Nov 082023
 

(We’re pleased to present Todd Manning‘s review of the latest album by a band who’s a favorite among all the old-timers around here — and should become one of your favorites if they’re not already. The full album stream debuted today, and you’ll find that below as well.)

California-based Vastum is becoming a death metal institution. Their latest, Inward to Gethsemane, is due out on November 10th and is their fifth full-length on 20 Buck Spin.
Vastum has always looked to legendary acts like Autopsy, Incantation, and Cianide for inspiration. Yet, they create an atmosphere that’s equal parts haunting and nasty that sets them apart from the rest of the old-school death metal crowd. Continue reading »

Nov 072023
 

(Andy Synn lavishes praise and worship on the new album from Mephorash, out Friday)

I love a band with ambition, don’t you?

Don’t get me wrong, there are often times when all I’m looking for are some meaty riffs and tasty hooks, and any band that can satisfy that craving is a band I’ll probably come back to again and again, but there’s something to be said about swinging for the fences, going the extra mile and… other, related clichés.

Whatever you want to call it, that’s exactly what Mephorash have done on Krystl-Ah, employing a twelve-person choir (paid for entirely out of their own pockets) and a variety of other instrumental embellishments and creative collaborators to help their music achieve its ultimate form.

Continue reading »

Nov 072023
 

The Estonian band Thunraz, the solo project of Madis Jalakas, has been in a creative surge from its inception, releasing a pair of EPs and a pair of albums since 2018. If anything the surge has strengthened, because Thunraz is following its latest album Revelation (released about five months ago) with yet another album coming out before this current month ends.

The new album is entitled Borderline, and it includes nine songs, one of which — “You and Me” — we’re premiering today along with a head-spinning red-shifted video. Continue reading »

Nov 072023
 


Photo by J Donovan Malley

Given that I’ve lived in the Seattle area for 28 years I tend to have… tender feelings… for Seattle metal bands. Especially the ones whose music makes me feel like I’m a piece of meat that’s being tenderized and then flame-broiled.

I’ve also had especially tender feelings for Rat King ever since being bowled over by a live show they played at Seattle’s Funhouse venue in 2017. That was my first exposure to the audio tornadoes and earthquaking upheavals generated by the Ecuadorian brothers Danny Racines (bass, vocals) and Ricky Racines (guitar, backup vocals) and their Nicaraguan drummer Carlos Delgado.

Since then they’ve moved from strength to greater strength with each release, the most recent of which is their album Psychotic Reality, which was released by the Satanik Royalty label at the end of September. It’s an album you shouldn’t miss, and in case you did we have a vivid reminder to catch up to it via our premiere today of a video for the song “Destroyer Of Us All“–well-timed to coincide with the band’s in-progress tour of the western U.S. Continue reading »

Nov 072023
 

(We present Comrade Aleks‘ most recent interview of Cardinals Folly frontman Count Karnstein, which took place shortly before the release of the band’s newest album by Soulseller Records. He precedes it with a brief review that explains why the album is one you shouldn’t miss.)

This most productive and passionate representative of the Finnish traditional doom metal scene work without sparing themselves. Since the release of their debut full-length Such Power Is Dangerous! in 2011, Cardinals Folly got their portion of well-deserved recognition with five full-length albums, and that’s without counting three splits.

Yes, the guys spent the first years of their underground career trapped in the genre clichés and timidly adhering to the precepts of Pentagram, Reverend Bizarre, Saint Vitus, and beyond. But over the years, their dark, oppressive, sometimes epic riffs began to give way to bold, self-confident heavy metal. Cardinals Folly are still good when it comes to traditional doom, but the fast tracks, which only became more numerous with each album, sound so natural and challenging that even the most stubborn puritans of doom are unlikely to challenge the band’s primacy on the Finnish scene.

Live by the Sword is quite close in sound to the balanced pace of the previous album Defying the Righteous Way, but more often these songs break forward with an attacking gallop. Eight new tracks fit into 40 minutes and are perfectly invigorating. Continue reading »

Nov 062023
 

This is one of those “and now for something completely different” moments at our site, like coming home to find that all your furnishings have been replaced and people you’ve never seen before are there waiting for you. Startling to be sure, but if you don’t immediately exit and slam the door, maybe you discover that the unexpected changes are… to your liking.

Well, maybe you’ve seen or heard one of the participants in Sky Island before. He’s the one sitting behind the drum kit in the video you’re about to see. His name is Ben Fagerness, and he’s been violently hitting things in the Minneapolis death metal band Graveslave for almost a decade, and also in Gloryhole Guillotine.

Some of you might also recognize the other person in the video, Niilo Smith, though his participation in the wide world of metal and rock as a solo creator has been in a very different sector, most likely unknown to the usual visitors at this site. Continue reading »

Nov 062023
 

As many of you already know, The Zephyr is a Mexican black/death metal band with a history that now spans 30 years. Like many bands of a similar lineage, this one was interrupted by a long period of silence, which occurred after their 2003 debut album Fake Measured Smile, a silence broken by the 2013 EP The Hate Remains the Same and The Zephyr‘s 2017 album Eternal Flames of Heaven.

Also like other bands whose roots are as deep as The Zephyr‘s, they’ve experienced lineup changes along the way, including one that occurred during the six-year gap between that last album and the new one.

And yes, The Zephyr now have a fourth full-length on the way. Entitled Aura Oscura, it’s projected for release in January by American Line Productions, and what we have for you today is the premiere of a lyric video for its title track, one that fully displays, even after all this time, a band at the height of their veteran songwriting prowess and performance skills. Continue reading »

Nov 062023
 

(Andy Synn presents four more artists/albums from last month which you may not have heard)

Would you look at that… it’s somehow November already. Which means, in a little over a month, I’ll be taking over NCS for a full week and publishing my lengthy round-up of all the Great, Good, and Disappointing releases of the year – the ones I’ve heard and feel at least semi-qualified to give an opinion of – culminating in my usual Critical and Personal top ten lists.

As always, it’s impossible for me to listen to, or cover, everything that’s released over the course of a year, but that doesn’t mean I’m not going to try and squeeze in as many reviews and recommendations as I can before then.

Making the decision of who/what to include, however, seems to be getting harder and harder – albums which almost made the cut this month include END‘s absolutely devastating The Sin of Human Frailty, the stellar debut album from Voidescent, and the predictably excellent new record from Slidhr – but I’m confident that the four selections I’ve made, two of which were “surprise” released without any warning or fanfare, will be well worth your time (and mine).

Continue reading »

Nov 062023
 

(Oakland-based The Luna Sequence brought us a new album in September, and today DGR brings us his extensive reactions to the new music.)

Those who’ve walked many miles with our site will know that there are a few things we love to do around here. We like some good off the wall cover art that’ll blind people, we love us some patterns and numbers to nerd out on, and we love making the joke about getting around the ‘no clean singing’ rule – because when have we ever broken that before? – by reviewing music that has no singing at all.

Then you get into the more personal enjoyment that specific authors gain a rise out of, and in this case, yours truly absolutely enjoys throwing electronics and industrial projects on the main page, just knowing that it is going to be completely different from the wall-to-wall brutality/banshee-shrieking we enjoy posting on a day-to-day basis.

Luckily, musician Kaia Young has proven to be a bastion and has been able to provide on more than one occasion the opportunity to knock out two birds with one stone, and do both the ‘no clean singing’ joke and the electronics side of thing with their The Luna Sequence project. Continue reading »

Nov 052023
 

Welcome back, or welcome for the first time. For those who were with me for yesterday’s round-up, I’ll spare you a detailed update on my vaccine-induced congestion and say only that my body’s mucus factory is still vigorously pumping out the product, my wishes be damned.

Like yesterday, I wish I could have made this collection longer. Under the circumstances (which include a rare outing from my hermitage with my spouse this morning), it’s the best I could do. I did attempt to make it a varied experience, with a curveball at the end.

THE AMENTA (Australia)

Well of course we’re leading this column with a new video from The Amenta, because we’re nothing if not slavish in our attention to what they do.

It makes a special kind of sense today because the song that’s the subject of the video is The Amenta‘s cover of Diamanda Galás‘ hymn to Satan, “Sono L’Antichristo“, which originally appeared on her Plague Mass album. Continue reading »