Sep 132013

(TheMadIsraeli reviews the new album by San Diego’s Pathology.)

It’s amazing how Pathology have become an insanely reliable source of grotesque slamming sickness.  The last two albums especially boasted an over the top Neanderthal brutalitarian ethic that was quite impressive.  Unfortunately for the band, it seems that after releasing two albums that contained music capable of causing entire civilizations to riot, that previous lineup seems to have imploded — and that’s where Lords of Rephaim comes in.

All that remains are the founding guitarist (Tim Tiszczenko) and drummer (Dave Astor), as well as the return of vocalist Matti Way.  I can see some people being skeptical, and Pathology may be losing some of the fan steam they gained with the last two records, because this is definitely not what earned them their recent boost in popularity.  Lords of Rephaim is chock full of more technical riffs in the style of their older work, leaving the slam in the background to serve as a blunt instrument that breaks open skulls from behind as opposed to the ruthless assault displayed by the Huber-era stuff.

This shit still fucks you up, really hard, I might add, but it’s definitely a more precise as well as faster brand of cranial trauma.

“Mountains of the Dead” starts things off right, with titan-tonnage riffs and earth-plowing grooves.  Although that pretty much describes this album as a whole.  It’s kind of like if you were in the zombie apocalypse, and you sat there and thought to yourself, as I have many times, about how overrated and stupid the very premise is, and so you just get yourself a bulldozer and soup it up a bit so you can mow down the zombie hordes en masse.  This would be the soundtrack to that.

Things are handled with a less over-the-top aesthetic and more of a cool, collected killer instinct, and in this particular album’s favor it works out really well.  Quite frankly, I’m not sure another Huber-era Pathology record would’ve been what the band needed anyway.  This is obliteration of all human life noise right here.

So yeah, buy it.

Lords of Rephaim is available through Sevared Records as well as iTunes.


  6 Responses to “PATHOLOGY: “LORDS OF REPHAIM””

  1. Just ordered. Was waiting for Barrett to get some other stuff in his distro but just can’t wait any longer!

    If you are craving more slam, then the new Necrambulant, Extermination Dismemberment and Gutsplit albums should do the trick.

    I just love that Pathology are already on album number 7. Would love to see them keep going, and what about if they got Huber and Way as dual vocalists. That would be something.

    • I kind of think Huber’s vocals only worked so long as they were doing the mindless bludgeoning of the last two albums. I’m not so sure he’d fit this techier approach.

      • I never thought he’d fit Pathology at all so you never know 🙂

        Got Hostile Eyes’ debut today, check that out as well for some serious Japanese Wigger Slam!!!!

  2. this is a monster of an album, two thumbs up

  3. I’m a huge fan of Pathology but this is my least favorite out of the last batch of albums. Don’t get me wrong though, the instrumentals are perfect. I love how Pathology seemed to be a little quicker on LoR… and I also love how Matti Way is doing vocals for it. My problem though is the overall sound of the album. Matti’s vocals aren’t as crisp as they were on Abominable Putridity’s last release, The Anomalies of Artificial Origin. It’s muddled and a bit too loud just passing the point where I have trouble hearing the instrumentals.

    In all honesty I don’t think Matti wasn’t on point. He was. It’s just the mixing of the album itself.

  4. I think the album is absolutely crushing. this is the way brutal death should be. matti’s vox on this is beyond crushing and his pronunciation is fucking awesome. I like the last 2 albums but they felt like they were drifting towards the deathcore sound. this new album brings back the brutal death sound that legacy of the ancients left off with. .

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