AN NCS PREMIERE: WOMBBATH — “THE FLESHLY EXISTENCE OF MAN”

 Premieres  No Responses »
Oct 142020
 

 

Few bands this year, or in any year, can celebrate the 30th anniversary of their inception. Sweden’s Wombbath is one of those rarities, having come into being in the ancient year of 1990. Like many bands, including the few extreme metal bands who still survive from that era, Wombbath did not have an unbroken path to the present. But following an extended hiatus that began not long after the release of their 1993 debut album Internal Caustic Torments, they made a tremendous return with 2015’s Downfall Rising and have been on a tear ever since then. The Great Desolation followed in 2018, and on December 18th of this waning year Transcending Obscurity Records will release a new Wombbath full-length entitled Tales of Madness. The band announced the new record with these words:

“We are proud to announce this very special release. 2020 marks 30 years since the birth of the band, and with this release we cement those 30 years with a retrospective look at our history, all dressed in what makes up Wombbath right now. Through pauses and style changes the core of Wombbath has always been death metal, and this release marks both the past and the future of our legacy!”

We could not be happier to premiere the first single fro the new album today, a seductive sonic slaughterer named “The Fleshly Existence of Man“. Continue reading »

A DOUBLE REVIEW (PART 2): WOMBBATH — “CHOIRS OF THE FALLEN”

 Album Reviews  No Responses »
Mar 202020
 

 

(Yesterday DGR turned in a double-review, but in his own inimitable fashion he wrote so many words about each of the two albums — one by Berzerker Legion and one by Wombbath — that your humble editor decided to split it in two, and now we present the second one. It may make some sense to read the other review first (here), since these were originally packaged together.)

Over the many years that we’ve spent in our comfortable little corner of the internet, one of the things we’ve learned how to get real good at is identifying genre-fare: the sort of musical red meat where it is clear the crew behind them just want to add to the overall cauldron that is their music of choice. Not necessarily the most ambitious or ‘paradigm changing’ — though the times where a group lands on that sort of lightning-in-a-bottle formula is always great — but music that is enjoyable for what it is, well-executed within the blueprint of its chosen genre.

One of the examples of this which practically fuels this website is the sort of rock-stupid, pulsating thud of death metal that gets by purely by appealing to the early cave-dweller parts of our brain, and another is the type of music that is so predisposed to headbanging guitar work that you can’t help but want to tag along, whether or not you have the long hair for it.

In this case it’s weird that these two albums feel like catching up a bit, since these two projects share a vocalist whom we’ve written about numerous times before and both of them are right in that wheelhouse described above. One is more modern and melody-focused despite its overall insistence on how world-ending it paints its protagonists in the songs, and the other is flavored with apocalyptic flair but with the chainsaw guitar aimed at a more old-school crowd. And thus we find ourselves catching up with Berzerker Legion and a crew more familiar to our site’s readers, Wombbath. Continue reading »

SEEN AND HEARD (PART 2): HECATE, WOMBBATH, SUTRAH, PUTRASCENSION

 RANDOM FUCKING MUSIC  6 Responses »
Jan 182020
 

 

This is the second part of a new-music round-up that I started here yesterday.

HECATE

Back in 2018, the first recommendation our supporter Speelie made to me, in a comment, was for Hecate’s Une voix venue d’ailleurs. That turned out to be a valuable recommendation, as I attempted to explain in my too-brief review of that superb album (here). Many other valuable recommendations by Speelie have followed, most recently his message to me about a new song by Hecate that debuted on January 12th, and a new album from them that’s set for release by Mourning Light Records (on CD) in March of this year. Continue reading »

SEEN AND HEARD: ROTTING CHRIST, WOMBBATH, MORTUOUS, DIABOLIC OATH

 Metal News, RANDOM FUCKING MUSIC  7 Responses »
May 012018
 

 

We have a couple of premieres coming later today (what a shock), but I found myself with a little extra time on my hands before we get to those, so I thought I’d package up a few new things that I heard yesterday. The first two come from established bands who are always dependably good. The second two come from new names that should become better known once the songs below get spread around.

ROTTING CHRIST

First up is a pro-shot live video of Rotting Christ performing the title track from their 2013 album Κατά τον δαίμονα εαυτού. It was filmed on June 30, 2017, during the band’s headlining anniversary concert in Athens. From the looks of this (and of course the sounds), I really wish I’d been able to astrally project myself into that venue. And I think that’s all the introduction this video needs. Enjoy: Continue reading »

SEEN AND HEARD ON A SATURDAY: AT THE GATES, KATAKLYSM, LIGHT THIS CITY, WOMBBATH

 SHADES OF BLACK  No Responses »
Mar 312018
 

 

A few of my NCS comrades have been nudging me to do a round-up that includes the latest songs revealed by At the Gates, Kataklysm, and Light This City. I didn’t have time to do this yesterday when I got that nudging, but decided to do it today even though Andy’s latest Waxing Lyrical post would have given me an excuse to check out from NCS writing for the day. And since I decided to pull those three songs together, I added one pick of my own.

AT THE GATES

I suppose you’d have to be living under a rock not to know that At the Gates have a new album headed our way. For you under-rock dwellers, To Drink From the Night Itself will be released by Century Media on May 18th. Yesterday brought another single from the album, packaged with a wonderful video created by Costin Chioreanu of Twilight 13 Media. Continue reading »

AN NCS INTERVIEW: JONNY PETTERSSON ON LYRICS

 Interviews  1 Response »
Mar 162018
 


Photo by Mattias Nilsson/Madcap Piktures

(Not long ago Andy Synn launched a regular Saturday series at our site called Waxing Lyrical, devoted to discussions with metal musicians about the lyrics of their songs and the process of creating them. That inspired Norway-based NCS contributor Karina Noctum to pose similar questions to Swedish musician Johnny Pettersson, and you’ll find his answers below, following Karina’s introduction.)

 

Musician Jonny Pettersson from Sweden has been prominently featured here on NCS with many of his bands. He is pretty active and some of his most-known bands are Syn:drom and Wombbath. Other projects of his are Just Before Dawn, Ashcloud, Gods Forsaken, Henry Kane, and Ursinne, to name a few.

With such a vast discography this article will focus primarily on his Swedish DM band Wombbath, whose latest release was a split with Germany’s Obscure Infinity called Upward On A Thousand Lies (Wombbath’s side was premiered here), but with attention also given to Henry Kane, which soundwise is in the same vein but tending more toward grind, and last but not least to Gods Forsaken, a DM project with a mix of mid- and fast-paced parts. It is definitely recommended for fans of Bloodbath, Dismember, and old At the Gates. An interview about Gods Forsaken conducted by Decibel Magazine can be found here. Continue reading »

AN NCS PREMIERE: WOMBBATH — “SMELL OF LICE”

 Premieres  2 Responses »
Jan 172017
 

 

Until 2015, Wombbath’s last album was 1993’s classic Internal Caustic Torments, but two years ago the band made a remarkable reappearance with Downfall Rising. That new album made a big impact on lovers of Swedish death metal worldwide, and was the source of a song we humbly anointed one of 2015’s Most Infectious Extreme Metal Songs.

Wombbath followed the release of Downfall Rising with a triumphant performance at 2016’s Maryland Deathfest (reported here), and two 2016 split releases, one with Revel in Flesh called Dragged Into the Obscure and another with Departed Souls entitled Embracing the Cold…. And now they’re participating in another new split release — and we’re fortunate to bring you the premiere of Wombbath’s side, a song called “Smell of Lice“.

The name of the new split is Upward On A Thousand Lies, and on this new release Wombbath are sharing the vinyl with Germany’s Obscure Infinity. The split was released on January 13th on multi-colored wax by Germany’s Brutal Art Records. Continue reading »

LISTMANIA 2016: A YEAR-END LIST FROM JONNY PETTERSSON (WOMBBATH, HENRY KANE, ASHCLOUD, JUST BEFORE DAWN)

 LISTMANIA 2016  7 Responses »
Dec 142016
 

 

(Jonny Pettersson is a busy man, with leading roles in such groups as Wombbath, Ashcloud, Just Before Dawn, and Ursinne, as well as his excellent new solo project Henry Kane. Fortunately, he found time to graciously accept our invitation to share a year-end list of favorite releases.)

 

brutally-deceased-satanic-corpse

1. Brutally Deceased – Satanic Corpse (Death metal)

This album had me blown away. It’s the perfect mix of buzzsaw death metal and blasting brutality.

Continue reading »

AN NCS PREMIERE: WOMBBATH — “EMBRACE DEATH”

 Premieres  1 Response »
Jul 182016
 

Wombbath-Departed Souls split

 

For us, one of the bright spots of 2015 was the revival of Sweden’s Wombbath and the release of Downfall Rising, the band’s first album since 1993’s classic Internal Caustic Torments (and the source of this killer track that appeared on our 2015 Most Infectious Song list). Wombbath also started 2016 in fine form by participating in a split release with Revel in Flesh called Dragged Into the Obscure (which we wrote about here)  and delivering a live performance in Baltimore that was one of the highlights of this year’s Maryland Deathfest (reviewed here). But there’s still more to come, as you’re about to discover with your very own ears.

Wombbath are participating in another split, this time with the Dutch band Departed Souls, and today we’re helping premiere Wombbath’s track from the split — “Embrace Death“. Continue reading »

A MARYLAND DEATHFEST RECAP (PART 2)

 Concert Reviews  18 Responses »
Jun 022016
 

Wombbath at MDF-photo by Bryan Zakala

Wombbath at MDF – photo by Bryan Zakala

 

When I started this recap of Maryland Deathfest XIV a couple of days ago (here), I explained that I didn’t intend to report on the festival day-by-day, as I’ve done in previous years, but instead decided to focus on the best performances I saw, grouped into four loosely defined categories. In that introductory post, I only wrote about one band (Dragged Into Sunlight), because their set was the best one I saw at this year’s edition of MDF.

DIS happens to be in one of those four categories, but I’m going to leave that one for another day. Today I want to focus on one of the others, which I’m labeling Swedish (and Dutch) Death Metal Supremacy.

But first I want to publicly thank these four dudes: Continue reading »

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