Mar 052015


(DGR reviews the latest album by Sylosis.)

For a long time, there were few bands out there that I was willing to evangelize as much as Sylosis. Long before I ever got into the writing game, I would tell anyone who would lend me their ear about the band — a group I had initially checked out on a whim when my policy for checking out new music consisted of looking into albums that scored an eight and above on’s review scale, a criterion that Sylosis’ 2008 release Conclusion Of An Age happened to satisfy.

To explain why the group held such a strong appeal to me, I have to own up to the fact that three genres were really my entryway into heavy metal, and they were melodeath, metalcore, and thrash metal. It’s probably a common event that those three tend to be the welcome mats, since a lot of what I view as “gateway bands” tend to fall into those genres, but I just had to highlight it, in part because, to be incredibly reductive, Sylosis‘ sound is a combination of those three genres. Continue reading »

Jan 102015


Here’s Part 2 of a weekend effort to catch up on what I missed over the last couple of days. Part 1 is here. I’ll have at least one more installment tomorrow.


Would you believe that by the end of this month Napalm Death will have released their 15th studio album?!? It’s true. January 26 is the European release date and January 27 is the date for North America, and the album’s name is Apex Predator – Easy Meat. It will be released in NorthAm by Century Media.

A couple days ago the second advance track from the album appeared at selected sites on either side of the Atlantic. Its name is “How The Years Condemn”. Lyrically, it reflects bassist Shane Embury’s realization after being hospitalized a few years ago that he had “to make a choice which was either to carry on down the same path of selfish destruction as I had seen some of my friends embark on or stay around for the people I loved and who loved me.” Continue reading »

Oct 032014


(Leperkahn continues to pitch in during my round-up hiatus.  Between what I sent him and what he found himself (of which there was quite an overlap), this is a monstrously large collection of recent, recommended goodies.)

Hey all! So a bloody lot of things got put up between when I sent in my last roundup and now, so this is gonna be a long one, since I’m not in the mood to separate them out. Strap in for a wild ride across the metalsphere.


A few hours ago a new song named “Clarissima Mundi Lumina” from the new Blut Aus Nord album Memoria Vetusta III — Saturnian Poetry was made available for listening. This follows our own premiere of “Paien” right here. Islander says his review of the album will be posted on Monday, but he says there’s no point in waiting — just go pre-order the album in a special digipack CD edition here or on vinyl here. You can listen to “Clarissima Mundi Lumina” while you’re doing that: Continue reading »

Nov 092012

(Please welcome guest writer ElizabethKristina with a review of the new album by Sylosis.)

Writing this review was my first run-in with this British quartet, so naturally, curiosity got the better of me and I read up a little on the band. The foursome hails from Reading, Berkshire in the UK. Formed back in 2000 with the intention of playing thrash and death metal, it took Sylosis eight years before they got their big break with Nuclear Blast Records to record their first album, 2008’s Conclusion of Age. Now in 2012, the band sees the release of their third full-length album, Monolith.

While the title conjures images of a large stone block floating through space, this album is nothing of the sort. Sylosis have really kept up with their original mission to play thrash, but have evolved to incorporate a more progressive sound; the classic thrash elements are definitely present throughout Monolith, but the interweaving of progressive melodies and tempos breathes new life into both styles.

The first song of the album, “Out From Below,” with its atmospheric build-up and satisfying explosion of speed and riffage, evokes an Opeth-like sound, and also sets the rest of the album up quite nicely. “Fear of the World” features some aggressive and full-sounding vocals, but also has a beautiful moment of clean-singing about three minutes in.

“Behind the Sun” was a personal favorite of mine as it brought to mind Mastodon with some of the singing and guitar work. “A Dying Vine” also features great guitar work, and the ever-shifting tempos juxtapose the softer prog with the classic thrash to maximum effect. In fact, much of the interest derived from Monolith is due to the frequent tempo changes and stylistic shifts that keep the listener on edge for the nearly hour and half of play time. Continue reading »

Sep 152012

Here are a few things I spotted last night and this morning that I thought were worth passing along.


October 9 is the North American release date for Monolith, the new album by Sylosis (Oct 5 in Europe). We’ve previously featured two of the songs from the album — “Dying Vine” and “Born Anew” — and “Born Anew” is being offered as a free download by Nuclear Blast at this site.

Now, someone has posted a teaser reel on YouTube that includes minute-long samples from each of the album’s 11 tracks. I can’t tell if this was an authorized compilation and upload or not. I guess we’ll find out. But for as long as it lasts, it provides a pretty good tasting of an album that a couple of us here at NCS have been spinning and enjoying quite a bit. You can find that teaser reel right after the jump.

As you may know, Sylosis are also opening for Lamb of God, In Flames, and Hatebreed on their North American tour beginning in October. I’ve put the tour schedule after the jump, too. Continue reading »

Aug 082012

We watched the social media pages for Sylosis like hawks over the last couple of weeks, waiting for the new songs that the band had promised, and pounced immediately once the first one (“Born Anew”) debuted early yesterday (see this).

And then I got on an airplane yesterday morning to fly across the country, with no wi-fi onboard, cut off from the bubbling world of metal for 5+ hours, feeling like an abandoned brat with no blankie and nothing on which to nurse. By the time I got where I was going and plugged back in to the ether of metal, I had an in-box for of mail with links to the second Sylosis track — “A Dying Vine” — which had emerged while I was confined at 35,000 feet.

I hate being late with news, and thought about just moving on because so many other metal sites had been spreading the news already. BUT, the damned song is so sweet that, tardy or not, I have to post about it.

The song is streaming now on the band’s recently activated web site,, where pre-orders from the new album (Monolith) are also being fielded, but of course it’s up on YouTube now as well, which means we have it here, too. Continue reading »

Aug 072012

Inspired by the Art Nouveau movement, this is the CD jewelcase artwork for Monolith, the new album by the UK’s Sylosis. The artist is Dan Goldsworthy, who also created the cover art for the band’s last album, Edge of the Earth. According to the band, some of the inspiration came from Greek mythology, and that figure on the left loosely represents the devil in disguise or a satyr and may have something to do with the album’s concept.

Also, Dan Goldsworthy created a second piece of artwork for Monolith, which it appears Nuclear Blast is using as an “O-card cover”, whatever that is. You can see that after the jump, too.

Monolith will be released by Nuclear Blast on October 5 in Europe and October 9 elsewhere. Sylosis has been promising to premiere a new song for weeks, setting specific dates and then no-showing. Most recently, the promise was that a new track — “A Dying Vine” — would premiere yesterday on the band’s new web site. Nope.  More undisclosed “technical issues” reared their venomous heads. I was beginning to think that this was a new Machiavellian strategy designed to pump up fan frenzy.

However, though not quite johnny-on-the-spot with the premiere, Sylosis have today finally unveiled a new track called “Born Anew”. This song isn’t the one that was scheduled to appear on their web site. It’s one that was broadcast last night on a BBC radio program, which means that it’s now up on YouTube, which means the radio rip is embedded here after the jump. The band are also now streaming “Born Anew” on their Facebook band page HERE.

In addition, Sylosis has stated that they will soon be providing more news about the still-not-yet-functional web site, which presumably will include news about when “A Dying Vine” will be unveiled. To stay on top of that, visit their Facebook page.

And unless you get the wrong idea and think this post is nothing more than a whine session about Sylosis’ delays, allow me to say that “Born Anew” fucking rips.
Continue reading »

Apr 062012

(I am so fucking slow on the uptake sometimes. DemiGodRaven sent me the post below, and despite the fact that it belonged in the “breaking news” category, I had a brain fart and didn’t pounce on it. So, the news is now less breaking than it was, but still worth writing about.)

Just recently (as in, March 31st — I’m working midnight’s, so I’m falling behind the times rapidly), Sylosis uploaded a video to their Youtube account called “Sylosis – III”. There’s no description as to what it is, but it consists of a bunch of footage of the band in the studio.

They seem to have been spending time there lately. They found enough time to record a new song for the people who donated to their pledge drive to help them out in the US last year, and that one has finally begun making its way around the net.

As for III, does this mean we’re going to see some new Sylosis material already? I know there was a pretty sizable gap between Conclusion of an Age and Edge Of The Earth, but the band put so much goddamn material on Edge Of The Earth that it practically seemed like too much at times. Especially when you add in the newer song, there has been quite a lot of Sylosis in the past year. I personally, cannot get enough of it, as I love this band and think they should definitely be talked about more. Continue reading »

Dec 162011

(NCS writer TheMadIsraeli is taking a different tack with his list of the year’s best albums — either reviewing or re-assessing each of them, one by one. Here’s the first.)

I have been truly dreading reviewing this album for the simple reason that I may fail to describe adequately what this album means to me in the modern metal landscape. I never got to review this album during my tenure at The Metal Register before we shut down, but I was supposed to.  I’m glad it didn’t go down that way now, because I’ve been able to sit on this album and really take it in.  It’s been in constant rotation all year, regardless of what else beckoned my listening habits.

I remember when self-anointed critics were unreasonably hammering these guys, after three EP’s and a debut full length, for being a Trivium knockoff, simply because they were busy taking Trivium’s thrash/metalcore hybrid sound to the next level.  Sylosis has come a very long way since then, along with numerous lineup changes, with only mastermind and guitarist (now also vocalist) Josh Middleton remaining.  The lineup established on Conclusion of an Age marked Sylosis finally establishing their identity, finally cementing what it was they wanted to do.  The Conclusion of an Age lineup is still here, minus vocalist Jamie Graham, in their triumphant, flawless victory known as Edge Of The Earth.

Sylosis are THE modern metal band, combining old-school thrash metal aesthetics, metalcore energy and dynamics, and powerful and majestic melodeath melodies.  THEY ARE the ultimate example of the future in metal that lies in the hybridization of sub-genres.  They manage to take the best of these three schools of thought while throwing out the superfluous, unneeded bullshit, and manage to form a cohesive sound that never fails to hit on target. Continue reading »

Dec 032011

I’m awake now, but still want to keep my “fuck yeah” face on.

I may write something later.  Or not.

This just up-loaded video sounds like the album track synced with video of the band’s last hometown performance in Reading, England, before embarking on their current US tour.