Aug 282013

(We welcome first-time guest writer Leperkahn, who introduces us to a couple of discoveries from Dublin — Ilenkus and Gacys Threads.)

Hello fellow NCSers. This is my first guest post for you all, hopefully the first of many, depending on whether I can get enough inspiration to get off my lazy ass and actually write things. As a bit of background, I live in San Diego, where weather does not exist, and promoters expect us to drive to feckin’ Los Angeles for 80% of our live metal, with the other 20% being at venues young’uns like me can’t get into.

That said, this post has nothing to do with San Diego. It has to do with unexpected metallic discoveries I found in Dublin, where I have been visiting family for the past couple of weeks. My aunt decided to show me a metal bar called Fibber Magee’s, where she had apparently been a regular years before. We happened on a little event called the Unleashed Festival, which was to go on all weekend.

Among the recognizable bands at the festival were Irish thrashers Gama Bomb, who headlined the first night. I, however, caught two of the bands performing on the second of three nights. Both kicked my ass and reduced my brain to corned beef, but each did so in somewhat different ways.



Ilenkus are a self-described “five-piece prog/post-metal” group from Galway, Ireland. They have so far released one album – Rule By Thieves, embedded below – along with a separate song (“Ram”) in October of last year. Their craft lies far more in the “post” part of their branding, as they don’t exactly do anything startlingly novel, as per Andy Synn’s argument here a few months ago. That being said, they tackle post-metal incredibly well for a band so little known, evoking at many points the ethereal majesty of The Ocean (who’ve they’ve opened for on at least one occasion).

What sets their identity in the post-metal crowd, for me at least, are the vocals of Sam Ellis, which often come to characterize each passage of Ilenkus’s songs. In “Kleptocracy”, for example, he strikingly resembles Greg Puciato during the songs’ more chaotic parts, while evoking a Mike Scheidt brought back from the beyond in the song’s doomier and more drawn-out passages. Then, on the next song, “Dr.Jekyll”, he pulls out a voice that borders on Tibetan throat-singing to provide an Eastern and meditative feel, before it explodes into a monsoon of fury and rage to close on a climactic peak.

“Phoenix” starts off with a rather mechanical-sounding intro, before the song morphs into a rifftastic, high-stakes sonic journey a la Blood Mountain-era Mastodon. For this, Sam pulls out his best Troy Sanders, before the track implodes via a Dillinger-ian CD-skip freakout and returns to the same aesthetic from which the intro crept.

The rest of the album continues on in a constant shift between progressive Mastodon-ian majesty, DEP-esque chaotic meltdowns, and pensive, but tense reprieves a la latter-day The Ocean. All in all, this turned out to be a fantastic listen and a great chance discovery. Though their last full album came out in 2011, it nonetheless ranks along with new The Ocean and Cult of Luna releases as one of the best post-metal discs I have heard all year. For the love of all things holy, please do check out Rule By Thieves below via Bandcamp.

DISCLAIMER: I swear I didn’t read their Facebook bio before making the comparisons that I did in this review. It all came from my uninfluenced impressions, though I will admit the similarities are uncanny.

EDITOR’S NOTE: We received a message from Sam Ellis clarifying that he is one of three main vocalists in the band. He provides the main vocals on “Dr Jekyll” and “Cerebral Anomaly” on the album while Chris Brennan and Josh Guyett perform the main vocals on the other tracks. All three share backing vocal duties throughout.

Gacys Threads

Gacys Threads are a four-piece from Belfast who traffic in the type of metalcore most metalheads can get behind – the kind that, as time goes on, is harder to classify as metalcore as it simply becomes metal in the broadest sense. This stuff is meant, most simply, to get one’s mosh on to, though they do frequently tone it down a bit for some introspective eye-of-the-storm passages. They have released three EPs so far, as well as a separate single song.

Their work reminds me a lot of Frail Words Collapse-era As I Lay Dying, with hints of The Dillinger Escape Plan at their more straightforward moments (which are still mildly fucknuts), and maybe a little Norma Jean in there for good measure. I had a great time listening to these guys, if perhaps because of the nostalgia trip they brought me on (I used to be an As I Lay Dying fanatic before I progressed into the world of death metal and beyond).

They put on a great, high-energy live show, and one that veered a little more to the grindcore or even deathgrind elements subtly present in their sound. Admittedly, I was somewhat distracted by the fact that their vocalist – Aaron Vance, who at times evokes Mel Mongeon in his vocals – looks exactly like my six-year-old nephew twenty years in the future, whose mother took me to the show. Give their newest effort, 2011’s The Ignorance of Purity, a listen below, and if you like it, all of their releases are available as name-your-price downloads on their Bandcamp page.


  1. both of these bands sound pretty awesome, i’ll be checking them out more on Bandcamp

  2. I’ve noticed that when people talk about the Ocean, they typically reference the less brutal material. I like everything I’ve heard from that band, but my favorite disc is still Aeolian! It’s so ridiculously heavy, insanely catchy, and I wish more sludge/post-whatever bands would take that brutal approach.
    Anyway, thanks for sharing! The band Gacys Threads seems to be more up my alley. It’s pretty solid!

    • Thanks for reading! I think the reason a lot of people talk about the Ocean in terms of their less brutal stuff is simply because that is what has separated them as unique from the rest of post metal genre. Their more melodic stuff, porpelled by the angelic Loic Rossetti. I guess what I mean to say is that they experienced a large jump in exposure with their last three albums with Rossetti, so that most associate The Ocean with their new, less hardcore approach. I personally prefer their newer stuff, though Aeolian and their other older stuff is also quite good, but that is probably because I discovered The Ocean during the Anthropocentric cycle, so my first and firm impression of what The Ocean should be was defined by Rossetti’s vocals and the more melodic tendency of that album.

      • Yeah, Aeolian was the first one I heard! It’s difficult to refrain from comparing everything else to your first love ;^]

  3. Ilenkus sounds really fucking good. Will be checking the whole album out soon.. Thanks!

    • I had a similar feeling with them when I first heard it recorded. When I saw them live, I had a very good impression, enough so that I endeavored to check them out later on the Internet. But, not knowing anything about the band or their songs, that was about as deeply as I could get it during the show. When I finally sat down and listened to the album, though, I was floored by just how great it was, and how much better it was even compared to my first impression at Fibber Magee’s, which was very positive.

      Anyway, thanks for reading!

  4. I’ve seen Ilenkus a few times now and every time i see them they get better. Lookin forward to their new album.

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