Islander

GOST: “PROPHECY”

 Album Reviews  No Responses »
Mar 082024
 

(Yesterday we presented Daniel Barkasi‘s interview of Texas-based Gost, and today we deliver his review of Gost‘s new album Prophecy on the day of its release by Metal Blade Records.)

The connection between metal and electronic music is an alluring one; both have existed side-by-side for decades. There’s always been some similarities in the aesthetic and structure of specific forms of each. One of the latest phenomena is the synthwave genre, and more specifically for this review, it’s where a sub-genre known as darksynth emerged. A caustic and menacing method of synth music, many have been gripped by its extremely heavy sounds and dark themes.

One of the most heralded innovators of that style is Gost, who has carved a large following through the last 11 years, never producing the same album twice. Early works centered around more Satanic subjects and vigorous sounds, while more recent albums such as Rights of Love and Reverence portray more on the personal side with gothic/industrial conventions. New album Prophecy is a merging of both subjects and nearly all sonic inclinations of Gost’s career, resulting in a familiar-yet-fresh album that continues to position the project further into its own air. Continue reading »

AN NCS INTERVIEW: STUPOROUS

 Interviews  No Responses »
Mar 082024
 

(With agonized apologies to Comrade Aleks and the members of the Netherlands-based group Stuporous for our lamentable delay, today we present an excellent discussion among them, with a focus on the band’s debut album released in January by Void Wanderer Productions and War Productions.)

You should know Stuporous, as there was already a track premiere last fall at NCS, don’t you? It’s a killer band performing a mix of black and doom metal with jazz elements. Its members play different styles of extreme (and not so extreme) metal in Belgian and Dutch bands, some of which are members of the Zwotte Kring artistic collective.

Their first full-length album is Asylum’s Lament, so named after the experiences of the band’s vocalist Devi, who works in psychiatry, and you can easily imagine what kind of crazy stuff you can find here.

And here we have all members of this highly artistic outfit answering my questions with patience and passion. Or something like that. Continue reading »

AN NCS INTERVIEW: GOST

 Interviews  No Responses »
Mar 072024
 

(We’re grateful to Daniel Barkasi for reaching out to Gost, and to Gost for participating in the discussion with Dan that we now present, on the eve of release of Gost‘s new album on Metal Blade. We’ll present Dan‘s review tomorrow.)

To those familiar with the darker side of synthwave, no doubt Gost has crossed your listening pathways. Also known as James Lollar, the Texas native exploded onto the burgeoning synthwave scene with a highly unique take on the genre with debut EP Radio Macabre in 2013, soon followed by Skull. Since then, Gost has – along with the likes of Carpenter Brut, Perturbator, and Dance with the Dead, among others – spearheaded the darksynth style into existence, and ultimately, the prominence it has ascended to today.

Always on the creative forefront and never stale, Gost has amassed an impressively eclectic discography. The worlds of electronic music and metal also merge with Gost, who has dabbled in metal projects in the past, and has toured with the likes of Mayhem and Katatonia. Even a heralded performance at Maryland Deathfest in 2017. Gost stretches the boundaries of what’s possible between the two genres.

Now, with a brand new album in the form of Prophecy, Gost has returned to his bombastic early days, while not losing the industrial and gothic influences that have been integral components of his more recent work. He was gracious enough to have a chat about how the new record came to be, the contentious climate of the world today, his connection with metal music, and a variety of other interesting topics. Continue reading »

AN NCS ALBUM AND VIDEO PREMIERE: NONE — “ALIVE IN SAN JOSE”

 Album Reviews, Premieres  No Responses »
Mar 072024
 

For those of you encountering None for the first time today, it began in 2015 as the solo musical project of Nicholas Mendiola from San José, California, now based in Los Angeles. The music is unconventional, and thus not easily pigeon-holed in genre terms. We can suggest that over time it has involved an alchemical interaction of black metal, neo-folk, industrial, and dark ambient ingredients, but for Nicholas “The Dark Gospel” is what he calls the music of None.

That term not only abjures explicit genre references, it also connects with None‘s conception of musical creation as a spiritual endeavor, as a never-ending search for the divine and an expression of its mystical presence both within ourselves as an animating force and external to us.

Last October None played their first hometown show in San José at The Caravan Lounge. There, Nicholas was joined in the representation of None by bassist and guitarist Nathan Nunes. They performed six songs, five of which were new and never-before heard. The show was recorded, and tomorrow (March 8th) it will be released as an album entitled Alive in San Jose. The show was also filmed, and today we’re premiering the video of None‘s live show, as well as the full album stream of the set. Continue reading »

PRISONER: “PUTRID | OBSOLETE”

 Album Reviews  No Responses »
Mar 072024
 

(This is Todd Manning‘s review of Prisoner‘s sophomore album, due for release on March 15th by Persistent Vision Records.)

While certainly not the first to combine metal with industrial influences, Richmond-based unit Prisoner justifies their efforts with their excellent sophomore album Putrid | Obsolete.

Starting off as a quartet featuring Pete Rozsa on guitar and vocals, Justin Hast on bass, Dan Finn on guitar, and Joel Hansen on drums, they added Adam Lake as a full-time member to handle synths, samples, and programming, resulting in an immersive and hellish listening experience. Continue reading »

TRANSMISSIBLE SPONGIFORM ENCEPHALOPATHIES OF ’23 — PART 4

 MOST INFECTIOUS SONGS-2023  No Responses »
Mar 062024
 

(Our editor wasn’t able to compile a list of Most Infectious Extreme Metal Songs from 2023, but our supporter Vizzah Harri, a resident of Hanoi, Vietnam, has stepped in to fill the void. We’ve already published Parts 1-3 of his list (find those here), and now we’re proceeding with Part 4.)

Why is NCS posting this so deep into the year already and why does it allow this semi-literate baboon back for more? Well, two reasons, one of which needs a bit more extrapolation.

The editor of this fine establishment somehow lived vicariously through me and took the wrong cup of rượu (rice wine), thereby inducing temporary blindness and resulting in him just okay-ing it… but on a serious note if you’re at all as addicted to year-end lists and particularly the most infectious lists… then we all know it had to happen, no matter how long it took this reader to edit down his sleep-deprived lunar new year frenzy of an essay. I say sleep-deprived when in actual fact my self-induced insomnolence was abetted by experimenting with copious amounts of mind-altering substances, for research purposes of course.  Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): APOGEAN –“CYBERSTRICTIVE”

 Album Reviews, Premieres  1 Response »
Mar 062024
 

“Canadian tech/prog death metal group Apogean presents their inaugural full-length, Cyberstrictive, scheduled for 08 March 2024 via The Artisan Era on vinyl, CD, and digital. Marking the debut with the new vocalist Mac Smith (who recently served as the live vocalist of Decrepit Birth), the upcoming album poignantly explores the dark side of technology, shedding light on its poisonous effects on our lives.”

That’s the high-level introduction provided in the PR materials previewing this Toronto quintet’s first full-length, which follows their debut EP, Into Madness, released in June 2021. And here’s a further insight into the album’s conceptual themes, which is worth understanding in advance of listening to the album — which you’ll have a chance to do now: Continue reading »

SHOW REVIEW: AGALLOCH AND DAWNBRINGER IN SAN FRANCISCO, FEB. 17, 2024

 Concert Reviews  5 Responses »
Mar 062024
 

(Our friend Ben Manzella returns to NCS with his reflections about and photos of the performances by John Haughm, Dawnbringer, and Agalloch in San Francisco CA on February 17th of this year.)

I’m not sure of the origin of the saying, “When it rains, it pours.” However, it seemed rather fitting for the night I thankfully made it in to see Agalloch in San Francisco. I had decided to take a brief trip up from Los Angeles for an art event at a gallery called Studio Fallout that was the same day as Agalloch’s concert and wanted to finally see them live after thinking I’d never have a chance when they broke up a few years ago.

Adding to the rarity/uniqueness of the event, Dawnbringer was announced as the opener in their first Bay Area show in close to a decade, and John Haughm of Agalloch started the evening by playing solo material, which is also a rare treat. Continue reading »

HIDEOUS DIVINITY: “UNEXTINCT”

 Album Reviews  No Responses »
Mar 062024
 

(We present DGR‘s review of the new album from Italy’s Hideous Divinity in advance of its March 22nd release by Century Media.)

A new Hideous Divinity album will loom large in the distance. We’re now well into the group’s career as a generator of overwhelming and unrelenting death metal, for those who might think that standing at the bottom of a mountain while a crew does avalanche preparation during snow season is a fun way to experience music.

Hideous Divinity started with the intensity of their music ratcheted way past the standard red line and have effectively stayed there. Somehow, with each album, they’ve found new ways to twist and mutate that intensity into something different and malformed every time, often with enough there to make those releases a different experience from one another.

Yet for just as much as the band play mad scientist with their musical compositions there’s still the theme of whether or not their vocalist or their drummer is going to pass out from exhaustion first as the group continually push themselves harder and harder. Continue reading »

AN NCS VIDEO PREMIERE: OMNIVIDE — “COSMIC CONVERGENCE”

 Premieres  1 Response »
Mar 052024
 

The New Brunswick band Omnivide was formed in 2020 by the members of a previous Opeth tribute project called Sunbird. In beginning to write their own original music, they didn’t leave the influence of Opeth behind, but they did add to it, drawing as well from the sounds of such bands as Obscura, Alkaloid, and Devin Townsend.

Where this evolutionary journey has taken them so far is summed up in a debut album named A Tale of Fire that will be released on March 22nd. Conceptually, the songs were in different ways intended to explore the cycle of death, rebirth, and new growth, with the purging and reanimating effects of fire as the symbolic instrument of the universal cycle, and that cycle speaks through the music as well — as you will soon see.

What we have for you today is the premiere of a lyric video (made by Andy Pilkington) for one of the cuts off the new album, a song named “Cosmic Convergence“. Continue reading »

 Older Entries  Newer Entries