(Another months is in the history books, and so it’s time for KevinP to name the releases from last month that most impressed him.)
May has been the most ecletic month of the year so far. Interesting and all over the map (as you’ll see below). I guess that’s why it took me more time than usual to decide on the final pecking order. I went back and forth a few times, even shuffled albums in and out. Damn you metal for making me THINK 😉
Anyways, here we go…
5. Antigama – The Insolent
Grind is very hit or miss with me, and usually a miss. But every so often a true gem rears its filthy head and tickles me where I fancy. This is one of those records. Not merely content to be “just another grindcore album”, this has touches of cybergrind, a couple of ‘danceable moments’, and a 7-minute doomy closing number. Yowza indeed.
4. Öxxö Xööx – Nämïdäë
I usually have a full grasp of any record by about the fifth or sixth full listen. I know what to expect, I can anticipate a cool moment coming up, and generally feel like I know long-term how I’ll view it in the context of a band’s catalog (or against other albums released that year). This album blows that theory out of the water.
I’m probably on my ninth or tenth listen and I still can’t fully wrap my head around it all. I obviously enjoy it, it makes me come back for more, but I just can’t seem to properly digest it. Call it gothic doom extreme avante garde metal or just plain weird Frenchie stuff. It’s also 75 minutes, so a lot to take in. Well worth the investment.
3. Cult of Endtime – In Charnel Lights
Finland — check. Death metal — check. Debut album — check. It’s heavy, it’s doomy, it’s brutal. Sometimes you just need a solid, chunky, fat, sledgehammer riff machine to get you through the day. Not much else needs to be said.
2. Sigh – Graveward
I’ve known of Sigh since their inception in 1990 (deliberate old school cred mention), but can’t say I really ever sat down and listened to any of their albums from front to back. Heck, I was even aware of their transition to a much more colorful and theatrical version of black metal as the years have gone by, but I still (for no real reason) just never delved into their catalog. So when I finally got off my ass and did (with this record), I was more than pleasantly surprised.
This album is just as I said: colorful and theatrical black metal. At times it sounds like an extreme version of Diablo Swing Orchestra (yes, I mean that in a GOOD way, as I enjoy DSO). Plenty of the guitar work reminds me of old Nocturnus (circa The Key), which is yet another positive attribute. It also just feels like the band is having a grand ‘ole time with this. It’s not overly serious, but by no means “campy”. Guess I have some more albums of theirs I’ll need to investigate now.
1. Amestigon – Thier
Knowing that this Austrian band features two former members of Abigor and that the album is being released on W.T.C. Productions will be enough for some of the black metal horde to scoop it up. But this is also an album that transcends the mere genre or specific fans of “black metal”.
Almost an hour of music spread across four tracks and dripping with evil atmosphere. It’s not easy to make things interesting, let alone hold the listener’s attention, when you have songs ranging from 12 to 20 minutes in length, yet they manage to do it. Clever use of keyboards layered in the background that never overpower the ferocity of the vocals or guitars. The production is superb, as you can hear every instrument and appreciate its implentation toward the final goal. I haven’t heard their debut album, which was released in 2010, to use as a basis for comparison, but if it’s anything even remotely close to this one, I’m going to have to.
One word: REMARKABLE
For a full stream, check out our premiere of the album HERE, and this is the video for the song “358”:
Best of the month, if not the year, has to be Noisem’s Blossoming Decay for me (unless you want to count it for June – vinyl comes out in a few days, but the digital and CD have been out for a bit). Probably listened to it 25-30 times already, and I normally don’t repeat listen much. It’s such a quick hit of absolute grinding fury, but mixes in some nice dynamics that they didn’t have as much on the debut, though the new one is admittedly a bit less death and thrash.
Regarding these picks though, I’m definitely with you on that Antigama.
I, too, enjoyed Noisem’s new record.
…Noisem isnt bad, but I find them to be a bit overrated…yeah they play solid death/thrash but the fact they are so young seems to be the driving force behind a lot of the hype
Can’t really explain why I like these guys so much more than a lot of their peers – there’s this vivacious explosion of energy that I get from their music that I don’t get much elsewhere – not sure if it’s the band’s songs and riffs themselves, or some expression of their youth or what. All I know is that I can’t stop listening to them.
Thats fine..Ive probably just seen them too many times…Theyre a local band and I remember when they were still called Necropsy
Fair point. Only seen them twice now, the second of which came two days ago.
Antigama and Sigh are really good, but this list is sorely lacking in the Obsequiae department.
Agree — I’m no good at comparing albums against each other, especially when they’re so different, but Obsequiae is hard to overlook.
Cult of Endtime is an awesome release…
Im still up in the air over that Amestigon album
What’s holding you back on Amestigon?
I’ll probably have to give it some more time…I was sampling a bunch of different bands one night, and it just didnt really jump out at me too much
great selection, Cult of Endtime sounds pretty badass 🙂
The first Amestigon is pretty killer too. I think this one surpasses it, though.
Not surprised on either accord 🙂
Obsequiae felt too “been there done that”. I honestly didn’t even remember it until you kids mentioned it and I went back to listen 🙂
I can’t stop listening to Öxxö Xööx …. it’s like I’m on the edge of seat, thinking “what’s gonna happen next?!” I don’t fucking know – it’s great!
And Amestigon is the goods. It’s got that sound where a band strays from the norm but doesn’t come across contrived or trying to force it – just a nature, mature sidestep to the black.