SHADES OF BLACK: MISERY SPELL, FLUKT, REVA, SATANIC WITCH

 Album Reviews, SHADES OF BLACK  2 Responses »
Nov 262023
 

This is one of those Sundays when I didn’t have any inkling of what I might choose before beginning to choose. I had so little inkling that I spent some time searching out where the word inkling came from since I didn’t know. (The answer is at the end of this post. Hint: it has not a drop to do with ink.)

Lacking any preconceived ideas I just started wandering through very recent releases, to see what might take hold. Hopefully what I chose will take hold of some of you too.

MISERY SPELL (Russia)

It took all of about two minutes for me to feel completely drenched by the music on this Saint Petersburg band’s new album Абсолютная тьма (“Absolute Darkness”), which was released just yesterday. Continue reading »

SEEN AND HEARD ON SATURDAY: MORBID SACRIFICE, MOTOROWL, KRASSEVILLE, TORPE, TRIUMPH OF DEATH

 Album Reviews, Metal News, RANDOM FUCKING MUSIC  No Responses »
Nov 252023
 

I woke up before the sun rose today because it’s harvest season and I have crops to gather.

Ha Ha, no that’s horseshit. I have no idea why I woke up before the sun on this Saturday morning, especially given the number of adult libations I consumed (as usual) on Friday night.

The only good that came of the early rising was my ability to experience the coldest morning of the year so far, at least where I live near Puget Sound. As I slurped my coffee and inhaled the first cigarettes of the day in the blackness outside, my phone reported 35°.

On further reflection, my opening line wasn’t entirely horseshit. I do have crops to gather in, musical crops… the time of reaping is ever upon us here. Continue reading »

SEEN AND HEARD ON A BLACK FRIDAY: VREDEHAMMER, BLOOD RED THRONE, NECROWRETCH, DVVAD, AKKAMOTH

 Metal News, RANDOM FUCKING MUSIC  1 Response »
Nov 242023
 

Here in the U.S., where I am, it’s been a holiday week. For the rest of the world, it was just another Thursday. The holiday continues today, but even elsewhere in the world it’s not just another Friday.

For decades here, the day after Thanksgiving has marked the beginning of shopping season for the upcoming Christmas holidays, but it seems to have spread its infection elsewhere, even in the world of metal, based on the volume of e-mails I’ve received offering discounts on records and merch from locations in Europe as well as North America.

Well, why fight against the tide? Today, for one day only, we’re offering a 50% discount on the price of subscriptions to NCS, which is normally zero. Get ’em while they last.

I resisted the obvious temptation to limit today’s collection of new music to black metal, but it’s all still pretty black. Continue reading »

AN NCS PREMIERE: CLOVEN — “ASTONISHMENT OF HEART”

 Premieres  No Responses »
Nov 242023
 

Sometimes we know an encyclopedia’s worth of information about a metal band, especially those who’ve been around for decades and play to packed arenas. Other times we have almost nothing other than the music. This is one of those times.

All we know about Cloven is that they’re from somewhere in Canada and that sometime in the future, most likely next year, they will release an album named Chance Encounter of Flesh and Nail. We’ve also been told that the song from the album we’re premiering today was a decade in the making. But that’s all we know.

Nosy people that we are, we’re left curious, but even when we know a lot about who is in a band, where they’re located, what inspired them, etc., etc., it’s still the music that must carry the day, and “Astonishment of Heart” does that. Continue reading »

AN NCS PREMIERE: OLDEST SEA — “THE MACHINES THAT MADE US OLD”

 Premieres  1 Response »
Nov 242023
 

Our site’s name states a rule, but it has always been more preferential than fanatical, more tongue-in-cheek than belligerently adamant. And so we make exceptions, but still, they must be earned.

And now that we’ve gotten that out of the way, we can begin presenting one of those well-earned exceptions — not just well-earned, but too astonishing to brush away.

The centerpiece of the long song you’re about to hear, and the key feature that makes it both spellbinding and emotionally crushing, is the voice of Samantha Marandola, who with her husband Andrew are the duo behind the band Oldest Sea from rural New Jersey, and whose new album A Birdsong, A Ghost will be released on December 1st by Darkest Records. Continue reading »

AN NCS INTERVIEW: BIZARREKULT

 Interviews  No Responses »
Nov 242023
 

(Today we present a discussion by Comrade Aleks with the always-interesting Roman from the unconventional Norway-based black metal band Bizarrekult, whose sophomore full-length was released last January by Season of Mist.)

There are too many bands nowadays, and it’s difficult to keep in mind all the new releases which deserve your attention. We already interviewed Roman “Bizarre”, the leader of Bizarrekult, about a two years ago discussing the band’s long story, his relocation from Siberia to Norway, and his first Bizarrekult album Vi overlevde. The band was heavily rooted in black metal, but back then it already demonstrated a lean towards progression in other directions.

Their second album Den tapte krigen, released by Season of Mist Underground Activists in January 2023, and the sense of artistic freedom which fills it, is exciting. There was no way but to get in touch with Roman again. Continue reading »

AN NCS VIDEO PREMIERE: THE SECOND FOVEA — “VIBORA”

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Nov 232023
 

Today marks the fifth time we’ve written about and/or premiered singles by The Second Fovea (a band who began in India and are now based in the San Francisco Bay area) — and thus we’ve covered all of them to date. Thematically, each one has been different from the ones before, but all of them driven by a socio-political consciousness:

“Headshot” was a condemnation of hate crimes and racism across the globe. “Manta” was devoted to the majesty and mystery of the creatures for whom the song was named and tried to help spread the word about their conservation (we featured two different videos for that song). “The Echoing Habitat” called attention to our relentless pollution of the oceans with plastics. And today we have a fourth single, “Vibora“, which takes as its subject a metaphor for the lethal consequences of greed.

Just as the band’s lyrical themes have differed, the music has differed too, from song to song, and it changes again here, in part due to the appearance of the band’s new permanent vocalist, “Lalit Mehta“, who lives in Dublin, Ireland. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): FRAUGHT — “TRANSFIXED ON DYING LIGHT”

 Album Reviews, Premieres  No Responses »
Nov 232023
 

Here in the U.S. many people are celebrating Thanksgiving Day today, a national holiday first officially announced by Abraham Lincoln during our Civil War but modeled on a 1621 harvest feast shared by the English colonists (“Pilgrims”) of Plymouth and the Wampanoag indigenous people (who had previously occupied the Plymouth site but had been decimated by smallpox).

We have many things to be thankful for here at our humble site today, and one of those is Transfixed on Dying Light, the debut album by the Irish band Fraught. Founded in 2018, they survived a change of name (from Drought to Fraught), the rude interferences of the covid pandemic, and the kinds of other difficulties that beset any band trying to make underground music they believe in rather than following whatever way the prevailing winds are blowing.

Fraught are one of those bands who are given to experimentation, inspired by their many influences but driven to interweave them in ways that don’t neatly get circled by genre boundaries. That was already becoming evident in their MMXIX demo (released in 2020) and their first EP, 2021’s Splitting Tongues, but more evident still in this new album, which we’re giving you the chance to hear in advance of its release tomorrow by Argonauta Records. Continue reading »

SYLOSIS: “A SIGN OF THINGS TO COME”

 Album Reviews  1 Response »
Nov 232023
 

(In September Nuclear Blast released a new album by the UK’s Sylosis. Our writer DGR, who never rushes into anything, finally got around to setting down thoughts about it, which is what you’ll find below.)

If you’ll forgive the slightly more personal approach to this one, Sylosis are a band that I’ve followed for a long time now, spanning almost a decade plus of their career – starting when they first signed with Roadrunner (they popped up on their news page and believe it or not, it was one of the ways I would find bands) and then across multiple record labels, lineup changes, and even a hiatus while its members spread out to other projects.

I’ve espoused the theory before on this site but I’ve always felt that Sylosis are one of those groups that are a fantastic gateway band, mostly credited to their three-part combination of thrash, metalcore, and melodeath that has them resting somewhere in the center. It’s the VIT, INT, DEX triangle that you’ll see in some roleplaying games of their musical career. They may never fully dive into the full depths of being one particular type, but their combination of them has held enough power to draw people in from multiple directions, and just as possibly, to send people off into exploring other parts of the metal world once they make the same connection of what Sylosis are constructed out of. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): PESSIMYSTIC — “BURNT OFFERING”

 Album Reviews, Premieres, SHORT BUT SWEET  1 Response »
Nov 222023
 

Pessimystic is a clever name for a band, one that amalgamates two concepts or themes that will be familiar to adherents of extreme metal. It was chosen by a trio of musicians from Ottawa who first came together only this year, though the writing process and general concept originated in 2022. They played their first show only in September, opening for Sunless and Thantifaxath, a couple of very good groups to share a stage with.

What we have for you today is a premiere stream of the first public recording of Pessimystic, an EP named Burnt Offering that will be released on November 24th. It’s described as “an apotropaic oblation of self-surrender through self-destruction and unity through detachment”, and conceptually it “contemplates divine retribution and conjures the apocalyptic imagery enshrined in the human psyche.” Pessimystic indeed. Continue reading »

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