AN NCS PREMIERE: CANIS MAJORIS — “THE END OF CIVILIZATION”

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Apr 192024
 

Canis Majoris is a musical project created in Gdansk, Poland by the multi-instrumentalist musician and lyricist Alienus, joined on the project’s debut album by invited vocalist Brut from the death metal band Raspatory.

The name of that album, which will be released by Satanath Records on April 28th, is Eternity Borns From A Moment. It is described as “a journey around the endless space of the Universe,” and a journey through time as well, in which “the listener becomes a time traveller from the beginnings of life till its total disappearance…” Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): DEADSPEAK — “NO RESPECT – NEITHER FOR LIVING NOR FOR THE DEAD”

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Apr 182024
 

The occult death metal band Deadspeak was formed in 2008 in Ireland, where its two Polish co-founders (Krakus and Tomasz Prokop) were then living. They recorded a pair of demos in 2008 and 2010, but then the band seemed to disappear for a long time.

Yet after returning to Poland the creative embers caught fire again and just last year Deadspeak released an excellent debut album named Human Alchemy (available here), a 44-minute work that they have described as “a blizzard of obscure riffs and strange melodies, fueled by hypersensitivity to society”.

Striking while the iron is hot, Deadspeak are already following up that album with a two-song EP that we’re happily premiering today. For these recordings, the Deadspeak duo of adventurous guitarist Krakus and venomous vocalist Tomasz were joined by guest bassist Ataman Tolovy and, as session drummer, the veteran hitter James Stewart (Decapitated, Berserker Legion, Bloodshot Dawn, ex-Vader, etc.). Continue reading »

AN NCS VIDEO PREMIERE: PARADOX RIFT — “THE SKY BENEATH”

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Apr 162024
 

On May 10th the Cleveland-based extreme metal band Paradox Rift will release a debut album named Ensnared. It features harrowing cover art by Remy Cooper (Headsplit Design), which captures key elements of the album’s themes. In the band’s words it depicts: “A figure or entity stuck/being torn between two dimensions; A demolecularizing body that has no complete form in one realm or the other. Existing in agony, never to be whole. Constantly being ripped apart and reanimated, Ensnared between two worlds.”

The band’s music pulls from different worlds too — different sub-genres of metal reflected in the influence of such bands as Between the Buried and Me, Gojira, Lamb of God, and Converge (among others). To share again the band’s own explanation:

Paradox Rift is a blend of multiple generations of metal coming together. With members in their early thirties, late thirties and even a fifty year old. We all listen to different generations, styles and subgenres of metal and we all bring something different to the Paradox Rift table.

What we have for you today is the premiere of a lyric video made by Scott Rudd Films and featuring artwork by Mark Erskine for a song from Ensnared named “The Sky Beneath“, and once more we’ll start with the band’s description of what the song is about: Continue reading »

AN NCS PREMIERE: SEREMENT — “FORGING THE DARKNESS”

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Apr 162024
 

The blasphemous Athenian quartet Serement came to life in mid-2022, with three of its members moving onward from the death metal band Blessed by Perversion and the fourth having spent time in Chaos Heresy and Sickening Horror.

After independently releasing their 2022 EP Deviation From God, Serement made an unholy pact with Dolorem Records (France) and Iron, Blood and Death Corporation (Mexico) for the release of their debut album Abhorrent Invocations on May 17th of this year. The labels faithfully describe the music this way:

Their sound and style are heavily influenced by the most obscure and aggressive aspect of the Death Metal genre, with a Black Metal atmosphere that always casts a shadow over every track of the new record, combining fast blast beats with some groove rhythms and haunting melodies.

As a more concrete sign of what the album brings, today we’re premiering an album track called “Forging the Darkness“. Continue reading »

AN NCS PREMIERE: TORTURERS’ LOBBY — “REPTILIAN HIDE”

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Apr 152024
 

One look at the cover art for the debut album from Tampa-based Torturers’ Lobby tells you that the music is likely to be disturbing but unconventional. It’s not easy to decipher what we’re seeing. Though skeletal remains and a vulture’s head appear to be part of the scene, the ghastly greenish hues and running veins create a twisted image of an old desecration.

It turns out (thankfully) that the music is also disturbing and unconventional, even more so than the cover art, the result of a willfully free-wheeling hybridizing of influences that follows only its own twisted logic but (also thankfully) doesn’t come off as “different for the sake of being different,” cohesion be damned.

We should quickly add that the music’s intensity is often so overpowering and shattering that it might leave you bug-eyed and slack-jawed.

As evidence of these conclusions we have two songs from the album to spotlight today, one of which has previously surfaced and one of which we’re premiering today in advance of the album’s June 14th release by Caligari Records and Ixiol Productions. Continue reading »

AN NCS PREMIERE: VRYKOLAKAS — “BILATERAL VENOMOUS ASSAULT

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Apr 152024
 

As you can see, today we’re premiering a song from a new album, Nocturnal Dominion of Death, by the veteran Singaporean death-dealers Vrykolakas. It’s the second song from the album to be revealed so far. Together, those two tracks bring to mind the boxing terminology for the “one-two punch”, the devastating combination of blows that leaves an opponent sprawled on the canvas.

So let’s take up the first punch first. Continue reading »

AN NCS PREMIERE: CONSTRUCT OF LETHE — EXCERPTS FROM “A KINDNESS DEALT IN VENOM”

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Apr 122024
 

The concept behind Construct of Lethe‘s new album A Kindness Dealt In Venom is challenging, and frankly, very disturbing. The music is also challenging, frequently so wildly unconventional that it could be branded “experimental death metal”, and in its extravagant twists and turns and instrumental spectacles, some disturbing and others exuberantly delirious, it creates a transfixing union with the concept.

The music is meant to be heard as one continuous song, 44 minutes in length, which follows the shattering conceptual narrative. However, it does include separate segments as it proceeds along its traumatic course, and we have two of those for you today — two that are among the most head-spinning episodes in the stunning pageant that the album creates. Continue reading »

AN NCS VIDEO PREMIERE: AS THE SUN FALLS — “AURORA”

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Apr 122024
 

For the sake of As the Sun Falls and the people who filmed the video you’re about to see, we hope they pulled it off in one take so as to avoid frostbite. The expansive snowbound setting (filmed against the backdrop of Nummela, Finland) is dramatic, and the band’s members are heavily bundled and throwing themselves into the performance in a way that surely got their blood rushing — but it still looks icy cold.

Yet with a song named “Aurora” and a band who make their home in “the frozen heart of Finland”, the setting was a natural choice. And the video well-suits the music itself, which gets the heart pounding, creates a bitter and desolate chill, and beautifully but hauntingly shimmers like the aurora borealis. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): CROWN OF ASTERIA — “CYPHER”

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Apr 112024
 

We don’t know who first coined the term “atmospheric black metal”, but it has obviously stuck. Its meaning, however, despite its wide usage, is somewhat vague. It suggests music that is more geared toward the creation of mood or visions kindled in the imagination than, well, music based more centrally on riffs and riots. But that still leaves a lot un-defined.

The vagueness of the term makes it a big umbrella, or a big tent, or whatever you want to call a canopy that covers a lot of people and the different things they’re doing, including people whose activities spill them outside the covering.

Which brings us to Michigan-based Crown of Asteria, the distinctive solo project of the musically prolific Meghan Wood. Now more than 10 years into its existence, Crown of Asteria has amassed a lengthy discography, one that has exhibited as much experimentation as it has been threaded with through-lines.

But while no year has passed since Crown of Asteria‘s inception without something new from the project (and usually several or many somethings), it’s been more than five years since the last full album — a span that will be closed on April 12th with Fiadh Productions‘ release of a new Crown of Asteria album named Cypher, which is the subject of today’s premiere. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): MOTHER OF ALL — “GLOBAL PARASITIC LEVIATHAN”

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Apr 102024
 

I have no competent statistical evidence to back up this assertion, but it seems like the way most metal bands work is that the music comes first and then the vocalist, who may or may not be an instrumental performer, comes up with lyrical themes and words that might have no connection to whatever the other songwriters were feeling and thinking when they cooked up the music.

That is probably not the way things have worked in Mother of All. This band is the brainchild of Danish musician Martin Haumann, and although he has surrounded himself in Mother of All‘s recordings with some very talented instrumental performers to augment his own prodigious talents, it’s he who is the lyricist and the songwriter, and the lyrical themes have been crafted with such conceptual focus and adamance of belief that it seems unlikely they were an afterthought. More likely, those themes were in mind when much of the music was written.

On the other hand, the music on Mother of All‘s new album Global Parasitic Leviathan, which we’re premiering today just days from its April 12 release, is so fantastically exhilarating that it may create a disconnect in the minds of listeners from what the album is about. But let’s begin with what the album is about…. Continue reading »

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