AN NCS EP PREMIERE (AND A REVIEW): ABYSSAL TOMB — “BURIED”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Nov 302023
 

We’re ghoulishly happy to help spread the word today about a new Australian death metal band, Abyssal Tomb, and their debut 5-track demo Buried, which will officially be released tomorrow.

Though the band is new, the members aren’t newcomers. The lineup consists of songwriter and multi-instrumentalist Stuart Callinan from Galaxy and Sylvan Awe (whose fantastic new album we premiered here just yesterday), lyricist/vocalist Rohan Buntine (Battlegrave), and drummer Tim Wright (Munitions / Blunt Shovel).

They describe their aspirations simply and directly — to “celebrate death metal in one of its early forms, honouring bands such as Obituary, Morta Skuld and early Six Feet Under“. Continue reading »

THE SYNN REPORT (PART 165): BULL ELEPHANT

 THE SYNN REPORT  No Responses »
Nov 302023
 

Recommended for fans of: Yob, Baroness, Boss Keloid

It takes balls… huge, pendulous balls… to go all in on not just one concept album but a full-on trilogy, especially when your creative concept begins with the story of an undead elephant, resurrected by Nazi occultists and infused with Lovecraftian energies, which then (due to some timely intervention by a vengeful shaman) turns against its masters and goes on a fascist-stomping rampage… and then only gets crazier from there.

It’s good then that enigmatic UK unit Bull Elephant have the necessary testicular fortitude required to tackle such an epic (and, let’s be honest, utterly ridiculous) story, as well as the necessary instrumental abilities and songwriting skills to ensure that their pachyderm-based Prog Doom (which also incorporates touches of Sludge, Death Metal, and Thrash) is more than up to the task in a musical sense as well.

Continue reading »

AN NCS PREMIERE: SOLBRUD — “SJÆLESKRIG”

 Premieres  No Responses »
Nov 302023
 

The number 4 is a recurring theme in the new album by the Danish black metal band Solbrud, which is set for release in February by Vendetta Records. It is the band’s fourth album, and thus its title is IIII. In addition, the band has 4 members, and for the new album they altered their usual compositional process by having each member individually compose music and write lyrics for one vinyl side each (though the full band performs all the songs) — and yes, the new album consists of 4 vinyl sides.

Moreover, the 4 classical elements of Wind, Water, Earth and Fire are vital parts of the album’s universe, and each member’s compositions thus constitute one element each.

One song from the album (“Tåge“) has debuted so far, and today we’re presenting a second one, an instrumental piece named “Sjæleskrig“. Continue reading »

SAVAGE LANDS: AN INTERVIEW WITH DIRK VERBEUREN AND SYLVAIN DEMERCASTEL

 Interviews, Metal News  No Responses »
Nov 302023
 

About 10 days ago we were halted in our scurrying tracks by a video for a song called “The Last Howl” from Savage Lands, a metal charity project whose goal is to help preserve the forests of Costa Rica and the creatures that live there.

Savage Lands and that song have already gained a lot of attention, in part because of the people who participated in making it. The Savage Lands project was founded by drummer extraordinaire Dirk Verbeuren (Megadeth, Scarve, etc.) and musician-turned-activist Sylvain Demercastel (a current resident of Costa Rica). For “The Last Howl” they brought in guitarist Andres Kisser (Sepultura) and vocalist John Tardy (Obituary), as well as vocalist Poun and bassist Etienne Treton from the French band Black Bomb A.

The song was great, and so was the video (and we said so here), and so we jumpted at the opportunity to interview Dirk and Sylvain as a way of helping to spread the word about a very worthy cause, and very worthy music. That conversation follows, but you really should take in “The Last Howl” first: Continue reading »

SEEN AND HEARD: VORGA, MOURNING DAWN, CHAPEL OF DISEASE, EXITIUM SUI

 Metal News, RANDOM FUCKING MUSIC  3 Responses »
Nov 292023
 

Oh look, what a surprise, another roundup!

After months of posting 3-5 musical features a day, we’re in a bit of a lull here. Life has thrown boulders at some of our writers and I think others are focusing on year-end lists. I’m still writing premieres every day of course, but still feel compelled to try to have more than just one or two of those as the sole content of our site on a given day, and I happen to have had more time than usual for roundups over the last week or two. So, here’s another one!

Most of these are “hot off the presses”. I think they will all cause you to catch your breath or your breath to catch, albeit in different ways.

VORGA (Germany)

I had to start with the song “Voideath” so I could stick Adam Burke‘s fabulous cover art for Vorga‘s new album Beyond the Palest Star at the top of this page. Can you blame me? Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): SYLVAN AWE — “PILGRIMAGE”

 Album Reviews, Premieres  1 Response »
Nov 292023
 

The artwork on the front of Sylvan Awe‘s new album Pilgrimage (their third) is one that will make most people stop in their tracks and stare for a while. It’s a slightly cropped and inverted image of a 1920 painting by the German artist Ferdinand Leeke, who died three years after completing it. The title is “Parsifal on the Way to the Grail Castle“.

Leeke seems to be best known for his depiction of scenes from Wagnerian operas, most of them commissioned by Richard Wagner’s son Siegfried after his father’s death. “Parsifal on the Way to the Grail Castle” doesn’t seem to be one of those 10 commissioned paintings, but may have been similarly influenced, given that Wagner did compose an opera called Parsifal, based on the legend of the Grail Knight.

What that legend has to do with Pilgrimage is open to conjecture, though Parsifal himself engaged in a pilgrimage back to the sanctuary where ailing Grail Knights kept watch over the Grail, after Parsifal vanquished the necromancer Klingsor and retrieved from him the Holy Spear (which pierced the side of Jesus as he died on the cross), ultimately reuniting it with the Grail. Continue reading »

PHOBOCOSM – FOREORDAINED

 Album Reviews  1 Response »
Nov 282023
 

(Andy Synn reviews the new album from Phobocosm, out next week on Dark Descent Records)

With all the digital ink that’s been spilled about Death Metal this year you’d think that more of it would have been dedicated to Canada’s Phobocosm.

Then again, perhaps the band’s gloomier, doomier brand of oppressive, post-Immolation heaviness is just a little too dark, and a little too demanding, to receive the same sort of wider acclaim which has been lavished on many of their more popular peers.

But the fact that it demands a little more from its audience also means that Foreordained offers more rewards in the long run.

Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): THUNRAZ — “BORDERLINE”

 Album Reviews, Premieres  No Responses »
Nov 282023
 

The Estonian band Thunraz, the solo project of Madis Jalakas, has been in a creative surge from its inception, releasing a pair of EPs and a pair of albums since 2018. If anything the surge has strengthened, because Thunraz is following its latest album Revelation (released about five months ago) with yet another album that comes out today, on CD and digital formats.

The new album is entitled Borderline, and it includes nine songs, one of which — “You and Me” — we premiered a few weeks ago, along with a head-spinning red-shifted video. Today, of course, we’ve got all of it for you. Continue reading »

SEEN AND HEARD: UNAUSSPRECHLICHEN KULTEN, LITOSTH, CHALLENGER DEEP, DROWNED, TVINNA

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  1 Response »
Nov 272023
 

If you include yesterday’s Shades of Black column, this makes four days in a row that I’ve been able to pull together a round-up of new songs and videos. That’s a rarity, explained by a confluence of events I won’t bore you by describing.

I’m not sure it’s a welcome rarity, because it may just add to a feeling of being overwhelmed by the volume of music that each week (hell, each day) brings. But that’s not my problem, is it?

Is it? Well it is, because I also feel overwhelmed. Join the club. This pleasant misery needs company.

UNAUSSPRECHLICHEN KULTEN (Chile)

You don’t really need any preparation, just a listening device, working ears, and a finger putting pressure on a digital arrow. But I have to further justify my existence, so… Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): ETT DÖDENS MASKINERI — “KULTURKRIGET”

 Album Reviews, Premieres  No Responses »
Nov 272023
 

Kulturkriget is the name of the forthcoming second album by the Swedish hardcore punk band Ett Dödens Maskineri, whose name seems to translate to “a machine of death“. As the album’s title forecasts, its lyrical themes explore “the tumultuous battleground of the culture war that saturates every facet of modern existence,” dissecting issues that range from “identity politics and media manipulation to ideological clashes.”

Anyone with eyes to see and ears to here knows that society in almost all of the world is fractured more severely than it has been in generations, and there seems no imminent way out of it, the fractures so deep and jagged that repairing them would seem to require some kind of wizardry beyond the capacity of mere mortals.

The music on Kulturkriget is undeniably in line with such thoughts — bringing forward intensely evocative melodies that are bleak and furious, heart-broken and seeking escape, desperate but defiant. The piercing and haunting power of the melodies and the relentless dynamism of the music is part of what makes the album stand well out from the pack, but it’s still a punk album at its core, and so it’s also raw and raging, confrontational and caustic, and a damn good antidote for anyone whose adrenaline is at low ebb. Continue reading »

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