(Below you’ll find DGR‘s extensive review of the eagerly awaited new album from the Swedish band In Mourning, released at the end of August by Supreme Chaos Records and Dalapop.)
Over the course of a two-decade-plus career and seven full-length albums, Sweden’s In Mourning have had eras to their overall sound. Considering how varied their overall discography has been, you can still – albeit with stretching that would make your average fitness class jealous – somewhat neatly gather together their releases into historical periods of the band.
The core of their overall progressive death metal sound over the years has been augmented time and time again, resulting in a forlorn and poetic melodeath era of the group that saw full expansion in The Shrouded Divine and Monolith as well as a conceptual, more doom- and post-metal oriented mid-era of their career comprised of albums like The Weight Of Oceans, Afterglow, and Garden Of Storms.
A band having specific historical epochs like this is often reflective of landmark albums and seismic changes to a band’s overall sound – which often follows with releases that run in a similar vein as a band discovers a new path to travel down, either to diminishing returns over time or with a sound that becomes so ingrained with their identity that they’re near inseparable. Continue reading »
