipation Productions, who already has a long history of partnership with Mr. Johansson thanks to STASS or THORIUM.

So come on, don’t be shy, come on and have a taste! Continue reading »

AN NCS INTERVIEW: DEAD AND DRIPPING

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Nov 272025
 

(New Jersey-based Dead and Dripping has created macabre musical intersections of sounds that are ghastly, putrid, bludgeoning, and malicious, but also machine-precise, head-spinning, and dazzling – in a very demented way. Their new album will be released tomorrow by Transcending Obscurity Records, and that provided the impetus for Zoltar to reach out for the following interview with D&D’s mainman Evan Daniele.)

There are fucked up death metal bands. And there are REALLY fucked up death metal bands. Dead And Dripping defo deserves to be on the latter top list. Initially ‘just’ a solo project by Sentient Horror’s Evan Daniele who’s never hidden his love of death metal the brutal way, one could have easily expected the result to be on the same basic-and-brOOtal wave-length as, say, Putrid Pile or Insidious Decrepancy, just to cite two early 00s prime examples of one-man-brutality.

But as soon as his debut – first digitally, then on CD format through France’s Percussive Spectre – Profane Verses Of Murderous Rhetoric dropped, we realized that as in Matrix, instead of choosing between the blue or the red pill, Daniele went for both and thus, opened a doorway to some psychedelic, twisted, and, well, truly fucked up parallel universe. And if you thought his first three albums sounded like Demilich or Timeghoul heavily tripping on acid through a brutal death metal vortex, wait until you hear the new one, Nefarious Scintillations.

Turn on, tune in, drop out, and get blasted. Continue reading »

AN NCS INTERVIEW: SLAUGHTERDAY

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Nov 182025
 

(The German death metal band Slaughterday signed with a new label, Testimony Records, and their first release for Testimony (which will be out on November 21st) turns out to be something different from what you might expect. We’ll let Zoltar explain, just before he dives into a discussion with Slaughterday bassist/guitarist Jens Finger.)

When former Obscenity guitar player Jens Finger caught up with his old friend Bernd Reiners to go see Autopsy play at the Party San Festival on August 13th 2010, the pair quickly realized that the song title “Slaughterday“ off the classic Mental Funeral album performed that night would make a great band name.

Since then, besides setting a live line-up to play shows around their native Germany, the two have laid out four great albums of doomish old school death metal in between 2013 and 2022. After over a decade on FDA Records, Slaughterday have just signed a brand-new contract with Testimony Records (Deserted Fear, Carnal Tomb, Leper Colony). Yet, as suggested by its cover artwork (a spoof of the mighty Horrified album), the very first result of this new alliance ain’t exactly what you would have expected from those guys.

Instead of their usual downtuned catchy style, Terrified turns out to be a four-tracks, nine minutes, in-your-face grindcore EP, but the kind of grindcore only metalheads raised in the ’80s on a severe diet of thrash metal and hardcore/crust could really muster. We caught up with Jens, who handles guitar and bass in the studio, to see if this was just a spur of the moment thing or an indication of a sudden change of heart… Continue reading »

NEWS FEATURE: ROTPIT RELEASE A NEW EP, BECOME A FULL BAND

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Sep 112025
 

(Our contributor Zoltar wishes to draw your attention to developments in the grimy and gruesome Rotpit camp, including a new EP and an expanded full lineup now at work on a new album.)

Thanks to the internet, the scene has been flooded over the last decade or so by super-groups – or whatever you wanna call those sometimes intercontinental collaborations of musicians from all over the world, each of them delivering their parts in their respective home studios before getting somebody to piece them altogether et voilà. Too often, said collaborations prove to be a tad lackluster as, let’s face it, nothing beats getting the whole gang together in one sweaty rehearsal room to bang their instruments innit?

Thankfully, some of those more or less ‘bands’ beg to differ. And not only did ROTPIT released two splendid downtuned-as-fuck slimy full-lengths and two split EPs but they’ve gone the extra mile by actually turning this once studio-only thing into a fully functioning five-piece band. Both Ralf Hauber from REVEL IN FLESH and former MASSACRE and WOMBBATH vocalist Jonny Pettersson started collaborating together in HEADS FOR THE DEAD in 2017 but felt like churning out something even uglier, hence giving birth to ROTPIT. Continue reading »

AN NCS INTERVIEW: DEFACEMENT

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Sep 052025
 

(One year after their acclaimed Duality album, last month the international quartet Defacement released their fourth studio record, Doomed, through the Unorthodox Emanations division of Avantgarde Music. What we have for you today is Zoltar‘s interview of Defacement protagonist Khalil Azagoth.)

The jury may still be out on if they truly belong to the post-black metal genre or not (read Andy Synn‘s extended review to find out – or not) but the international act that is Defacement aren’t your so-called ‘typical’ dissonant death metal band, whatever this elusive tag may refer to.

Yet as undecipherable as they may come across at first, despite their overall concision, each of their four so far released albums, including Doomed unleashed by Avantgarde Music last month, has this rare ability to suck the listeners into the vacuum where one can experience subsequently dizziness, fear, and inner peace, sometimes simultaneously.

Mainman and guitarist Khalil Azagoth agreed to give us some keys to their abstruse but fascinating inner world. Continue reading »

A NCS INTERVIEW : DISEMBODIMENT

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Jul 252025
 

(Everlasting Spew Records released the gut-churning, pulse-pounding, head-moving debut album of Disembodiment on July 11th, and now we present Zoltar‘s interview of Disembodiment guitarist Chris Lacroix.)

Disembodiment are a death metal band from Canada. Now hold your horses right away, especially those immediately expecting some kind of shred-fest or deathcore march. This four-piece out of Sherbrooke, Québec may be downtuned and all about decay and slimy things but their music nevertheless remains deeply rooted in the early ’90s, back when the genre wasn’t all about speed and/or technical wankery but stomping grooves, grueling slow parts, and being metal-as-fuck.

If their demo-turned-into-an-EP Mutated Chaos in 2021 was a warning shot, their long-awaited full-length Spiral Crypts – with a couple of songs premiered on this very site a few weeks back – will truly take you to a even more gruesome place “where cadavers pile to rest” as they say themselves on the opening track, “Stygian Overture”.

Although not the most talkative person on the planet, guitar player Chris Lacroix spills some of the beans for us… Continue reading »

SÁTAN FESTIVAL, JUNE 5TH, 6TH, AND 7TH, STYKKISHHOLMÚR  (ICELAND)

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Jun 272025
 

(Our French contributor Zoltar made his way to Iceland again to attend the June 2025 edition of Sátan festival, and we received the following report, with a few of Zoltar‘s photos.)

Be warned, you’ll often read this same phrase over and over again in the following report: Only in Iceland…

Mind you, it’s far from being my first time here as after a first visit in the mid-00s as a regular tourist (no metal involved), I had the chance to attend a few times the now defunct Eistnaflug festival and also to be invited to be part of the Wacken Battle Iceland jury. Yet, this tiny country with a big heart never ceases to amaze me, on all levels.

And yes, only in Iceland could a festival be set up in the middle of freakin’ nowhere (that would be in this very case Stykkishholmúr for you, roughly one three-hour drive up from Reykjavik, population 1,300) in early June called Sátan Festival. And yes, there’s a twist here. The accent makes all the difference, since Sátan (look it up, google it if you don’t believe me) is first and foremost the name of a local mountain with an old legend attached to it.

Besides a hard-to-transcribe-on-paper pronunciation – try something like ‘sauthan’ – the name has actually something to do with a legend about a troll, a haystack, a horse, and a couple of extra things I’m not entirely sure of anymore… But that’s not what really matters here, as this new and up-and-coming festival (this is their second edition) encapsulates everything that makes the Icelandic scene such a special one. Continue reading »

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