(Andy Synn finishes off “List Week” with his ten favourite albums of the year)

For whatever reason, this time around much of my “personal” list – which features the ten albums which I’m not claiming to be the “best” of the year, but are definitely amongst my favourites – is made up of new albums by new discoveries, either because the band themselves are fresh onto the scene or because this is simply my first time encountering them.

On the one hand this perhaps reflects my general dissatisfaction with a lot of the more hyped up and/or famous names (not that they were bad, just that they really didn’t do anything for me this year), but I prefer to see it as a good thing, because it means that I am (hopefully) guaranteed even more great stuff from a bunch of fresh new faces with a bright future ahead of them!

Slimming this list down to just 10 albums wasn’t an easy task by any means, but while some well-deserved “honourable mentions” should go to the likes of Downfall of Gaia, Dying Wish, Morokh, Mercenary, and Miserere Luminis (all of whom were in strong contention), in the end… well, there can be only ten!

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(Andy Synn skims off the cream of the crop for your delectation)

So here we are, the top-tier of 2023 (in my opinion, at least, whatever that’s worth).

Now I need to stress, again, that these lists, while certainly extensive (there were well over 200 entries on yesterday’s “Good” list, and another 100-ish here) are in no way comprehensive, and there’s lots of stuff I will have missed out on or just wasn’t feeling enough to want to write about.

But while this means, obviously, that there’s going to be some notable omissions, wouldn’t you prefer it if I continued to use my limited time to focus more on stuff that I really liked and/or stuff that I think deserved more exposure, rather than just covering the exact same artists and albums who just happen to receive lots of attention and coverage elsewhere?

One thing you’ll possibly notice going through this article is an overarching “proggy” vibe running through a lot of the albums I’ve selected for my “Great” list. For whatever reason, 2023 just felt like a year where the more “progressive” side of the genre (and related sub-genres) really came to the fore.

That doesn’t mean, however, that there aren’t just some straightforward killers, crushers, and straight-up face-melters here too. After all, “greatness” comes in many forms, after all, and you don’t need to to try and reinvent the wheel or push the envelope in order to make something great!

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(It’s time once again for Andy Synn‘s annual List Week here at NCS)

As always, I want to start off this article with a little explanation of the rationale behind it.

In general, as I’m sure you’re aware, it’s our prerogative here to only write about the bands and albums we actually like.

That doesn’t mean, however, that we shy away from providing constructive criticism when we think it’s warranted (at least, I don’t), as loving something doesn’t mean just ignoring its flaws.

And it’s in that spirit that my annual “Disappointing” article is written, not as an attempt to court clicks or controversy, but as a means of expressing the very simple idea that the bands we love aren’t perfect, and sometimes even the best of them stumble or fail to live up to the hype.

That’s not an excuse for people just to start shitting on bands they don’t like – we just tend to delete those sorts of comments without giving them a second thought – it’s more about providing a communal space to express our disappointment that something we were looking forward to didn’t, for whatever reason, measure up to our expectations and/or hopes.

Obviously there’ll be disagreements (I’m pretty sure that one or two of my selections here will upset a few people, though I need to stress again that I’m not trying to upset or provoke anyone, these are just my honest opinions) but I think that, if we can all remain civil, we’ll get through this together.

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