Islander

Nov 032024
 

(written by Islander)

I included a fair share of black metal in Part I of yesterday’s large cross-genre roundup despite having this column looming in the near distance. I did that on purpose because the bulk of the verbiage below (and it is bulky) is devoted to an album that doesn’t really fit the usual bill on Sundays, or any other bill, though I have my reasons for including it here.

Yet fear not, ye black metal zealots, because I’m following the opening act with some music that will be more in line with this column’s typical focus, though some of it gets out of line too. Continue reading »

Nov 022024
 


Unreqvited

(written by Islander)

In Part I of this Saturday’s roundup of new songs and videos I likened the flow of them, as I’ve arranged them, to a river that twists and turns through passages of greater and lesser turbulence and gloom. Now you’ll have a better idea why I wrote that.

In this Part, as compared to Part I, our musical river begins to make a bend into increasingly less turbulent and more haunted environs, though it will prove to be a long curve and not a sudden one — and the river also leaves the earth at first. Continue reading »

Nov 022024
 


Lömsk

(written by Islander)
Halloween (or Samhein if you prefer) is in the calendar’s rear-view mirror but not out of my head yet. That’s the best way I can explain why I picked some of the selections for this roundup, and not just the ones that sound hellish but perhaps especially the ones that are carried by (gasp!) clean singing. Many of the songs were actually released on Halloween.

There’s again a lot to see and hear today, so much so that I again divided the collection into two Parts, with Part II coming in an hour or two from now. But rather than default to alphabetizing the picks, I organized things based on what I was hearing, to create a little flow, a river of greater and lesser turbulence and gloom.

P.S. Happy Día de los Muertos.

P.P.S. If you live in the U.S., don’t forget to roll your clocks back an hour before you go to sleep tonight. Also, fucking plan to vote if you haven’t already voted early! Continue reading »

Nov 012024
 

After two demos and two splits the Barcelona based hellraisers Inverted Cross are at last bringing us a short but sweet debut album fittingly named Eternal Flames of Hell, with a release date of November 29th set by Helldprod Records.

The fire-shrouded, goat-headed demon wielding a sword of lightning on the cover imperiously directs you to bow down and beg for mercy, but no mercy is to be found within the album, only riots of venomous black thrashing speed metal that will get rattled heads hammering and heated blood rushing.

You’ll see what we mean as we invite you to enter “Into The Crypt Of The Necromancer“, the latest single from the album that we’re premiering today, and a song that turns out to be hellish in more ways than one. Continue reading »

Nov 012024
 

Consider the Lovecraftian monstrosity that dominates the cover of Misanthropy’s new album, and the whirling red-tinged void into which the monster is about to plunge its captive, and then consider what it might be telling you about the music.

That artwork (credit to Pedro “Lordigan” Sena) turns out to be a very fitting preview of the new album, the name of which is The Ever-Crushing Weight of Stagnance. As demonstrated by the first two singles released from the album so far, and the third one we’re presenting today, Misanthropy‘s newest creations are indeed monstrous, out-of-this-world, and whipping whirlpools of exhilarating metallic madness. Continue reading »

Nov 012024
 

(We present Christopher Luedtke‘s review of a new album by PDX-based The Body, which will be released by Thrill Jockey Records on November 8th.)

There are not many bands out there you can truly call unique. Cheesy as it may sound, it is the reality of things. Genres are built and maintained by many different bands sharing a similar sonic sound and expounding on it on a smaller scale. Usually there is a slow branching out of things, though some buck tradition. But there are certain bands out there that exist in broader terms. The Body has been one of those bands for the better part of their existence now.

Originally beginning as a more straightforward heavy, doom sound, by the early stage of the aughts and 2010s The Body was less than interested in maintaining orthodoxy. As such they have occupied a unique space that few other bands share. And their latest solo release, The Crying Out of Things, continues to solidify this space they have made. Continue reading »

Oct 312024
 

(written by Islander)

As we all know, lyrics are almost always secondary or tertiary attractions in extreme metal, even when they mean the world to the lyricist, in part because they’re usually indecipherable and in part because they’re often just not very compelling. And so when the lyrics are as fascinating and gripping as they are on Everto Signum‘s new album Beastiary, they warrant special attention — which we’re giving them even before we turn to the main focus of this article — a premiere stream of all the music packed into the album by this avant-garde black metal duo from Portugal.

Here is the album’s thematic concept, as described by the Monumental Rex label, which will release Beastiary tomorrow (November 1st):

“The band stays true to their elemental background by writing an immersive story that guides the listener through a chain reaction of natural disasters. These calamities are beastialized – manifested as wild uncontrollable beasts exhibiting intrinsic animalistic shapes, traits and behaviours.

“The plot is comprised of seven chapters, each consisting of a contextual introduction that describes the scenery and sets the mood for the destruction to come, and an interpretation of the actual cataclysm.

“Written in English, the expressively poetic lyrical narrative portrays a journey from an ice-covered mountain top through a valley, down to the depths of a meromictic lake and finally into a perennial forest to witness the dreadful wrath of ancient forces.” Continue reading »

Oct 312024
 

(written by Islander)

If you’re making a heavy Halloween playlist you’d be remiss if you don’t include something from Witchpit, and not just because of their name. Their music itself has the capacity to sound witchy and spooky, to reach plateaus of intensity that are scary, even when delivering the kind of monster riffs and visceral punch that shake the floor and the foundations beneath it.

It’s also an especially good time to be thinking of these South Carolina sluggers because they’ve readied a new song and video for this Halloween night that we’re about to reveal. It’s from their forthcoming second album Forever Spoken, which will be out in mid-November via Heavy Psych Sounds and is adorned by the great Dan Seagrave‘s attention-seizing cover art, also perfect for Halloween. The song’s name is “Through Eyes of Apathy“. Continue reading »

Oct 302024
 

(written by Islander)

This Halloween will mark five years of Holy Death, the doom-drenched death metal crushers who call Long Beach, California home. To commemorate the anniversary, and to tide fans over while the band work on their next album, they’re releasing a new EP of cover songs.

The EP leads with Holy Death‘s rendition of Metallica‘s “Sad But True“, and that’s the name of the EP as well. It’s the group’s way of paying respects to a band and a song that have been a “massive influence” on them, and we’re premiering that cover today.

The EP also includes re-mixed and re-mastered versions of two other cover songs they’ve previously released — Metallica‘s “Creeping Death” and Entombed‘s “Wolverine Blues“. Altogether, the EP makes for an excellent way to make your Halloween more electric — and more horrifying. Continue reading »

Oct 302024
 

(written by Islander)

The melodic death metal band Carved Memories originated in Costa Rica but are now settled in Berlin, Germany. They released a self-titled EP seven years ago, and now have a debut album set for release on November 1st on Black Lion Records.

The album’s name is The Moirai, and its eight songs have a unifying theme:

The Moirai delves into the concept of absolute power, exploring the immense forces that dominate and control their realms. Each track reflects the overwhelming presence of a massive deity or emotion, personified as an unstoppable force reigning supreme. The lyrics narrate the influence and dominion of these mighty entities, portraying them in their full might — unchallenged and eternal. The themes center around the unyielding nature of these powers, representing a reign that cannot be defied.

In line with this conception, the album’s music delivers hard-charging intensity and often reaches heights of towering supremacy, but it creates other experiences as well — and you’ll have the chance to become immersed in all of them through our full album premiere today. Continue reading »