Dec 052023
 

It’s already quite evident that as good a year as 2023 has been for metal, 2024 is going to start off with a big BANG! as a new universe of annual music begins another rapid expansion. Part of the early-year explosion is a new album by the Spanish progressive/melodic death metal band Eternal Storm that’s set for release by Transcending Obscurity Records on February 10th.

The album’s name is A Giant Bound to Fall, and it follows Eternal Storm‘s very impressive first full-length, 2019’s Come the Tide, which our own Andy Synn reviewed here, calling it “a brilliant album, from start to finish, and one which might just restore your faith in the Melodic side of Death Metal”.

To help pave the way for the new record, Transcending Obscurity has released two singles so far, and today we’re bringing you a third one — “Lone Tree Domain“. Continue reading »

Dec 052023
 

Every durable edifice, even a musical one, must have a solid foundation.

Well, that’s what some people say, probably including most listeners. But music whose foundations are constantly shifting and skidding, as if caught in an earthquake or morphing like some hallucinatory vision, can be far more interesting, even dazzling, if the architect is as talented as the person behind the Spanish band Deemtee.

This observation certainly held true for Deemtee‘s debut album, the aptly named Flawed Synchronization With Reality, which we premiered and reviewed (at great length) four years ago. In attempting to describe it we shared comparative references to Deathspell Omega, Oranssi Pazuzu, Valborg, Blut Aus Nord, and Ved Buens Ende — and repeatedly emphasized how unpredictable (and extraordinary) it was.

Now it’s time for foundations to liquify again, because Deemtee has a new album coming our way on December 7th via the Spanish label Darkness Within (a sub-label of Darkwoods), It also has a very apt title, given the nature of the songs: Strange Aeons & Deliriums. Continue reading »

Dec 052023
 

As part of our annual LISTMANIA series we re-publish “best album” lists from some of the the few surviving print publications that cover metal, and from a handful of “big platform” sites that include metal in their on-line coverage, along with a range of other music genres and other aspects of popular culture.

We don’t re-publish those “big platform” lists because we think it’s likely to be a source of useful discovery for most of the people who come to NCS, though of course that’s possible. It’s really more a matter of peering at the surface world as a form of modest entertainment.

In that context, and only in that context, today we’re sharing Revolver‘s list of the “30 best albums of 2023”, which they recently published here. Continue reading »

Dec 042023
 

If you’re a slobbering fan of supernatural chainsawing death metal you’re about to have more fun than most things you can do with your clothes on. Ghouls are also invited to participate, with or without clothing.

The source of the fun to come is our premiere of a video for “Feast for the Worms“, a virally infectious, massively mauling, and magnificently eerie song off the latest album by the unholy Spanish death metal band UNDEAD. It was filmed in a very special graveyard, where the dead must have been stirred to ghastly new life as they witnessed the event from below. Continue reading »

Dec 042023
 


photo by Markus Lohi

(Today we present a very friendly and engaging interview by Comrade Aleks with vocalist/lyricist Antti Åström from the powerhouse Finnish death metal band Dead Talks, whose debut album was released in August by Apostasy Records.)

There were two bands among others in Lohja, Finland: the melodic death metal one Funeral Jacket, which was active in the late ’90s, and its death metal heir Corpse Molester Cult, which existed from 2005 to 2019. Both bands weren’t very active, but their members remained friends until today, and almost the entire lineup of Dead Talks consists of these guys who have known each other for two decades and more.

They are Joni Laakso (bass), Henkka Åkerlund (drums), Tomi Joutsen (guitars), Timo Vainio (guitars), Jukka Veiksola (guitars), and Antti Åström (vocals). Yes, you’re right, there are three guitarists in Dead Talks and one of them is the vocalist of Finnish metal legend Amorphis.

However, Dead Talks is an independent unit, and they’re damn good at providing old-school death metal at full capacity. Apostasy Records released their album Veneration of the Dead on August 18th, and if you missed it, then here’s your chance to make up leeway. Antti Åström talks for the Dead tonight. Continue reading »

Dec 042023
 

We are very happy today to revisit the daunting visionary music of the Australian black metal band Krvna, although the band’s creations have been anything but happy, and indeed so emotionally harrowing and so wholly engulfing in their power that they take the breath away.

The occasion for our revisiting of Krvna today is the planned January 10 release by a trio of labels of the project’s new half-hour EP The Rythmus of Death Eternal. It includes three extravagant new original songs, plus covers of songs by Abigor and Viking-era Bathory, and we have the premiere of one of the monumental new songs today — “What Great Lengths“. Continue reading »

Dec 042023
 

(Andy Synn, our resident Krallice curator, offers his thoughts on the band’s new album)

Is there anything less surprising than a surprise Krallice release any more?

Not that it’s a bad thing by any means. Honestly, I love that the group continue to do things their own way and work to their own timescales, rather than trying to live up to any outside expectations or bow to external pressures.

But if you ask any group of metalheads (well, those of a more “underground” disposition, at least) the question “what band just dropped a brand-new album out of the blue?” I bet 9 out of 10 of them would immediately say Krallice without hesitation.

On their new album, however – their second of 2023 – the band have an even bigger surprise up their collective sleeve… a direct sequel, both stylistically and spiritually, to 2020’s Mass Cathexis.

Continue reading »

Dec 032023
 

You know the old saying about situations when your eyes are bigger than your stomach? When you take on more food than you can possibly finish? That’s kind of my situation, musically, today.

Yesterday’s two-part roundup, which spilled over into today, was a big platter of delectables. What I still had sitting on the platter this morning (all the well-charred food) was just too much to get through, despite my appetite for it and the “clean your plate” philosophy with which my family raised me. Stacked on top of the two-part roundup, it probably would have been too much for you as well.

But, at the risk of an exploding gut, here are a few more servings.

EITRIN (France)

Who could possibly leave untouched a feast prepared by Vindsval (Blut Aus Nord), Marion (Mütterlein), and Dehn Sora (Throane) in celebration of Debemur Morti Productions‘ 20th anniversary? Not I. Continue reading »

Dec 032023
 

Promises to keep.

Yesterday in Part 1 of this roundup I said there would be a Part 2 and that it would include “three bands from the same archipelagic country, all of which fall into the big-surprise category”. And so, a day late, here’s Part 2. (There will still be a Shades of Black column later on today.)

As hinted yesterday, all three bands are from Indonesia. All three were new to my ears and all are very good, albeit in very different ways stylistically. Hence, the surprises, and my decision to include these three bands together in their own segment.

HAUL (Indonesia)

More than a decade after their first release and seven years after their last one, Haul returned this year with a new EP named Adamar. Transylvanian Recordings released it digitally and on tape on December 1st (I found out that Disaster Records also released it on CD last March).

Having heard nothing of Haul‘s previous releases, I gave it a listen because of Transylvanian‘s enthusiastic recommendation. Here’s part of that enthusiasm: Continue reading »

Dec 022023
 

Yesterday I managed to crawl through the 300-400 Bandcamp alerts and e-mails that hit our in-box during the 24 hours of Bandcamp Friday, plus social media messages from a few of the people whose recommendations I pay attention to. I even managed to very quickly skim through e-mails from the day before.

Doing that, I saved a shitload of links, and then barely scratched the surface of them in listening. There were some big surprises in that pile, some from bands I knew about and even bigger ones from names I’d never heard of. I picked some to pass along to you today. I’ve saved some others for the Sunday column, which I hope I’ll get to.

I had so many picks for today that I decided to divide them into two parts. The second part includes three bands from the same archipelagic country, all of which fall into the big-surprise category. I haven’t yet written part 2, and because the hour is late, it will probably come tomorrow. Continue reading »